Naeem Kapadia reviews ‘Berak' by Singapore's Teater Ekamatra and comes away moved by the sensitive trancreation of the original play by Chong Tze Chien.
About the author(s)
Naeem is an arts reviewer and commentator who has been writing critically about performance in Singapore since 2011. He runs a dedicated theatre blog, Crystalwords (crystalwords.blogspot.com), has contributed theatre reviews to publications such as arts journal The Flying Inkpot and Singapore newspaper TODAY and participated in workshops and panel discussions for organisations like Centre 42. He currently sits on the Board of Directors of Arts Equator and co-hosts the theatre podcast for the site.