GIF Six Pack: Timeslicing Singapore (via The Creators Project)
Tags: The Creators Project
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Singapore
Don’t Miss Out!
ArtsEquator is a ground-up initiative. We’re a non-profit organisation, committed to building an arts media that supports the arts ecosystem in Southeast Asia. We are, for now, entirely self-funded. We do however, pay all writers who write original pieces for us (admittedly a small fee for the moment) because we want to build sustainability, but
Singapore Biennale 2016: A/political Performance – Atlas of Mirrors in Context
By Wei Er Xun, Finalist, Best Essay by an Emerging Art Writer Competition* (2700 words, 30-minute read) Introduction The stakes of exhibitions have always been high. Before the advent of the cinema, television and other mass media, large-scale exhibitions and world expos were primary sites for cultural exchange. As Maria Lind explains in a text
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Singapore Biennale 2016: The Myth, the Mirror and the Map
By Elaine Chiew, Finalist, Best Essay by an Emerging Art Writer Competition (2996 words, 30-minute read) Much of our ideas about maps today are reduced to their function: their ability to tell us where we are and how to get somewhere. However, maps as art inquire what a map is rather than what it does.
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Singapore Biennale 2016: The Performative Curator
By Eunice Lacaste, Finalist, The Best Essay by an Emerging Art Writer Competition* Introduction Entering the Singapore Art Museum[1] during the media preview of the Singapore Biennale 2016[2], we could barely disregard the museum staff installing wall text decals. Other artworks were still being shifted around. Some of the art viewers did not mind this.
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Podcast 8: 2016 in Dance
Duration: 50 minutes Podcast co-hosts Kathy Rowland and Matt Lyon are joined by LASALLE School of Dance programme leader Melissa Quek, dance critic and educator Stephanie Burridge, and alumni of LASALLE’s School of Dance, Meta Setiawan, as they recap the past year in dance productions: their favourite shows of 2016, how Singapore audiences have received them, the
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19 – 25 Dec 2016: Singapore
Mulan the Musical at Resorts World Sentosa Runs until 5 Feb 2017 In Mandarin with English surtitles, this rendition of the legend of Hua Mulan is a musical comedy from Taiwan that is quite different from the more popular Disney version. Features “Singapore-inspired” songs, local performers Pierre Png and Ann Kok, and Taiwanese vocalists Zhou Ding
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Winning Poems of Migrants
Tags: Migrant Worker Poetry Competition The Straits Times
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Freaks and Greeks: Electra by Cake Theatrical Productions
By Matthew Lyon (504 words, 6-minute read) Over the years, my reactions to Natalie Hennedige’s work for Cake Theatrical Productions have ranged from adulation (Nothing, 2007) to anger (Versus, 2015), with her recent productions tending towards the latter. How wonderful, then, to see such an abrupt reversal of this trend in a rough-hewn, sharp-edged version
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12 – 18 Dec 2016: Singapore
In Search of Salt by Passerby Projects at Centre 42, 16 – 17 Dec This original play staged by performance collective Passerby Projects was written to pass the Bechdel Test and will be performed in a theatre-in-the-round setting. It’s a mystery-thriller story revolving around a girl trying to uncover the meaning behind messages she receives from
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Interview: Tan Liting, “Pretty Butch” at M1 Fringe Festival 2017
Tags: LGBT M1 Singapore Fringe Festival Tan Liting
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Outside Looking In: “A Yellow Bird”
By Akanksha Raja (810 words, 8-minute read) First screened at the International Critics’ Week at the Cannes Film Festival 2016 this summer, A Yellow Bird is K Rajagopal’s first feature film after many acclaimed, award-winning short films. His body of work shows a concern for the lives of Indians in Singapore, drawing from his experience
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5 – 11 Dec 2016: Singapore
Cheng Ran: In Course of the Miraculous (Southeast Asian premiere) by Institute of Contemporary Arts Singapore Sunday 11 Dec 2016, 11am-9pm Following its world premiere at the 14th Istanbul Biennial in 2015, and screenings at Art Basel, K11 Art Foundation in Hong Kong and across China earlier this year, this 9-hour film will have its
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Ownself Check: SWF 2016 Lecture, Unwritten Country
By Pavithra Raja (831 words, 5-minute read) On November 5th, acclaimed literary figures Gwee Li Sui and Boey Kim Cheng both spoke on the topic, Unwritten Country, as part of the Singapore Writers’ Festival Lecture series. The softly lit Chamber Room at the Arts House – formerly the old Parliament house – set a fitting
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Losing My Religion: “Disgraced” by SRT
By Akanksha Raja (1000 words, 8-minute read) When SRT Artistic Director Gaurav Kripalani revealed that the Media Development Authority approved of Disgraced without making any edits to the script, in answer to a question about censorship, there was an audible gasp from the audience at the post-show dialogue on 22 November. Regulatory authorities are known
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When Your Privates Become Public: From Synge to M1 Fringe
