Southeast Asia

8888 Uprising

“8888 Uprising”: Thirty Years Later

Despite the flash of contemporary retail – some garish, some tasteful – Yangon’s old-world charms prevail. Today, walking past the crumbling moss-covered walls that advertise the pleasures of late 20th century globalisation – unlimited wireless connectivity – are slipper-wearing, lungi-wrapped, betel-nut chewing millennials generating unlimited images in a city that only a decade ago still […]

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ENCATC

26th ENCATC Congress: Beyond European Year of Cultural Heritage – Key Reflections (via culture360.ASEF.org)

The 26th ENCATC Congress on Cultural Management and Policy on “Beyond EYCH2018. What is the cultural horizon? Opening up perspectives to face ongoing transformations” concluded recently in Bucharest, Romania and looked to cultural priorities in Europe beyond EYCH or the European Year of Cultural Heritage in 2018. ENCATC is the European network on cultural management and policy. Maria Sharon Mapa Arriola tells us

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Where Are Sabah and Sarawak in the Malaysian Arts

[Podcast] Arts Apart: Where Are Sabah and Sarawak in the Malaysian Arts? (via BFM)

With Malaysia Day just around the corner, there is a lot of conversation happening about East Malaysia. But why do Sabah and Sarawak mostly come to our minds only when it is time to celebrate Malaysia Day? The arts and culture industries, too, are not exempt from being problematic with issues like inclusion and representation

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Padmini Chettur Pichet Klunchun

Padmini Chettur’s “Varnam” and Pichet Klunchun’s “I Am A Demon”: An Instructive Contrast

If you have ever felt that classical Indian dance is too melodramatic – if you have ever rolled your eyes at a dancer’s fervid abhinaya, or a poem narrator’s extravagant diction – or if you think all the bright drapery, clashing saris, and coloured lights are unbearably gaudy, then Padmini Chettur’s Varnam is the corrective

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2068- photo credits to_ Tan Thian Chang_0258
Tan Thian Chang

“The Misinterpreted Futures of George Town 2068”: Missing Futures

By Akanksha Raja (960 words, four-minute read) Prior to stepping into the mystifying world of The Misinterpreted Futures of George Town 2068, I was curious and fascinated by that science-fictioney title, coupled with the exciting premise of a performance with no performers: the technical elements of the show (lights, sound design, video projections) perform in

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Bilqis Hijjas

Podcast 48: Interview with Bilqis Hijjas

Duration: 32 min In this month’s dance podcast, host Amin Farid chats with Malaysian dance practitioner and writer Bilqis Hijjas on wide-ranging topics from her roles as president of MyDance Alliance and director of the dance programme Rimbun Dahan, to her thoughts on the dance scene in Malaysia, dance criticism, the Southeast Asian identity, and some emerging choreographers and

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da:ns festival 2018

SHIFT (Your Perspective) at Esplanade’s da:ns festival 2018: A Sneak Peek in GIFs

Esplanade’s da:ns festival returns this year from 9 – 21 October. The 13-day celebration of movement features powerful performances from around the world, internationally acclaimed acts and exciting new works. Apart from ticketed performances, the festival offers free programmes, including mass dance sessions, workshops, and da:ns lab, the festival’s annual platform for critical discourse on

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Faye Lim

Sitting in the ‘gap’: Faye Lim explores body autonomy for children (via Talking Circles)

Faye Lim dances, facilitates, performs, improvises, makes, and mothers. In Singapore, she presents works with the Strangeweather Movement Group, a collective she founded to create and perform dance works at off-stage venues around Singapore. As part of Singapore’s Contact Improvisation (CI) community, Faye has also facilitated jams and workshops in Singapore and KL, and she runs child-friendly

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Ambitious Alignments

Book Review: “Ambitious Alignments: New Histories of Southeast Asian Art, 1945–1990”

A result of a research collaboration organised by the University of Sydney’s Power Institute in partnership with the Institut Teknologi Bandung and National Gallery Singapore, Ambitious Alignments: New Histories of Southeast Asian Art, 1945-1990 is a recently published volume of ten collected essays. It is comparable to an archeological excavation, unearthing and resurfacing forgotten, if

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Tuan Le

Q&A: AO Show Creative Director Tuan Le Had a Vision for Performance Art in Vietnam (via Saigoneer)

Some may say that modern performance art in Vietnam looks the way it does thanks to the works of Tuan Le and his colleagues. Almost two decades into a series of smashing theatrical successes across the country, Le invites Saigoneer into the creative power behind AO, Teh Dar, and Lang Toi. About 17 years ago, Le decided to turn his

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Book Review: “Writing the Modern: Selected Texts on Art & Art History in Singapore, Malaysia & Southeast Asia”

In the vast firmament of Singaporean-Malaysian art history, no star illuminates as radiantly as T.K. Sabapathy. An art historian by training, Sabapathy initially began his career in the early 1970s by reviewing art and thereafter spent close to half a century doggedly writing art history into being in our corner of the world. Seven years

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Excavations

Book Review: “Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre”

By Felipe Cervera (1600 words, eight-minute read) Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre, edited by Charlene Rajendran, Ken Takiguchi and Carmen Nge, is a long overdue resource that sheds light on important aspects of the cultural, artistic, and political histories of Malaysian contemporary theatre—and, by extension, some medullar elements of Singaporean theatre too.

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“One Two Jaga”: Keberanian Baharu Sinema Malaysia

Penyampaian kritikan sosial atau politik dalam filem-filem Malaysia jarang berlaku melalui suasana yang berani dan mendatangkan ghairah. Malah mengkritik melalui karya secara berdepan seperti sukar untuk dilakukan. Terdapat banyak hal yang menyumbang kepada keadaan ini. Ia antara lain ialah kekangan kebebasan kreatif yang ketara dan banyak aspek perundangan serta peraturan telah menjadi rantai memasung kaki

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Johor Arts Festival

Johor Arts Festival 2018: Top 8 Picks

The 15th Johor Arts Festival kicked off on 1 September, and runs until 23 September 2018. One of Malaysia’s longest-running festivals, it features a variety of performances, exhibitions, workshops, talks, and activities, ranging between the traditional and contemporary; the loud and the quiet; the lighthearted and hilarious and the moving and poignant. Here are ArtsEquator’s

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