ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional […]
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
Weekly S.E.A. Radar: Vietnamese artwork ruined; Myanmar rocket festival Read More »
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
Weekly S.E.A. Radar: Starchitecture in the Philippines; Thong Lor’s erotic art museum Read More »
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
Weekly S.E.A. Radar: Goodbye Democrazy; Art Fair Philippines 2019 Read More »
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and
ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s our first weekly round-up of content, scoured and sifted from a range of regional news websites, blogs and media platforms, and brought together
Established in 1995, the Tokyo Performing Arts Market (TPAM) was created to be a platform to network Japanese artists with producers and funders. 24 years later, TPAM has expanded in scope and purpose, to include live performance, panel discussions and symposiums. In 2011 it moved to the City of Yokohama, and was renamed the Performing
ArtsEquator’s Top 10 Picks at the Performing Arts Meeting 2019 Read More »
MANILA, Philippines – Theater junkies of all ages will be happy to know that our local theater scene has some top-notch stage entertainment up its talented sleeve for everyone to enjoy in 2019. Repertory Philippines, one of the country’s leading theater companies, will be celebrating its 82nd season next year with a lineup of 4 incredible
What to expect from the Repertory Philippines stage in 2019 (via Rappler) Read More »
With its true-to-life representation of transgender sex workers in Manila, Gerardo Calagui’s 2017 film Those Long Haired Nights is not afraid to court controversy. Southeast Asia Globe spoke with the Filipino director about the film and the challenges facing the LGBT+ community in his homeland. Tell me a bit about the film… The story is about three transgender women
Ten bold and emotionally stirring stories have been selected as finalists the 2nd Viddsee Juree Philippines, a festival of short films that celebrates and supports filmmaking communities in Asia. A wide range of independent filmmakers from different backgrounds turned in their work for selection including more familiar names like Ma. Jhayle Ann Marie Meer and
Short film fest to send winner to Hollywood (via The Manila Times) Read More »
Playwright and University of the Philippines faculty member Wilfrido Ma. Guerrero pioneered in bringing theater out into remote provinces in the ’60s through the UP Mobile Theater. This was to afford his grassroots audiences with his kind of theater away from the academe. The master playwright fed himself on his passion for theater until his
Vince Tañada’s postmodernistic theater (via The Manila Times) Read More »
The SeaShorts Film Festival ran for its second edition as the official pre-festival to the annual George Town Festival from 1st to 5th August in a radical geographical shift away from the Kuala Lumpur home of its parent organisation, Next New Wave. It showcased more than 120 short films scattered over 22 programmes in two
Three Short Films about Women at SeaShorts 2018, George Town Read More »
The annual Asian Restored Classics (ARC) festival is an initiative by the Asian Film Archive (AFA). It’s the first of its kind in Singapore, providing a platform to celebrate the best of Asian cinema by screening the restored historic and iconic films to be appreciated by new generations of audiences. The past two editions of
Asian Restored Classics 2018: Revisiting the Past In New Light Read More »
Ruby Ibarra is a rapper you’ve probably heard, but haven’t heard of—at least not yet. The Filipina-American recently made the rounds in a nationwide Mastercard commercial that also featured musicians like SZA, Radkey, and Victoria Canal. Each artist performed their take of the 1962 Bo Diddley song “You Can’t Judge a Book by the Cover.” For
This Rapper Is On a Mission to Empower Filipino Women (via Broadly) Read More »
Recently, GRRRL GANG MANILA, a feminist collective inspired by DIY ethics and punk aesthetics, celebrated its first anniversary in the Philippine capital. A long discussion of women’s issues, a film screening, spoken word performances and art exhibitions, and then hours of outspoken and confidently excellent music, brought together a frankly impressive gathering of young Filipinos
One year of Filipina punk feminism and rebellion (via Dazed) Read More »
‘Street Mining: Contemporary Art from the Philippines’ features the works of Poklong Anading, Louie Cordero, Victor Balanon, Nona Garcia, Kawayan de Guia, Mm Yu, and the collective ‘Broke’. The show runs at Sundaram Tagore Gallery from 20 January to 2 March 2018 and has been guest-curated by ‘Broke’ co-founder Gary Ross Pastrana. I am meeting
