Singapore

WINDOW by ATTEMPTS: A click away

What is this show? Rei Poh (Rei): During the Circuit Breaker when we had a sudden lockdown, we decided to start online game nights where we could just play games, and actually give ourselves a reason to check in with one another, make sure everybody is okay. During that period, there were articles and reports […]

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Podcast 101: M1 Singapore Fringe Festival 2022

ArtsEquator’s theatre podcast is back in 2022, with critics Lee Shu Yu, Matthew Lyon and Naeem Kapadia in a post-show conversation about three productions at M1 Singapore Fringe Festival 2022: The Essential Playlist by The Second Breakfast Company (Singapore), Being: 息在 by 微 Wei Collective and Collaborators (Singapore) and OK Land by Circle Theatre (Thailand). This episode is part of

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WINDOW by ATTEMPTS: A click away

How does the folder game work? I’ve never played it before.  Cheryl: It’s like if you’re not an organised person and your folders are everywhere. And there are many things inside the folder. Sometimes you will have pictures next to official work folders – they don’t actually work together but it’s on the computer and

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WINDOW by ATTEMPTS: A click away

How would you describe WINDOW? Rei: Recently I described it as a theatrical video game. Or is a video game performance? Or is it a theatre with video game elements? Then I got confused (laughs). Cheryl: I recently described it as visual storytelling. It’s a genre that is increasingly popular in a lot of indie

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Disability Arts: Critical Conversations between South Korea and Singapore

Disability Arts: Critical Conversations between South Korea and Singapore  Presented by ArtsEquator, Equal Dreams and Taeyoon Choi Studio  Disability Arts has emerged as a powerful and dynamic area of practice within the wider arts and cultural landscape regionally in recent years. Yet, the work of rethinking and rebuilding disability-centred arts ecosystems is an ongoing process

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Daniel Sim
Courtesy of The Finger Players

The Maker’s Project: What does it take to sustain the puppeteer?

Defying the outcome-driven impulse that dominates our culture, Daniel Sim shares his vision of an ecosystem that supports the maker and the process, rather than only the product.  What would it look like if makers had the space and time to reflect, research and incubate outside of working on a production? What benefits would it

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Bound Theatre

Screen. Shot. at M1 Fringe 2022: Starve a fire, feed a flame

Rebecca G. reviews Bound Theatre’s newest work, which explores the darker elements of our always-connected lives : cancel culture, fake news, and modified behaviours, in an interactive performance that involved the audience to varying degrees of success. Our journey into the all-too-real world of Screen. Shot. starts before any audience member has even stepped foot

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Daniel Teo / The Second Breakfast Company / Rinrada Pornsombutsatien

Critics Live (on Telegram!): M1 Singapore Fringe Festival 2022

Critics Live! is a critics-led programme series created by ArtsEquator to give arts audiences an insight into how critics formulate their responses to performances. In this session, join critics Lee Shu Yu, Matthew Lyon and Naeem Kapadia in a post-show conversation about three productions: The Essential Playlist by The Second Breakfast Company (Singapore), Being: 息在 by 微 Wei Collective

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