AExGTF Chats: Charlie Lim and .gif in George Town
On the closing weekend of the George Town Festival, ArtsEquator interviewed Singaporean musician Charlie Lim and indie-electronic music duo .gif who were in Penang to perform at China House, along with other Singaporean musical acts including Tabitha Nauser and Yung…
Sitting in the ‘gap’: Faye Lim explores body autonomy for children (via Talking Circles)
Faye Lim dances, facilitates, performs, improvises, makes, and mothers. In Singapore, she presents works with the Strangeweather Movement Group, a collective she founded to create and perform dance works at off-stage venues around Singapore. As part of Singapore’s Contact Improvisation (CI) community,…
Book Review: “Writing the Modern: Selected Texts on Art & Art History in Singapore, Malaysia & Southeast Asia”
By Carmen Nge (1300 words, five-minute read) In the vast firmament of Singaporean-Malaysian art history, no star illuminates as radiantly as T.K. Sabapathy. An art historian by training, Sabapathy initially began his career in the early 1970s by reviewing art…
Podcast 47: TheatreWorks’ “13.13.13” and SRT The Young Company’s ‘The Fall’
Duration : 33 mins Theatreworks’ 13.13.13 and SRT’s The Young Company’s The Fall are the two works discussed in this month’s podcast. Hosts Matt Lyon and Naeem Kapadia are joined by Ann Lee, playwright, LGBTQ activist and PhD-to-be in reflecting on…
Podcast 46: M1 Contact Contemporary Dance Festival 2018
Duration: 25 mins Chloe C. Chotrani and Bernice Lee discuss the performances, workshops, technique classes and showcases featured in this year’s M1 Contact Contemporary Dance Festival, which spread out over three months from 15 June – 4 August 2018, as well as the…
“Asian Festivals Exchange” at M1 Contact Contemporary Dance Festival 2018
By Bernice Lee (1300 words, five-minute read) “Asian Festivals Exchange” puts together works selected from two East Asian festivals — Yokohama Dance Collection and Seoul Dance Collection — two works performed by T.H.E. Second Company, and a work-in-progress supported by…
CALL FOR APPLICATIONS: ArtsEquator’s Reading Group for Critics
Duration: October 2018 – March 2019 “What distinguishes the good, valuable theatre critic … is that you sense that [they are] writing about a cause – about a theatre in his or her mind. The … writing is possibly in…
Weekly picks: Singapore (13 – 19 August 2018)
The Ordinary and The Unspectacular by The Theatre Practice 16 – 19 August 2018 After each breath Before the next Time streams into the moments of timelessness The Ordinary and The Unspectacular is a contemplation of the minutiae of everyday life….
Asian Restored Classics 2018: Revisiting the Past In New Light
The annual Asian Restored Classics (ARC) festival is an initiative by the Asian Film Archive (AFA). It’s the first of its kind in Singapore, providing a platform to celebrate the best of Asian cinema by screening the restored historic and…
“Off Stage” at M1 Contact 2018: Communicating Beyond The Stage
By Bernice Lee (1100 words, six-minute read) M1 Contact Contemporary Dance Festival has become a staple of the contemporary dance scene in Singapore. It has used its resources to bring forward voices, particularly from the region, in an act of…
SMU Series: Down the Rabbit Hole, We Go: An Intern’s Dive into the Realm of Arts for Young Audiences
This article is the second in a series of essays by students from the Singapore Management University Arts and Culture Management programme. By Jesslyn Lim (1325 words, seven minute read) Never had I thought that I would be working with…
Podcast 44: Singapore Theatre Festival 2018
Duration: 48 min Matt Lyon and Naeem Kapadia are back on ArtsEquator’s theatre podcast, and with a bang: nearly an hour’s worth of discussion on the Singapore Theatre Festival 2018 which just ended on 22 July. They discuss Thomas Lim’s…
Mass inclusion: thoughts on Teo Yeo Yenn’s ‘This is what Inequality looks like’ (via Dumbriyani)
In recent days, I have been absorbed heavily into a book my wife brought home from Kinokuniya. While she absorbed it in a mere few days, I took longer to read it because I realized that this book should have…
Weekly Picks: Singapore (30 July – 5 August 2018)
How To Be Happy (again) by Ethos Books 5 Aug 2018 As part of Esplanade’s Spoken Word Sunday series, How To Be Happy (again) will start the series off this sunday! It will be an evening of rhyme and rhythm filled with…
“dead was the body”: Theatre Meets Breaking Meets Therapy
By Akanksha Raja (1500 words, seven-minute read) dead was the body till i taught it how to move (dwtb) is Bhumi Collective’s first production of the year, and just like their two principal works of 2017 – Every Brilliant Thing…
OPEN CALL: Performance Criticism Mentorship with Corrie Tan
Performance Criticism Mentorship by Corrie Tan, Resident Critic, ArtsEquator.com How does it work? You’ll attend six performances between September 2018 – March 2019. Within three days of watching each show, submit a 500-word review to ArtsEquator’s Resident Theatre Critic, Corrie Tan….