In Conversation with Contemporary Art’s Street Miner (via The Artling) Read More »
This is an excerpt from “The Pangalay Dance in the Construction of Filipino Heritage” by Joelle Florence Patrice Jacinto. The research discusses how the Pangalay dance of the Tausug people was used as a heritage tool to support the construction of a Philippine culture. The paper was published on the Journal for the Anthropological Study of
Ben-Hur Villanueva is a sculptor who is not native to Baguio but has made his studio and home there. He says something about the place that drew him there, and continues to nourish the passion he has for his life’s work. His most recognized sculptures can be viewed at Bonifacioo Global City, Caleruega, and Baguio
Filipino Sculptor Ben-Hur Villanueva (via Murphy Report) Read More »
The Philippine Daily Inquirer, founded on Dec. 9, 1985, as part of the “mosquito press,” helped dismantle the Marcos dictatorship in February 1986. With the new dispensation followed a liberalization of attitudes, newfound freedom of expression, the democratization of the arts, and a check on art patronage, as practiced by the previous administration. This led
32 Defining Moments in Philippine Arts and Culture since 1985 Read More »
“For every writer, once in a rare while, a book comes along and really shakes you up, where (instead of that height/ceiling metaphor) I’d like to say instead, the floor drops on which you thought the legs of fiction stood. Victor Fernando Ocampo’s The Infinite Library and Other Stories did that for me. The ideas that power
“There’s K-pop, J-pop, Cantopop, and even Pinoy pop. But do we know what kind of music our ASEAN neighbors are producing? The dominance of Western music notwithstanding, ASEAN Music Festival organizer Annie Luis of the National Commision for Culture and the Arts (NCCA) wanted to put the spotlight on music from ASEAN member states, this
ASEAN Music Festival: After K-pop and J-pop, what about ASEAN-pop? [Philippines] Read More »
By Chloe Chotrani (927 words, 7-minute read) To witness the work of Eisa Jocson is an absolute privilege at this point in history. The double-bill pairing up Jocson’s internationally acclaimed Macho Dancer and the new Esplanade commission Corponomy, investigate the economic body as archive of labor and service in the Philippines. It is said that
Eisa Jocson at da:ns festival 2017: The Body as Archive of Filipino Labour Read More »
One of the highlights of da:ns festival this year is a double bill by Eisa Jocson, Macho Dancer and Corponomy. While Corponomy is a new commission by the Esplanade – Theatres on the Bay for da:ns festival 2017, Macho Dancer is a critically acclaimed piece that has travelled extensively to major international festivals. Philippines-based curator and writer, Eva McGovern-Basa, recently managed and edited an interview
Eisa Jocson: “Macho Dancer” and “Corponomy” Read More »
“Philippine theater has, through three eras of political struggle—Filipino-American, Japanese, anti-Marcos—never hesitated to go to war.” – – Doreen G. Fernandez, Seditious and Subversive: Theater of War From the essay cited above two important ideas emerge: that war breeds theatre and that theatre is a particularly effective weapon of protest. As Fernadez’s survey shows, the
Martial Law Musicals: Theatre of a New War? [Philippines] Read More »
The Asia Europe Foundation’s Culture360 and ArtsEquator present a series of 5 co-commissioned articles that look at arts groups, artists and performances in Southeast Asia that are comprised of or address artists with disabilities. In this article, Mark Louie Lugue meets Filipino artist Nolet Soliven and his wife Tosh, to talk about Nolet’s practice, and the challenges
Art Beyond Words: The Struggles and Triumphs of Filipino Artist Nolet Soliven Read More »
“The Philippines has demonstrated a robust cinema industry over the past seven decades, with a prolific commercial scene aimed at local audiences, and an internationally acclaimed social realist movement dating back to the 1970s. But few outside of the country are aware of the Philippines’ love of cinema, its diversity of film styles, and its
New golden age dawns in Philippine cinema [Philippines] Read More »
“Two unlikely hits this year have thrust independent Philippine cinema into the global spotlight and shown, filmmakers say, that freedom of expression remains in the country despite the shadow of martial law that’s currently hanging over it. Jun Robles Lana’s “dramedy” Die Beautiful was a surprise commercial success following its general release during the Metro
Filmmakers adamant free expression alive in Philippines [Philippines] Read More »
