ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional […]
Duration: 20 min In our latest podcast, Thai theatre critic Amitha Amranand gives a comprehensive overview of the media landscape in Thailand, discussing the impact of the political and legal system on the arts and the paradoxical freedom that arts journalists have in the country. This presentation was part of a series of Country Media
Podcast 61: The Media Landscape in Thailand Read More »
ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional
ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional
ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional
By Akanksha Raja and Ke Weiliang (1,444 words, 6-minute read) The inaugural Asian Arts Media Roundtable (AAMR) took place between 24 to 25 May 2019 at LASALLE College of the Arts, Singapore. Organised by ArtsEquator, the two-day gathering of over 20 arts journalists, critics, editors and members of the media and cultural industries from ten
Asian Arts Media Roundtable 2019: When Asian Critics Meet Read More »
ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional
ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional
Below is a summary of Critics Live! for Displaced Persons’ Welcome Dinner by Checkpoint Theatre. This took place live at The Arts House on 24 May 2019. The panelists were: Dede Pramayoza (Indonesia), Helmi Yusof (Singapore), Hiroyuki Takahashi (Japan) and Pawit Mahasarinand (Thailand). The session was moderated by ArtsEquator’s co-founder, Kathy Rowland. Kathy Rowland opened
Critics Live: A Post-Show Response to Displaced Persons’ Welcome Dinner Read More »
ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
Weekly S.E.A. Radar: Vietnamese artwork ruined; Myanmar rocket festival Read More »
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
Weekly S.E.A. Radar: Starchitecture in the Philippines; Thong Lor’s erotic art museum Read More »
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
Weekly S.E.A. Radar: Goodbye Democrazy; Art Fair Philippines 2019 Read More »
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
Weekly S.E.A. Radar: 11th Yangon Photo Festival; Cambodia’s first feminist arts festival Read More »
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s our first weekly round-up of content, scoured and sifted from a range of regional news websites, blogs and media platforms, and brought together
Established in 1995, the Tokyo Performing Arts Market (TPAM) was created to be a platform to network Japanese artists with producers and funders. 24 years later, TPAM has expanded in scope and purpose, to include live performance, panel discussions and symposiums. In 2011 it moved to the City of Yokohama, and was renamed the Performing
ArtsEquator’s Top 10 Picks at the Performing Arts Meeting 2019 Read More »
“Will it still be customary for movie-goers to stand for the royal anthem ten years from now?” I wonder, as the familiar ritual compels me to my feet before the start of the feature. Ten Years Thailand invites four Thai directors to imagine what their country will be like a decade from now. It follows the
Film Review: Ten Years Thailand (via New Mandala) Read More »
“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer, and director reveals a glint of mischief behind his earnest and gentle demeanor. “I am looking for misunderstandings, for opportunities to negotiate. When things are wrong, they are right.” [1] When I was initially brought as a dramaturg into the
Telling A Thai Tale: A Dance Dramaturg’s Take (via The Theatre Times) Read More »
If you have ever felt that classical Indian dance is too melodramatic – if you have ever rolled your eyes at a dancer’s fervid abhinaya, or a poem narrator’s extravagant diction – or if you think all the bright drapery, clashing saris, and coloured lights are unbearably gaudy, then Padmini Chettur’s Varnam is the corrective
Padmini Chettur’s “Varnam” and Pichet Klunchun’s “I Am A Demon”: An Instructive Contrast Read More »
Photographer Pattana Chuenmana has reimagined the illustrations of Hem Vejakorn, a well-known Thai artist and writer, in moving black-and-white still images. Chuenmana talks with Southeast Asia Globe about his latest project. After Hem Vejakorn pays homage to the revered illustrator who was famed for his ghost stories. Chuenmana stresses the importance of the era Vejakorn lived in, when
A new Taiwan-Thailand drama school collaboration is as delectable as pineapple tarts. One of the joys of attending a student theatre work – when it’s not the typical graduation project for which many of the aspiring artists have to do what their professors prescribe to get good grades –is that we can feel the energy,
On The Level with Theatre Students of Taiwan and Thailand (via The Nation) Read More »
The Bangkok Art Biennale beginning on October 19 will have as its theme “Beyond Bliss”. The event puts the Thai capital along cities around the world, from Berlin to Beijing, that host biennials, bringing together creative minds to construct their own unique narratives. The themes are always thought provoking and past events have run the
Biennale seen posing challenges for artists (via The Nation) Read More »
Everyone is always watching and being watched in Pratthana: A Portrait of Possession, the latest play by Japanese director Toshiki Okada. The play begins with a Narcissus-like image—a young man gazes into the water as he describes a scene of a man being watched by another. Behind the actor, crew members tip an orange plastic
“Pratthana: A Portrait of Possession”: Of Politics and Desire Read More »
The annual Asian Restored Classics (ARC) festival is an initiative by the Asian Film Archive (AFA). It’s the first of its kind in Singapore, providing a platform to celebrate the best of Asian cinema by screening the restored historic and iconic films to be appreciated by new generations of audiences. The past two editions of
Asian Restored Classics 2018: Revisiting the Past In New Light Read More »
Should museums be funded by the state or by private sponsors? The question looms large with the current problems at Bangkok Art and Culture Centre (BACC), the largest publicly-funded art gallery in the country — and with the rise of many private galleries that seem to flourish with the burgeoning art scene. The difficulties at BACC
Who pays for art? (via Bangkok Post) Read More »
