By Akanksha Raja (920 words, four-minute read) On the heels of Objectifs Centre’s January showcase “we will have been young”, a group exhibition of works by fledgling Southeast Asian photographers themed on contemporary youth culture and the future, comes a very different solo showcase. This latest exhibition reverses its gaze, looking backwards on snippets of […]
Lui Hock Seng: The Past and Passing Read More »
By Corrie Tan (1,300 words, eight-minute read) We’ve all met the gaze of this pair of narrow, red-pupilled eyes – whether with a torchlight under the bedcovers, or in school, snuck into class beneath a desk. The predatory stare on the cover of Russell Lee’s True Singapore Ghost Stories still follows us from the shelves
“Out of Print”: classic Singaporean texts get a contemporary makeover Read More »
By Richard Chung (700 words, 5-minute read) A peek inside the macabrely funny world of The Neighbor’s Grief Is Greener, set in a 1950s American suburban kitchen. In 1940s America, men went off to war, leaving the running of the country to women. Many wives and daughters stepped foot into factories and worked for the
“The Neighbor’s Grief is Greener”: Exquisite Macabre meets Slapstick Comedy Read More »
Duration: 19 mins We’ve just begun 2018 and already our arts calendar is bursting with events, especially with the sixth edition of the annual Singapore Art Week around the corner. Among the slew of Art Week programmes is ArtWalk Little India, a multidisciplinary festival spanning the precinct of Little India. The ArtWalk, in its fourth
Podcast 32: ArtWalk Little India Read More »
By Naeem Kapadia (800 words, 6-minute read) Atul Kumar is no stranger to Shakespeare. The artistic director of Mumbai-based group The Company Theatre was first seen here in 2009 in the title role of Hamlet: The Clown Prince, which featured a troupe of clowns attempting to stage Shakespeare’s tragedy with a good dose of madness
“Khwaab-Sa”: Shakespeare with masala and magic Read More »
Poop! by Chong Tze Chien A family left stranded in the aftermath of a father’s seemingly irresponsible, selfish suicide, must learn to navigate its way through the nooks of grief and crannies of letting go and letting be, all whilst holding to semblances of hope through a widow’s grief, a mother’s denial, and the celebration
The Finger Players’ Contemporary Classics Season 2017: “Poop!” and “The Spirits Play” Read More »
Duration: 39 mins Elaine Chiew, Naeem Kapadia, Matt Lyon and Kathy Rowland dissect some of the Singapore-led offerings at the Singapore International Festival of Arts 2017: Becoming Graphic, an original cross-genre commission by Sonny Liew and Edith Podesta, Art Studio by Nine Years Theatre, adapated from the novel by Yeng Pway Ngon, Dragonflies by Pangdemonium, written by resident
Podcast 27: SIFA 2017 Part 1; Singapore Commissions Read More »
By Isaac Lim (496 words, 4 minute read) In the beginning, there was light. Four characters are glimpsed on a bare stage as it gradually and sporadically lights up. They each hold a portable control board that operates the venue’s lights. They are silent. Then their thoughts appear as words projected on two panels, and
“Germinal”: Does consciousness go ‘Poc poc’? Read More »
By Patricia Tobin (500 words, 5-minute read) “Are you interested in the first series of major discoveries, such as the law of elementary mechanics?” a friendly voice asks over an intercom. “The wheel, perhaps?” Halory’s three companions shake their heads and he promptly replies, “No.” In classical physics, we deal with the observable world. In
“Germinal”: Mystery, Science, Theatre Read More »
By Chan Sze-Wei (920 words, 8-minute read) Given that the publicity synopsis to Dries Verhoeven’s video installation pretty much tells all, I’m surprised by how excited I am by the time I’m finally summoned to enter the heavy white door. A lot of the theatricality in my experience of Guilty Landscapes III is in the anticipation
The Easy Trigger of “Guilty Landscapes III” Read More »
By Felipe Cervera (1400 words, 10-minute read) It is as if Mozart were able to capture what death sounds like, in those moments when people run around trying to assert themselves in the face of a body that has just ceased to breathe. Personally, it takes just a few notes of his Requiem for me
“And So You See…”: The Irrational is in the Eye of the Beholder Read More »
By Elaine Chiew (1116 words, 10-minute read) Euripides’ play Trojan Women has been adapted and performed numerous times around the world, from a version written by Jean Paul Sartre to American playwright Charles Mee’s 2003 adaptation that included Holocaust and Hiroshima testimonials. [1] This time, it has been given a Korean pansori makeover by SIFA
SIFA’s “Trojan Women”: An Allegory for Modern Times Read More »
Duration: 17 mins Ahead of their upcoming performance this weekend titled Does It Matter?, we spoke with Michael Cheng, artistic director of Tapestry Playback Theatre, on his journey with the company, and the unique aspects of the playback theatre form as an art for social change. Stream Podcast 25: Download Podcast 25 here. (right-click and select ‘Save
Podcast 25: Tapestry Playback Theatre Read More »
Duration: 30 mins Matthew Lyon and Naeem Kapadia are back in the studio again to discuss yet another Singapore-bred musical: Singapore Repertory Theatre’s re-staging of the acclaimed Forbidden City: Portrait of an Empress. Having run from 8 to 27 August 2017, this year’s production is its fourth iteration since its premiere at the Opening Festival of the Esplanade
Podcast 24: Singapore Repertory Theatre’s “Forbidden City: Portrait of an Empress” Read More »
Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them. Lim How Ngean (PhD) is a performance-maker, dramaturg and dance researcher. In recent years he has dramaturged dances for choreographers such as Daniel Kok, Joavien Ng, Kuik Swee
Art That Moves: Lim How Ngean Read More »