An Inconvenient Practice (via Plural Art Magazine)
A recent video released by British diver Rich Horner, showed him swimming through the waters of Bali. Only he wasn’t just swimming amongst the exotic sea life, he was also swimming through an astounding amount of rubbish and plastic that had covered the sea…
Weekly Picks: Singapore (23 – 29 July 2018)
Singapore & the World — Behind the Game: Exploring History Through Assassin’s Creed, National Museum of Singapore 28 Jul 2018 Singapore and the World is a programme that focusses on the historical and contemporary connections that links Singapore to the…
Ai Weiwei’s “Human Flow” drips through Singapore’s impermeable borders
By Tan Jing Ling (1010 words, six-minute read) There is a sublime beauty to Human Flow in how it depicts space, freedom and movement. But it is a beauty that I cannot bear to swallow. For a country whose borders have…
“Press Gang”: confessions of yet another ex-ST journalist
By Corrie Tan (2,015 words, 10-minute read) “My concern now is how to nurture the critical sensitivity of the playwright, and for that matter theatre and literature and all the other arts. Because I think we have a way of…
Fifield announces $100,000 to grow cultural links with Singapore (via ArtsHub)
The Turnbull Government has announced more than $100,000 for arts and cultural collaborations with Singapore. The funds have been dispersed across four major projects that have been selected for strengthening ties between the two countries. The projects were identified by…
Weekly Picks: Singapore (16 – 22 July 2018)
SINGAPORE THEATRE FESTIVAL 2018 FAGHAG 19 – 22 July 2018 Join Pam Oei in this rainbow-coloured cabaret and see her demonstrate why she deserves to be called Singapore’s Number One Faghag! Join her as she plays multiple characters, tell jokes and…
“Chinatown Crossings”: A Trail of Echoes
By Akanksha Raja (890 words, 5 minute read) Along the bustling roads of Chinatown and the throngs of long-time residents, local visitors and tourists, there’s an invisible, theatrical time machine that comes to life a few evenings a week, running…
Latiff Mohidin’s “Langkawi”: The Within and Beyond
By Gerald Sim (1,500 words, eight minute read) As with any thought-provoking installation, Latiff Mohidin’s “Langkawi” series, on show at Chan+Hori Contemporary, evokes a large range of perceptions from its audience. A cursory survey of his arca dinding will bring to…
Weekly Picks: Singapore (9 – 15 July 2018)
dead was the body till I taught it how to move by Bhumi Collective 11-14 July 2018 The Bhumi Collective presents dead was the body till i taught it how to move, a performance and story by Dominic Nah,…
Astrid Boons: Belgian Choreographer brings “Vestige” to Singapore
By Bernice Lee (974 words, 5 minute read) I caught Astrid Boons between rehearsals in Korzo for Vestige. She’s preparing to restage the work, rehearsing with a new cast member who had thankfully been part of the original creative process….
ArtsEquator’s “Keep the Kids Happy” list for July – August 2018
There are definitely lists of shows, workshops, exhibitions and much more for the adults, well, what about the kids? Parental units, fear not! Arts Equator has come up with a list arts events to keep your beloved children occupied from…
Weekly Picks: Singapore (2 – 8 July 2018)
PRESS GANG by Wild Rice 5 – 15 July 2018 Press Gang is a play presented by Wild Rice as part of the Singapore Theatre Festival. The play brings us into a newsroom that is full of crisis, from a…
“Framed, by Adolf”: Truth as Shadow-Play
By Akanksha Raja (850 words, six-minute read) In Framed, by Adolf, playwright-director Chong Tze Chien’s fascination with Adolf Hitler and the Holocaust continues from 2016’s Starring Hitler as Jekyll and Hyde, which explored the idea of the dictator as a…