By Corrie Tan (2043 words, 15-minute read) It was January 26, 1907, a Saturday night in Dublin, Ireland. Audience members, rowdy and revolted, were pouring out of the Abbey Theatre after the premiere of playwright J. M. Synge’s The Playboy of the Western World. These riots would continue throughout the play’s week-long run, with the
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Production Talk with K Rajagopal on ‘A Yellow Bird’
Tags: A Yellow Bird K Rajagopal Singapore International Film Festival
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Preview: Dear Jay by Blue Bean Productions
By Akanksha Raja (530 words, 5-minute read) Blue Bean Productions’ maiden show Dear Jay was spawned from a series of e-mail exchanges between producer and lead actor Benedict Leong and playwright Euginia Tan, about personal experiences coping with mental illness. They had met while working on the Twenty-Something Theatre Festival in June 2016, him as assistant producer of the
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Podcast 7: The Second Breakfast Company’s Family by Leow Puay Tin
Duration: 30 minutes Michael Ng, who reviewed the 20th Anniversary production of Family for bakchormeeboy joins podcast co-hosts Kathy Rowland and Matt Lyon in a discussion about the staging history of Family, and the relevance of the play today. Opening music by Caspar Productions. Stream Podcast 7: To download Podcast 7, right-click here and select ‘Save Link
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28 Nov – 4 Dec 2016: Singapore
Projek Suitcase 2016: Metamorphosis by Teater Ekamatra 30 Nov – 4 Dec, from 7:30pm In the latest edition of Teater Ekamatra, 16 performing artists or performance makers across disciplines and genres have been invited to stage 8 monologues over 2 days at Aliwal Arts Centre. Exploring a multitude of issues and themes, the festival is
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Low Octane: SRT’s Disgraced
By Matt Lyon (482 words, 6-minute read) Ayad Akhtar’s Disgraced, a modern tragedy about the fall of an apostate Muslim-American lawyer, is a notable inheritor of the realist theatrical tradition. Sadly, it inherits the worst traits: Ibsen’s machine-cut-jigsaw plotting and Shaw’s parliamentary-debate dialogue. To be fair, Akhtar recognises that his play might engender a “stilted
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Don’t Say Cheese: Interchange
By Kathy Rowland (988 words, 10-minute read) Spoiler Alert: If you want to enjoy Interchange in all its suspenseful glory, watch the film before you read this review. The 27th Singapore International Film Festival opened last week with the Asian premiere of the Malaysian film, Interchange. Dain Iskandar Said’s third feature is a ‘fantasy noir
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Review of Signs of a Nest with Susan Sentler
Tags: Susan Sentler The Substation
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Crisis of Masculinity: Best Of (His Story)
By Matthew Lyon (480 words, 6-minute read) The Necessary Stage’s Best Of (His Story) is a response to the company’s 2013 monologue, Best Of that detailed a day in the life of a young Malay-Muslim woman. The project of the original piece was to endow a racial stereotype with such verisimilitude that when she fails her
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21 – 27 Nov: Singapore
Akanksha’s Top Picks in Singapore from 21 – 27 November 2016 Akanksha is Assistant Editor at ArtsEquator. She grew up in Singapore and graduated from LASALLE College of the Arts in 2014. She gladly invites event recommendations at akanksha(at)artsequator.com, and in the meantime, here are a few shows she’s looking out for this week: Cari Makan by Hatch Theatrics, 24
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Podcast 6: da:ns lab – What You See Is Not What I Meant
Duration: 27 minutes Choreographer and performance makers Susan Sentler and Chan Sze Wei recently participated in the Esplanade’s da:ns lab 2016 workshop, facilitated by daniel kok. Unlike previous workshops, in which processes of making were central, this year’s lab enshrined the viewer’s gaze. We talk with Susan and Sze Wei about their experiences during the three-day
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SWF 2016 Panel: Southeast Asian Speculative Fiction
By Akanksha Raja (608 words, 6-minute read) Speculative fiction (or spec-fic) is an umbrella term for a number of literary genres including science fiction, fantasy, alternate history, magical realism, and horror. It’s the term for all those movies and books that for most of the 20th century used to be typified as the domain of
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14 – 20 Nov 2016: Singapore
Akanksha’s Top Picks in Singapore from 14-20 November 2016 Akanksha is Assistant Editor at ArtsEquator. She grew up in Singapore and graduated from LASALLE College of the Arts in 2014. She gladly invites book/art/film/album/event recommendations at akanksha(at)artsequator.com, and in the meantime, here are a few shows she’s looking out for this week: Women in Photography 2016 Venue: Objectifs
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Changing Notions: On the Back of a Raging Bull
Asian works were part of the main programme in this 50-year-old festival From 24 September to 2 October 2016, the jubilee edition of the Belgrade International Theatre Festival (BITEF) with the subtitle “On the back of a raging bull”—with contemporary dance and theatre performances, film screenings, exhibitions, workshops and conferences—was held at various venues in
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