BOOM! by Jean Tay, presented by The Callbacks, Drama Centre Theatre, 24 Nov 8pm The Callbacks once again presents a night of truth, humour and sentiment with their take on ‘Boom’ by Jean Tay. Centred on the struggle between a mother and son who are divided about their HDB property going en bloc, the play will […]
20 – 26 November 2017: Singapore Read More »
We Just Turned One Year Old! To celebrate, we’re launching a photography competition that honours the practice of artmaking. If you have any questions or need more information, email us: contact(at)artsequator.com Tags: Competition
ArtsEquator Photography Competition Read More »
“For every writer, once in a rare while, a book comes along and really shakes you up, where (instead of that height/ceiling metaphor) I’d like to say instead, the floor drops on which you thought the legs of fiction stood. Victor Fernando Ocampo’s The Infinite Library and Other Stories did that for me. The ideas that power
Discipline the City (23 August – 26 November 2017) is a three-act multi-arts exhibition held at The Substation. Going beyond a static presentation commonly utilised in exhibitions, the show includes permanent exhibits, site-adaptive performances, punk tours, talks, workshops, a shop and rotating exhibits. The monumental programme demands repeat visits over the whole period of the
Contingent Spaces: “Discipline the City” at the Substation Read More »
Dreamseeds Arts Fest by Club Rainbow, 18 – 25 Nov, *SCAPE An initiative by Club Rainbow (Singapore), Dreamseeds Arts Fest 2017 is a multi-experiential arts festival headlined by the non-profit organisation’s beneficiaries. Dreamseeds Arts Fest is an open-to-public inclusive arts platform that offers beneficiaries the opportunity to realise their creative potential and connect with a
13 – 19 Nov 2017: Singapore Read More »
Duration: 21 min Dr Stephanie Burridge and dancer Chloe Chotrani recap the da:ns festival 2017 by Esplanade Theatres on the bay, sharing their personal reflections on the shows they’ve seen. Chloe discusses the relevance of Eisa Jocson’s practice to Filipin@ sociopolitics, and how this comes through in Jocson’s double-bill of Macho Dancer and Corponomy, while Stephanie
Podcast 30: da:ns festival 2017 Read More »
Poop! by Chong Tze Chien A family left stranded in the aftermath of a father’s seemingly irresponsible, selfish suicide, must learn to navigate its way through the nooks of grief and crannies of letting go and letting be, all whilst holding to semblances of hope through a widow’s grief, a mother’s denial, and the celebration
The Finger Players’ Contemporary Classics Season 2017: “Poop!” and “The Spirits Play” Read More »
By Kathy Rowland (770 words, 5 minute read) The Asian Dramaturgs’ Network, launched in April 2016 in Singapore by dance dramaturg Lim How Ngean, has quickly extended its regional footprint this year with meetings in Yokohama and Australia. Its Satellite Symposium in Adelaide, presented by Centre 42, brought Australian and Asian cultural practitioners into the same
Asian Dramaturgs’ Network in Adelaide: Getting Messy to Make Sense Read More »
Bersama-sama: Exhibition Launch by Jasmeet Notay and Steph Jack, Supernormal Gallery, Kreta Ayer Road, 11 Nov 6pm – 10pm Bersama-sama is a small collection of abstract works by Jasmeet Notay and Steph Jack. Jack splatters and blends acrylics to create fluid, whimsical dreamscapes while Notay’s paintings are moody
6 – 12 November 2017: Singapore Read More »
By Chloe Chotrani (927 words, 7-minute read) To witness the work of Eisa Jocson is an absolute privilege at this point in history. The double-bill pairing up Jocson’s internationally acclaimed Macho Dancer and the new Esplanade commission Corponomy, investigate the economic body as archive of labor and service in the Philippines. It is said that
Eisa Jocson at da:ns festival 2017: The Body as Archive of Filipino Labour Read More »
