WINDOW by ATTEMPTS: A click away

Who is SARA? Cheryl: There’s a SARA that me and Rei talked about, when we were just bouncing ideas. And initially we thought anybody can be SARA. That was our starting point.  When I first went into the rehearsal process, I wanted to know what the actors thought SARA was like. We went quite in-depth […]

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WINDOW by ATTEMPTS: A click away

How does the folder game work? I’ve never played it before.  Cheryl: It’s like if you’re not an organised person and your folders are everywhere. And there are many things inside the folder. Sometimes you will have pictures next to official work folders – they don’t actually work together but it’s on the computer and

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WINDOW by ATTEMPTS: A click away

How would you describe WINDOW? Rei: Recently I described it as a theatrical video game. Or is a video game performance? Or is it a theatre with video game elements? Then I got confused (laughs). Cheryl: I recently described it as visual storytelling. It’s a genre that is increasingly popular in a lot of indie

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Disability Arts: Critical Conversations between South Korea and Singapore

Disability Arts: Critical Conversations between South Korea and Singapore  Presented by ArtsEquator, Equal Dreams and Taeyoon Choi Studio  Disability Arts has emerged as a powerful and dynamic area of practice within the wider arts and cultural landscape regionally in recent years. Yet, the work of rethinking and rebuilding disability-centred arts ecosystems is an ongoing process

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MTJIT
Via The Star

Jit Murad: Imaginasimu Akan Buat Kami Tersenyum

Walaupun saya bergiat di dalam bidang teater di Malaysia, saya bukan kawan Jit Murad. Perbezaan praktis, latar belakang dan generasi menjadi jurang antara kami. Mungkin beliau juga tidak mengenali saya. Mungkin. Banyak perbezaan antara kami dan mungkin inilah yang menjadikan peluang untuk kami bertembung di lapangan yang sama, tipis. Melihat rakan-rakan seniman yang lain menceritakan

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Daniel Sim
Courtesy of The Finger Players

The Maker’s Project: What does it take to sustain the puppeteer?

Defying the outcome-driven impulse that dominates our culture, Daniel Sim shares his vision of an ecosystem that supports the maker and the process, rather than only the product.  What would it look like if makers had the space and time to reflect, research and incubate outside of working on a production? What benefits would it

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P1010220
Bound Theatre

Screen. Shot. at M1 Fringe 2022: Starve a fire, feed a flame

Rebecca G. reviews Bound Theatre’s newest work, which explores the darker elements of our always-connected lives : cancel culture, fake news, and modified behaviours, in an interactive performance that involved the audience to varying degrees of success. Our journey into the all-too-real world of Screen. Shot. starts before any audience member has even stepped foot

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Slide-1-copy-1 (13)
Daniel Teo / The Second Breakfast Company / Rinrada Pornsombutsatien

Critics Live (on Telegram!): M1 Singapore Fringe Festival 2022

Critics Live! is a critics-led programme series created by ArtsEquator to give arts audiences an insight into how critics formulate their responses to performances. In this session, join critics Lee Shu Yu, Matthew Lyon and Naeem Kapadia in a post-show conversation about three productions: The Essential Playlist by The Second Breakfast Company (Singapore), Being: 息在 by 微 Wei Collective

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