WhatsApp Image 2022-09-12 at 12.01.40
(Bottom right) In a village in Bali, Jaap Zindler films two indigenous girls working with a loom, Indonesia (1947). (Top and bottom left) Staged filming on the site of the Government Film Company in the former Mr. Cornelis in Jakarta, Indonesia (1947).

Beyond the Imagination Trajectories of Former Colonies

Dwiki Aprinaldi critiques the influences of colonial history that still seep through the film industry in Southeast Asia. This article is published as part of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022.

Beyond the Imagination Trajectories of Former Colonies Read More »

Crackhouse Comedy Club: A Timeline of a Growing Controversy

It’s been more than six weeks since a video clip of a performance started circulating online in Malaysia. The ever widening fallout has just claimed its latest victim, with the lifetime ban on the co-owners of Crackhouse Comedy Club from owning business in Kuala Lumpur. Mira Sharon tracks the controversy through a timeline of key events – it’s a long ride, so buckle up.

Crackhouse Comedy Club: A Timeline of a Growing Controversy Read More »

2
Citra Kader (Kolektif Videoge), one of the MB Artist in Labuan Bajo, East Nusa Tenggara, sitting in front of their work "Neighbor Recipe Note". Image source: Documentation Tim MB Labuan Bajo.

Makassar Biennale: The Concept of Community Literacy and The Eternal Artistic Question

Wilda Yanti Salam shares an insider’s view of the Makassar Biennale’s ongoing attempt to undo the conventions of biennale-making in eastern Indonesia’s first biennale. This article is published as part of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022.

Makassar Biennale: The Concept of Community Literacy and The Eternal Artistic Question Read More »

3
Nuansa Lokakarya Kuratorial Tim MB dari 5 kota di Situs Karst Pangkep. Sumber imej: Artefact Kitab Maya.

Makassar Biennale: Gagasan Literasi Warga dan Pertanyaan Artistik Yang Abadi

Wilda Yanti Salam berbagi pandangan orang dalam tentang upaya berkelanjutan Makassar Biennale untuk membongkar konvensi penyelenggaraan biennale pada biennale pertama di Indonesia bagian timur. Artikel ini diterbitkan sebagai bagian dari program perdana AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022.

Makassar Biennale: Gagasan Literasi Warga dan Pertanyaan Artistik Yang Abadi Read More »

Untitled
Kapallorek Artspace in collaboration with Ronnie Bahari, “Karoog Kiha Nyep - Fragile and Disappearing” (2022), Still from HD Video 15 min/loop, Photo by PORT ⓒ & courtesy of Kapallorek Artspace.

Careening Into “The Milk of Dreams”: Southeast Asia at the 59th Venice Biennale

While the stated theme of the Biennale is to challenge the hegemony of the West, Nicole Wong finds that the spaces created for these interventions to happen struggles against the behemoth of the Biennale itself.

Careening Into “The Milk of Dreams”: Southeast Asia at the 59th Venice Biennale Read More »

008f0969-e951-4909-a5ef-e9e07c4c2232
Aiswarya Nair and Drake Lim in Pathey Nimidam 2022. Image credit: Wisdom of Monkeys Production.

Contemporary Moves In Modern Singaporean Tamil Theatre

Hemang Yadav was involved in a recent development program, Tunjuk Arah/ Iyakkunar, for Malay and Indian theatre directors in Singapore. He shares his views and reflections on the current state of Singaporean Tamil theatre, and how the programme was an important platform, while also identifying some entrenched ideas underpinning the design of the masterclasses.

Contemporary Moves In Modern Singaporean Tamil Theatre Read More »

Scroll to Top