Features

BACC

Cash-strapped BACC counts on friends in deed (via The Nation)

The Bangkok Art and Culture Centre (BACC) Foundation is about to raise its profile as vice chairperson Panya Vijinthanasarn and committee secretary Chatvichai Promadhattavedi seek a meeting with the city’s unimpressed governor, Aswin Kwanmuang, about funding support and sustainable management. Whether the meeting is arranged or not, the foundation is organising a press conference to

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Amek Gambar

The History of Photography in Singapore Through Peranakan Eyes (via Invisible Flaneuse)

The exhibition Amek Gambar: Peranakans and Photography at Singapore’s Peranakan Museum (from May 5 to Feb 3 2019) is a rare glimpse into the very first and early days of the history of photography in Singapore through the lens of the peranakans — an ethnic group of mixed race Malay–Chinese with a richly distinctive culture, e.g. costumes (usually involving kebayas and

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Ho Keen Fi

Lim Chin Huat and Negotiating Positionalities across Time (via Talking Circles)

Lim Chin Huat shares about his journey of learning one artistic discipline after another, his approach to creating work, his struggle with calling himself an artist, and how his current project In Her Hands traces its origins back to more than ten years ago. He currently teaches movement full-time at the Intercultural Theatre Institute. CH: I was a science

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Sohieb Toyaroja

Semar in the eyes of Sohieb Toyaroja (via The Jakarta Post)

For artist Sohieb Toyaroja, Semar is his favorite jester in Javanese mythology because the character is divine and very wise. Semar, one of four famous punakawan (jesters), has three sons: Petruk, Gareng and Bagong. Each has a different form, representing different philosophical characteristics of human beings. In Javanese wayang (shadow puppetry) stories, Semar is portrayed as a powerful figure,

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Venopian Solitude

Malaysian Band To Perform At Europe’s Biggest Electronic Music Fest! (via Eksentrika)

Seven-piece band The Venopian Solitude is set to become the first Malaysian band ever to perform at Sónar! For those who’re in the dark, Sónar is a three-day electronic and advanced music festival which was started in Barcelona, Spain in 1994 by music journalist Ricard Robles and musicians cum visual artists Enric Palau and Sergio Caballero.

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Seelan Palay

Artist charged for illegal one-man procession from Hong Lim to Parliament House (via The Online Citizen)

Seelan Palay, a local artist, has been charged by the Attorney-General’s Chambers for participating in a public procession from Hong Lim Park to the National Gallery, and to the Parliament House on 1 October 2017. It is written in the charge sheet that the public procession is to publicise the cause of “the illegal detention

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A Singaporean Photographer’s Pursuit of Happiness in Bhutan (via New York Times Style Magazine Singapore)

“These are not the places we discussed, nor I wanted to go,” Singaporean photographer Billy Mork exclaimed in exasperation to his Bhutanese guide. Mork had just flown via the Royal Bhutan airline and landed at the taciturn kingdom’s Paro Airport. The guide picked him up and amiably brought him to take in some of the town’s famed tourist sites. Upon

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Nabilah Said

Making Our Own Centres (Of) Ourselves: Latiff Mohidin’s “Pago Pago (1960-1969)”

By Nabilah Said (2,220 words, 11-minute read) Had Malaysian artist-poet Latiff Mohidin been French, he might perhaps strongly identify with the idea of the flâneur. Coined by French poet Charles Baudelaire, the French word for someone who strolls in the city found cachet as a description of the artist-poet who drew inspiration from the city

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New Cambodian Artists

Modern dancers go toe-to-toe with Cambodian tradition (via the Christian Science Monitor)

Performing a dance in red stilettos is not allowed at Angkor Archaeological Park, but that’s not stopping Khun Sreynoch from working on it. As members of Cambodia’s first contemporary dance company, Ms. Sreynoch and her closest colleagues have known each other since they were children studying Cambodian classical dance, or Apsara. But in fusing old

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Indonesian Cinema

Beyond the Boxoffice: On the Cultural Relevance of Indonesian Cinema (via Cinema Poetica)

One might argue that we are entering the new golden era of Indonesian cinema. For the first time in the history of post-Reformation cinema, in two consecutive calendar years, the boxoffice top ten are fully dominated by films with more than one million viewers. In 2016 Anggy Umbara’s Warkop DKI Reborn: Jangkrik Boss! Part 1 took the pole position

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