For Esplanade’s da:ns festival 2017, LASALLE College of the Arts and Nanyang Academy of Fine Arts (NAFA) come together for The Next Generation to present 70 minutes of well choreographed works that offer an insight into what we can come to expect from the next wave of dancers anticipating to enter the industry. LASALLE College
“The Next Generation”: LASALLE and NAFA at da:ns festival 2017 Read More »
German Film Festival by Goethe-Institut Singapore, various venues and timings from 2 – 12 November 2017 The German Film Festival will present its 21st edition in 2017 over two weeks. This year, more than 30 ambitious and fascinating films will provide a unique insight into contemporary life in Germany
30 Oct – 5 Nov 2017: Singapore Read More »
By Rebekah Sangeetha Dorai (1900 words, 12-minute read) Pathey Nimidam 2017 opens up to a simple bare-bones theatre, plunged in darkness with a few blocks embellished with light, waiting for creativity and spark to bring them alive. From here stemmed eight different plays each unfolding within ten minutes. These offerings ran over a three-day period
Pathey Nimidam 2017: A Tamil Theatre Festival Read More »
By Bernice Lee (800 words, 5-minute read) Dance Clinic by Choy Ka Fai is thick with information and ideas. The choreographer performs a trickster role in an artistic approach similar to his previous offerings of SoftMachine (2015). Dance Clinic projects into the future, and digs into the past. It is in conversation with a curated canon of dance, with neuroscience, with
Choy Ka Fai’s “Dance Clinic”: The Dance Doctor Is In Read More »
Macho Dancer and Corponomy by Eisa Jocson, Esplanade Theatre Studio, 27 – 28 Oct This weekend at the Esplanade’s da:ns festival 2017 sees Eisa Jocson perfoming a double-bill of Macho Dancer and Corponomy. Corponomy is a new commission by the Esplanade Theatres on the Bay
23 – 29 October 2017: Singapore Read More »
By Patricia Tobin (534 words, 5-minute read) Pangdemonium’s Fun Home is a musical based on the same-titled graphic novel by cartoonist Alison Bechdel. Set in Pennsylvania, Fun Home zigzags between forty-something lesbian cartoonist Alison, “young Alison” as a child, and “medium Alison” as a college student. Her father is an English teacher and director of
Pangdemonium’s “Fun Home”: Safety in Numbers Read More »
By Patricia Tobin (483 words, 4-minute read) “Have you eaten?” is the go-to greeting for Singaporean Chinese families. Typically asked in dialect (“Jiak ba buay?”), or sometimes Mandarin (“Chi bao ma?”), “Have you eaten?” is a sign of courtesy towards your parents or grandparents, a simple question that bolsters familial bonds. W!ld Rice’s Grandmother Tongue
Lessons in “Grandmother Tongue” Read More »
The Necessary Stage, in collaboration with HANCHU-YUEI, one of Tokyo’s most innovative theatre companies, brings us a work that explores the digital remains of life after death in another thought provoking work, “Sanctuary” opening 1 November 2017. Acclaimed playwright Leow Puay Tin interviews the production’s dramaturg, Ken Takiguchi about being the man in the middle. Ken
Ken Takiguchi: A Dramaturg’s Sanctuary Read More »
Poop! by The Finger Players, Victoria Theatre, 20 – 22 October A man dies. His widow grieves. His mother laughs out loud because to her, death is merely a joke. His 8 year old daughter wonders, “When is life worth living; when is death worth celebrating?” Ticketing and more information. A Design Film Festival 2017
16 – 22 October 2017: Singapore Read More »
If you have any questions or need more information, email us: contact(at)artsequator.com Tags: Lyn Gardner Open Call
OPEN CALL: One-on-One Critique with Lyn Gardner Read More »
Duration: 18 mins The first Asian Youth Theatre Festival (AYTF), organised by Singapore’s Buds Youth Theatre, will take place at *SCAPE from 13 – 15 October. Featuring theatre practitioners and youth theatre groups from 10 Asian countries, it’s a chockablock weekend of original plays, workshops, street performances, and a flea market. We caught up with
