Features

Deadmau5 Arrives in Saigon as the City’s Electronic Dance Music Scene Expands (via Saigoneer)

Thousands of dancing fans gathered before an enormous digital cube covered in screens displaying memes, video game cutscenes, clips of endorphin-addled cartoon cats and random flashings of screensaver-esque visualizations while synthesizer strings slithered across a thumping bassline punctuated with warped blurts distorted to the point of warbling. This overwhelming performance was all controlled by the

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Headache Stencil

Thai street artists send political messages against corruption and military rule with spray and stencils (via SCMP)

A growing number of Thai street artists are turning political and getting their anti-corruption messages across with spray paint. Most keep their identity secret for fear of reprisals from the authorities. South China Morning Post speaks with three artists. There are many ways to fight the establishment, and Headache Stencil does so with graffiti. The

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How one artist is exploring his roots through vibrant, surreal artworks (via SEA Globe)

Hasanul Isyraf Idris is a Malaysian artist who works with a variety of different materials to present his often intricate and surreal ideas, inspired by his home country’s colourful history.  Hasanul Isyraf Idris’s fourth solo feature with Richard Koh Fine Art took place last week, showing at VOLTA art fair, New York. Titled Environment of

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Art Hub

Is Singapore losing its standing as the art hub of Southeast Asia? (via SEA Globe)

Despite the government’s desperate attempts to position Singapore as Southeast Asia’s arts hub, flagging figures at major shows and accusations of artificiality have put the city-state’s art scene under more scrutiny than ever Singapore has long tried to combat its reputation as a cultural desert. An influx of state funding in the past two decades

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Crispian Chan

“I am trying to say something true”: A Distant Intimacy

By Akanksha Raja (950 words, five minute read) Even before watching Michelle Tan’s monologue, I am trying to say something true, the title struck me: the sentence-case format portends a quiet sense of conversational intimacy, compared to the conventional, title-case naming of theatre productions. The proclamation folds the struggle of confession with emotional vulnerability while

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Crispian Chan

Podcast 38: “Underclass《贱民》” Interview with Alvin Tan, Kok Heng Leun, and Teo You Yenn

Duration: 43 min The latest collaborative production between Singapore theatre companies Drama Box and The Necessary Stage is Underclass 《贱民》, which explores poverty, inequality and human dignity in Singapore. It runs from 16 May to 3 June 2018. In this podcast interview, Corrie Tan convenes Alvin Tan, artistic director of The Necessary Stage, Kok Heng Leun,

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Donna Ibarra

This Rapper Is On a Mission to Empower Filipino Women (via Broadly)

Ruby Ibarra is a rapper you’ve probably heard, but haven’t heard of—at least not yet. The Filipina-American recently made the rounds in a nationwide Mastercard commercial that also featured musicians like SZA, Radkey, and Victoria Canal. Each artist performed their take of the 1962 Bo Diddley song “You Can’t Judge a Book by the Cover.” For

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One year of Filipina punk feminism and rebellion (via Dazed)

Recently, GRRRL GANG MANILA, a feminist collective inspired by DIY ethics and punk aesthetics, celebrated its first anniversary in the Philippine capital. A long discussion of women’s issues, a film screening, spoken word performances and art exhibitions, and then hours of outspoken and confidently excellent music, brought together a frankly impressive gathering of young Filipinos

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The Legacy of Kak Channthy, Cambodia’s Rock and Roll Heroine (via Saigoneer)

For many Cambodian music fans, March 20 was a heartbreaking day because Kak Channthy – the 38-year-old female vocal of the band The Cambodian Space Project – passed away in an accident in Phnom Penh. Founded in 2009, The Cambodian Space Project is widely known for their 60s-influenced psychedelic tunes, Channthy’s soaring vocals and playful persona.

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Citra Sasmita

Citra Sasmita captures the Indonesian contemporary art spotlight (via Life As Art Asia)

The most significant display of contemporary art on the island during 2015 featured many of Bali’s finest artists exhibiting side-by-side with emerging talent. Violent Bali – Bali Art Intervention #1, opened at the Tony Raka Art Gallery, Ubud in November presenting eighty-five works raising issues such as identity, gender and cultural conflicts, and the New Order regime

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Walter Spies, c. 1936

Documentation, Restoration, and Repatriation? Reflections on a dance film screening for the ‘Bali 1928’ project (via New Mandala)

Bali 1928 is an ongoing international and interdisciplinary project established by American ethnomusicologist Edward Herbst in 2002 to “research, find, understand, document, explain, restore, re-release, and repatriate the first published recordings of music in Bali along with rare film footage and photographs of musicians and dance-drama performances from the 1930s”. With support from the Sydney Southeast Asia Centre’s Regional Mobility

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