By Naeem Kapadia (738 words, 7-minute read) What are human beings without language, possessions and a sense of time and place? How do we make sense of our surroundings? Stripped of all trappings of civilisation, can one start from scratch and create a brand new world with form and function? This unique, challenging and wildly
“Germinal”: Metaphysical Magnificence Read More »
By Isaac Lim (514 words, 5-minute read) A large red-orange hued, tile-patterned cloth dramatically falls in a Kabuki drop, then rain falls on stage. The year is 2022, Brexit is complete and Trump has won a second term. The stage is set for a showdown between ‘the locals’ and ‘the foreigners’. Dragonflies, written by Pangdemonium’s
“Dragonflies”: The Foreseeable Truth Hurts Read More »
By: Patricia Tobin (500 words, 5-minute read) We are no different from dragonflies. With their tiny transparent wings flapping at 30 beats per second, these creatures travel thousands of kilometers to reproduce, to find a new home, to fight for their survival. This is what Pangdemonium’s Dragonflies alludes to: like dragonflies, our existence is dependent
“Dragonflies”: A Migrant Dreams For Home Read More »
This article is one of three pieces on ArtsEquator this week focusing on the people, plays and processes of The Necessary Stage, which celebrates its 30th anniversary this year. Aside from Felipe Cervera’s profile of Alvin Tan, we also feature Akanksha Raja’s personal reflection on Off Centre, and an interview with Edlyn Ng and Shawn Chua on the upcoming online TNS Archive. By Felipe Cervera (1980
The Benefits of Multitasking, and then Hoarding, in the Case of Alvin Tan Read More »
Saturday, 20 May, 11:00am @ The Arts House SEMINAR: sgPoems 2015/16 Anthology This seminar discusses the Singapore poetry landscape based on the first publication by the Poetry Festival (Singapore). The anthology showcases poems by finalists in Poetry Festival’s competition over the last two years as well as featured poets during the festival in 2015. The
15 – 21 May: Singapore 2017 Read More »
So, if those who can, do, and those who can’t, teach, should those who shouldn’t, study? Theatre is not practical; Theatre Studies is less so(?) Everyone knows the “practical” reasons why one should not take a theatre degree. A Bachelor’s Degree in Theatre Studies is not the easiest degree to convince your parents that it
A Useless Degree: Theatre Studies in Perspective [Singapore] Read More »
By Akanksha Raja (760 words, 7-minute read) Petty People marks the culmination of the undergraduate course for the graduating class of NUS Theatre Studies 2017. The play begins with a quadriptych of scenarios strung together by the enigma of a dog and its ambiguous mortality. The pooch is never seen. Its presence is indicated only
Dogged Delirium: “Petty People” by NUS Theatre Studies Read More »
School of Contemporary Music Festival 2017, 7 – 30 Apr, various timings and venues Held as part of The LASALLE Show 2017 at the end of the academic year, this graduation showcase presents the college’s music students performing at the culmination of their years of training. More information. Every Brilliant Thing by Bhumi Collective, 18 –
17 – 23 April 2017: Singapore Read More »
By Kathy Rowland (728 words, 8 minute read) Teater Ekamatra’s Harap opens with its five characters frozen in the shadows, standing on low plinths. Taking centre-stage is a series of monochromatic, indeterminate images, projected on the backdrop and over their bodies. When the characters break free, the stage crackles with the easy energy of Hadi
‘Hope (Harap)’: No Hope in Contemporary Hell Read More »
When Space Dissolves into Luminosity; Where Flowers Bloom Amidst Rocks, iPreciation Gallery, 15 April – 29 April 2017 iPreciation presents an exhibition comprising works by 10 Singaporean artists, which spans different mediums ranging from sculptures, paintings, prints and mixed media, and seeks to examine how artists approach questions of authenticity while navigating the ever complex world. Artists
10 – 16 April 2017: Singapore Read More »
Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them. This week, actor Brendon Fernandez tells us about a production he saw as teenager that gave him the courage to become an actor. We caught up with Brendon
Art that Moves: Brendon Fernandez Read More »
By Akanksha Raja (920 words, 9-minute read) Normal opens with a dreary, dull morning assembly at Trinity Girls’ School, immersing the audience in a mise-en-scène that is all too familiar to anyone who has been through any part of public education in Singapore. This bleary-eyed 7AM routine, of forced uniformity and subservience, is broken by
Who’s Normal Anyway? Read More »
28.8 by Teater Kami, 7-8 Apr, Aliwal Arts Centre Written and directed by Adib Kosnan, this play targets a specific audience of young men and women who can relate to the challenges that living in Singapore poses to them financially. The play sees the blossoming of a relationship moving into marriage, before hitting different obstacles that
3 – 10 April: Singapore Read More »
By Kathy Rowland (930 words, 8-minute read) On Tuesday, 21 February, the Boston Globe published an article headlined “Ex-teacher molested pupils, Milton Academy says”, linking Rey Buono to sexual abuse of minors in the US in the 1980s. By the next day, the news had spread to Singapore and Malaysia, causing shock and alarm amongst
SEA-based Theatre Educator Accused of Sexual Abuse of Minors in the US Read More »
By Akanksha Raja (1500 words, 15-minute read) There is a distinctive break made between the modern, sans-serif typeface of the word “Artist” and the classical serif typeface of the word “Empire” in the title/publicity material of the National Gallery Singapore’s reinterpretation of the 2015 Tate Modern’s exhibition “Artist and Empire”. The typographical split signifies a
Empire Strikes Back: “Artist and Empire: (En)countering Colonial Legacies” Read More »
