MTJIT
Via The Star

Jit Murad: Imaginasimu Akan Buat Kami Tersenyum

Walaupun saya bergiat di dalam bidang teater di Malaysia, saya bukan kawan Jit Murad. Perbezaan praktis, latar belakang dan generasi menjadi jurang antara kami. Mungkin beliau juga tidak mengenali saya. Mungkin. Banyak perbezaan antara kami dan mungkin inilah yang menjadikan peluang untuk kami bertembung di lapangan yang sama, tipis. Melihat rakan-rakan seniman yang lain menceritakan

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Daniel Sim
Courtesy of The Finger Players

The Maker’s Project: What does it take to sustain the puppeteer?

Defying the outcome-driven impulse that dominates our culture, Daniel Sim shares his vision of an ecosystem that supports the maker and the process, rather than only the product.  What would it look like if makers had the space and time to reflect, research and incubate outside of working on a production? What benefits would it

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Bound Theatre

Screen. Shot. at M1 Fringe 2022: Starve a fire, feed a flame

Rebecca G. reviews Bound Theatre’s newest work, which explores the darker elements of our always-connected lives : cancel culture, fake news, and modified behaviours, in an interactive performance that involved the audience to varying degrees of success. Our journey into the all-too-real world of Screen. Shot. starts before any audience member has even stepped foot

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Daniel Teo / The Second Breakfast Company / Rinrada Pornsombutsatien

Critics Live (on Telegram!): M1 Singapore Fringe Festival 2022

Critics Live! is a critics-led programme series created by ArtsEquator to give arts audiences an insight into how critics formulate their responses to performances. In this session, join critics Lee Shu Yu, Matthew Lyon and Naeem Kapadia in a post-show conversation about three productions: The Essential Playlist by The Second Breakfast Company (Singapore), Being: 息在 by 微 Wei Collective

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Phượng M. Đỗ

Phuong M. Do: The Puzzle of Photography, or What Fits and What Does Not

This article is published as part of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022. Last year, I embarked on a two-month research that sought to sketch a possible genealogy of “Vietnamese contemporary art” that foregrounds female art practitioners. Spanning two print issues of a magazine, roughly twenty-one pages, the final essay celebrates more

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Courtesy of Arts House Limited

Our Cultural Medallion Story: 3 ways to explore this showcase of Singapore artists

A new interactive showcase is shining the spotlight on the 130 artists who have been conferred the Cultural Medallion, Singapore’s highest accolade for the arts. Titled Our Cultural Medallion Story, the exhibition consists of a physical exhibition–with artefacts, write-ups, books and multimedia components—and a companion website, which introduces the public to these renowned artists from

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Crispian Chan / Tuckys Photography

Podcast 99: The Mother and ________ Can Change

In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss two productions: The Mother by Pangdemonium, and ________ Can Change by The Necessary Stage. Stream Podcast 99: ArtsEquator · Podcast 99: The Mother and ________ Can Change Also available on Spotify.   Podcast Transcript  Nabilah Said (NS): Hello and

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