ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and […]
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
Weekly S.E.A. Radar: Goodbye Democrazy; Art Fair Philippines 2019 Read More »
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
Weekly S.E.A. Radar: 11th Yangon Photo Festival; Cambodia’s first feminist arts festival Read More »
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
Weekly S.E.A. Radar: Digital Public Art in Hanoi, A Mobile Library in rural Cambodia Read More »
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s our first weekly round-up of content, scoured and sifted from a range of regional news websites, blogs and media platforms, and brought together
Shortly after their rise to power in April 1975, the Khmer Rouge sought to change the social identity of the Khmer people. Through forced relocation, expropriation of possessions and separation of family members, the regime sought to eliminate old identities as much as possible. But one curious and often overlooked aspect of their re-education programmes
PHNOM PENH/BANGKOK (Reuters) – Cambodia’s centuries-old tradition of masked dance was nearly wiped out by the Khmer Rouge’s “Killing Fields” regime, but a handful of artists managed to keep it alive and are now working to pass it along to a new generation. Sun Rithy’s father and grandfather were both performers of the Lakhon Khol
Masked dance tradition rises from near extinction in Cambodia (via Reuters) Read More »
The debate as to whether international museums and governments should return cultural artifacts acquired during the colonial period is not a new one. However, it has now been re-energized by French President Emmanuel Macron’s decision that France will return 26 cultural artifacts to Benin. The announcement follows the release of a presidential-commissioned report by French art historian Bénédicte Savoy
It’s Time for French Museums to Return Cambodian Artifacts (via The Diplomat) Read More »
Meeting in Mauritius until 1 December, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed eleven elements from the Asia-Pacific region on the Lists of UNESCO’s Intangible Cultural Heritage. Among them, two elements have been added to the List of Intangible Cultural Heritage in Need of Urgent Safeguarding while nine elements from
An new art exhibition in Phnom Penh featuring works by Cambodian and foreign artists will raise questions about plastic use and recycling, through woodcarvings, illustrations and even a motorbike. On first arriving in Cambodia’s ever-expanding capital Phnom Penh, one is struck by the rubbish lying on the sides of the street; order noodle soup to
Kilong Ung was just a teenager when the Khmer Rouge overtook his hometown of Battambang in Cambodia. Under the new regime, he and his seven sisters, along with their parents, were forced into concentration camps, where they worked 13 hours a day on a daily ration of two tiny bowls of rice porridge and whatever
NDO – The Vietnamese Culture Week opened at Chaktomuk theatre, in Phnom Penh, Cambodia, on September 11. The opening ceremony was attended by the Cambodian Minister of Cults and Religion Him Chhem, Cambodian Minister of Culture and Fine Arts Phoeurng Sackona, Deputy Minister of Culture, Sports and Tourism Le Khanh Hai, Vietnamese Ambassador to Cambodia
Vietnamese Cultural Week opens in Cambodia (via Nhân Dân) Read More »
August 31, 2018 18:20 United Nations’ cultural agency Unesco’s Facebook page has hosted a heated debate between Cambodians and Thais over Bangkok’s proposal for the inclusion of “khon” masked dance on the agency’s Intangible Cultural Heritage list. Social network users across the border have claimed the dance was Cambodian, not Thai, in Facebook comments since
Cambodian FB users rage over dance ownership (via The Nation) Read More »
Duration: 35 mins At SeaShorts 2018, which took place from 1 – 5 August 2018 in George Town, Penang, we caught up with Cambodian film director, screenwriter and producer Rithy Panh, and Park Sungho, programmer for S-Express Cambodia (a selection of Cambodian short films at SeaShorts), who’s also a programmer for the Cambodia International Film
Podcast 45: On Southeast Asian Film with Rithy Panh and Park Sungho Read More »
Between Tiny Cities (រវាងទីក្រុងតូច), a two-hander dance performance dovetailing b-boy vocabulary with contemporary dance, was the result of a three-year cultural exchange between Tiny Toones in Cambodia and Darwin City Rockers in Australia. It was presented at George Town Festival 2018, running over the opening weekend of 4 – 5 August. We interview choreographer Nick
AExGTF Chats: “Between Tiny Cities (រវាងទីក្រុងតូច)” at George Town Festival Read More »
Bonn Phum, the Village Festival, now in its fifth year and attracting hordes of young Cambodians, took place from April 6 – 8 2018, in the grounds of the Kok Ampil pagoda. Founded by Lomorpich Rithy with her sister Lomokesorr and a few close friends in 2014 when she was a final-year university student, the
Bonn Phum: Cambodian Village Festival Read More »
April is hot in Cambodia, with temperatures regularly hitting the mid-30s. And in the tourist town of Siem Reap, performers at New Cambodia Artists (NCA), the country’s first contemporary dance company, lay down in their studio as they wait for the midday heat to pass. The power cut doesn’t help. Several industrial fans stand silent
Self-taught artist Yi Kakada has spent the past six years demonstrating his skills by painting on walls, fences and other public areas, often without getting paid. Born in Battambang province, he lost both his parents at an early age. Now residing in Phnom Penh, Kakada, 22, says he had a strong desire to be an
An orphaned artist paints for support (via The Phnom Penh Post) Read More »
As alumni of the Royal University of Fine Arts (RUFA) returned to retrieve paintings they had made for their assignments, a well-known Cambodian photographer spotted one of his among the pile. In a picture posted on Facebook, Mak Remissa, who is known for his photography work for the European Press Agency (EPA) and Cambodge Soir,
Famous photographer finds his old painting (via The Phnom Penh Post) Read More »
Performing a dance in red stilettos is not allowed at Angkor Archaeological Park, but that’s not stopping Khun Sreynoch from working on it. As members of Cambodia’s first contemporary dance company, Ms. Sreynoch and her closest colleagues have known each other since they were children studying Cambodian classical dance, or Apsara. But in fusing old
For many Cambodian music fans, March 20 was a heartbreaking day because Kak Channthy – the 38-year-old female vocal of the band The Cambodian Space Project – passed away in an accident in Phnom Penh. Founded in 2009, The Cambodian Space Project is widely known for their 60s-influenced psychedelic tunes, Channthy’s soaring vocals and playful persona.
The Legacy of Kak Channthy, Cambodia’s Rock and Roll Heroine (via Saigoneer) Read More »
By Elaine Chiew (1,135 words, six-minute read) Spectral and iconic, Dinh Q. Lê’s first major solo exhibition in Singapore premieres his Monuments and Memorials series of works, created as artist-in-residence at STPI – Creative Workshop and Gallery. Born in 1968 in Ha Tien, on the border of Cambodia and Vietnam, Lê fled the Khmer Rouge
Dinh Q. Lê’s “Monuments and Memorials”: A Double Haunting Read More »
Cambodian photographer Ly Min has been recognised in the 2018 Sony World Photography Awards, with his image Cave of Skulls being selected among the top 50 in the world in the Open Travel Category The Open competition rewards the best single image across ten categories, and Min’s photo has been acknowledged as one of the
Cambodian photographer’s image honoured as one of the best in the world (via SEA Globe) Read More »
Cambodian Living Arts believes that arts and cultural expression are essential to a thriving future for Cambodia. This month, we tell the story of Phal Saravuth, leader of Yu Vek Selapak troupe, a group of young artists skilled in dancing, music and theatre. Phal Saravuth formed the troupe Yu Vek Selapak out of the Khmer
Inspiring Arts: Phal Saravuth (via AsiaLIFE Cambodia) Read More »