Podcast 29: Asian Youth Theatre Festival 2017 Read More »
In 2015 Singapore celebrated ‘SG50’, the city-state’s golden jubilee, marking 50 years of independence as a sovereign nation. Commissioned by the Singapore International Festival of Arts to respond to that year’s theme of ‘Post-Empires’, W!ld Rice created Hotel, a sprawling, four-and-a-half-hour-long play in two parts intended to subvert the nationalistic triumphalism of the jubilee’s official
W!ld Rice’s “Hotel” at Adelaide’s OzAsia Festival Read More »
Duration: 33 mins Hot on the heels of our first podcast on Singapore International Festival of Arts 2017, which focused on the festival’s Singaporean commissions, the second part of our podcast recap zooms in on the international productions, which all saw their Asia-Pacific premieres at the festival. In studio, Chan Sze-Wei, Shawn Chua, Felipe Cervera, Naeem
Podcast 28: SIFA 2017 Part 2; International Shows Read More »
Who are the next generation of dancers in Singapore? What do they aspire to? On stage, defying gravity looks like their natural state of being. Bodies slip from sentryesque sequence, to uncoagulated fluidity within a beat’s count, before turning back on themselves. Crispian Chan goes behind the scenes to capture the labour that bears these
Photo Essay: “The Next Generation” Dancers of NAFA and LASALLE Read More »
By Marcus Yee (872 words, 8-minute read) A time capsule of a film on time capsules, Tan Pin Pin’s latest film In Time To Come is underpinned by a confounding observation: Singapore’s national obsession with time capsules, despite the nation-state’s short post-independence history. The otherwise plotless film follows three time capsules, the sealing of two time capsules
Tan Pin Pin’s “In Time To Come”: On the Edge of a Snow-Globe Starburst Read More »
By Elaine Chiew (1350 words, 10-minute read) The stitching together of alternative histor(ies) within artistic exploration as a kind of “false radical chic”, to borrow Singaporean artist Ho Tzu Nyen’s term[1], can cloud the tougher question of where lies the artist’s burden of truth when playing with history. The four artists showcased in Ghosts and
“Ghosts and Spectres”: The Burden of History and Artistic Narration Read More »
The Asia Europe Foundation’s Culture360 and ArtsEquator present a series of 5 co-commissioned articles that look at arts groups, artists and performances in Southeast Asia that are comprised of or address artists with disabilities. In this article, Stephanie Burridge talks with performance-maker Ramesh Meyyappan about inclusivity, the need for hearing and hearing-impaired artists to share the same
“Off Kilter”: Interview with Ramesh Meyyappan by Stephanie Burridge Read More »
9th Love & Pride Film Festival by Golden Village and Singapore Film Society, various GV cinemas, 27 Sept – 8 Oct Curated by the Singapore Film Society (SFS), Golden Village’s 12-day Love & Pride Film Festival returns for its 9th year, featuring a bold lineup of six internationally acclaimed
2 – 8 October: Singapore Read More »
Duration: 39 mins Elaine Chiew, Naeem Kapadia, Matt Lyon and Kathy Rowland dissect some of the Singapore-led offerings at the Singapore International Festival of Arts 2017: Becoming Graphic, an original cross-genre commission by Sonny Liew and Edith Podesta, Art Studio by Nine Years Theatre, adapated from the novel by Yeng Pway Ngon, Dragonflies by Pangdemonium, written by resident
Podcast 27: SIFA 2017 Part 1; Singapore Commissions Read More »
In what ways does an art institution inhabit the stone mausoleums of two former colonial structures; how can citizens take ownership of those immaculately preserved halls? Susan Sentler trained at the Martha Graham School in New York, danced with the Martha Graham Ensemble and is currently based in Singapore, teaching at LASALLE College of the
Susan Sentler’s “Roof Response” to Danh Vō at National Gallery Singapore Read More »
