Contributors

Akanksha Raja

Untitled design (14)
Leah Diprose; Supplied

Words in Transit: George Town Literary Festival 2019

By Akanksha Raja (1,715 words, 7-minute read) The George Town Literary Festival returns for its ninth year next weekend (21 – 24 November) with the theme of forewords/afterwords, a decidedly future-oriented focus pertaining to notions of transitions and new beginnings. Some of the festival highlights include a conversation with 2019 Man Booker International Prize winner […]

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A Bigger Party Than Expected. Photo by Tuckys Photography
Tuckys Photography

A Bigger Party Than Expected: Honouring Rex Shelley at SWF 2019

By Akanksha Raja (830 words, 4-minute read)   On 1 November, The Arts House plays host to an unlikely wedding celebration titled A Bigger Party Than Expected, which features “silent disco” dances to an Eurasian folk song, multidisciplinary art installations, and an assortment of performances. These unusual nuptial festivities are how The Arts House is

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Yuhei Ara-Facebook Kluang 2.0
Courtesy of INXO Arts & Culture

Discovering and Re-discovering Kluang: The INXO International Residency Programme

By Akanksha Raja (1,493 words, 6-minute read) It’s almost 4pm as the KTM train I’m travelling on trudges to a slow halt at the railway station in Kluang, Johor. The first thing that catches my eye is Kluang Rail Coffee, right in the middle of the station, one of the town’s most famous – and

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Untitled design (5)
Courtesy of Singapore Repertory Theatre.

Uncovering the Enigma of Lin Bo: “Caught” by SRT

By Akanksha Raja (1,500 words, 6-minute read) It’s a party … It’s unbridled and free and outrageous. It demands a full-body, full-mind engagement. That’s how New York-based director Ed Sylvanus Iskandar describes Caught, Singapore Repertory Theatre’s latest production, a socially immersive experience at Miaja Gallery taking place from 10 September onwards. It’s an unusual and

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undressingroom
"Undressing Room" by Ming Poon. Photo courtesy of M1 Singapore Fringe Festival.

Unravelling the History of Nudity in Singapore Theatre

By Akanksha Raja (2144 words, nine-minute read) The naked body on stage (even if only imagined) has a potent social power: taboos surrounding the body can shock and offend some Singaporeans. But when did this start? How has public response to incidences of nudity on the Singapore stage changed, and how have changing policies on

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SIFA 2019: Top Ten Picks

By Akanksha Raja The 42nd Singapore International Festival of Arts returns this year from 16 May to 2 June 2019. In its second year under Festival Director Gaurav Kripalani, it promises a larger smorgasbord of critically acclaimed international performances as well as Singaporean commissions. Watch the Festival’s official trailer:  Within one hour of the

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Weeky S.E.A. Radar: The Krossing Over Arts Festival in Vietnam; Thailand’s first transgender MP, filmmaker Tanwarin Sukkhapisit

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

Weeky S.E.A. Radar: The Krossing Over Arts Festival in Vietnam; Thailand’s first transgender MP, filmmaker Tanwarin Sukkhapisit Read More »

Weekly S.E.A. Radar: Political Art ahead of Thailand’s elections; the 9th Cambodian International Film Festival

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

Weekly S.E.A. Radar: Political Art ahead of Thailand’s elections; the 9th Cambodian International Film Festival Read More »

Exploring the Past Through the Personal: “Meantime” and “Rojak Romance” at TFOOPFest

By Akanksha Raja (1181 words, five-minute read) It’s 2019 and nostalgia is in the air in Singapore, thanks to the Bicentennial fever that is sweeping the country. Standing out among the plethora of Singapore Bicentennial events is a youth-led initiative, The Future of Our Pasts Festival: a multidisciplinary programme which dialogues with the idea of

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Weekly S.E.A. Radar: Digital Public Art in Hanoi, A Mobile Library in rural Cambodia

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

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Sensorial Trail

The Sensorial Trail: Experience Art through Smell, Sound and Touch at National Gallery Singapore

Art doesn’t have to be for the eyes only. As part of the Light To Night Festival 2019, National Gallery Singapore presents The Sensorial Trail, a series of artworks that draw on your other senses – those of smell, sound, and touch – in an intimate, sometimes playful exploration of intimacy with our various senses.

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The ArtsEquator Logo Challenge

The ArtsEquator Logo Challenge

Hands up if you’ve ever wondered what the ArtsEquator logo symbolises! 🙋 Few can identify all the Southeast Asian capitals represented by the red dots on the logo. We quizzed random strangers in Penang on their geographical knowledge of the region’s capitals – watch them attempt to tackle the challenge and see how many you

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Music – a propaganda promoting the Khmer Rouge socialist identity (via the Phnom Penh Post)

Shortly after their rise to power in April 1975, the Khmer Rouge sought to change the social identity of the Khmer people. Through forced relocation, expropriation of possessions and separation of family members, the regime sought to eliminate old identities as much as possible. But one curious and often overlooked aspect of their re-education programmes

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