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SDEA Theatre Arts Conference Keynote Interviews: Drama lessons in a pandemic (Part 1)

SDEA is holding its first fully online Theatre Arts Conference this year from 22 to 30 May. Expanding from the traditional weekend format to an 8-day event, the conference will feature 70 presentations, workshops, and masterclasses by 64 practitioners from 14 countries. [View some highlight events here] ArtsEquator catches up with two of the conference […]

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Cakap-Cakap: Interview with Anaïs López for The Migrant

In this month’s Cakap-Cakap (chit-chat), ArtsEquator speaks with visual artist Anaïs López about her multimedia exhibition The Migrant which is currently showing at the Chapel Gallery, Objectifs. Through audio, video, text and photography, López discusses migration, urbanisation and human-animal relationships through the character of the ubiquitous Javan mynah and its evolving place in Southeast Asia,

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Five Arts Centre

Oppy & Professor Communitas: Meanderings of the Malay male theatremaker

A new addition to the genre of online theatre, Oppy & Professor Communitas by Five Arts Centre is a thoughtful, humorous, and self-reflective examination of the role and struggle of Malaysian theatremakers. Anchored through a series of workshop lectures, the play centres on Oppy, a young actor and musician who is at a crossroads about

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8 online programmes not to be missed at SDEA Theatre Arts Conference

The SDEA Theatre Arts Conference is back in 2021 with a fully-online programme, featuring presentations, workshops and masterclasses responding to the theme of Creative Disruption: Exploring New Ground. The conference, first started in 2011, is an international platform for artists, theatre practitioners, educators, and applied drama practitioners to share their work, methodologies, and research through

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The Sound Inside: Duet of life and loss

Filled to the brim at 25% capacity, Singapore Repertory Theatre’s Robertson Quay theatre was cold. The starched whiteness of Petrina Dawn Tan’s set — comprising piles of books that would function effectively as furniture, storage space, and the psychological landscapes of the play’s two characters — added to this austere atmosphere. I didn’t know what

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Hitting up the Producers SG Directory: Taufik Darwis, Racy Lim and Khor Seng Chew

What is producing within the context of the arts? It is a question whose answer might vary depending on who you ask. Producers SG is a community of independent producers, arts managers and self-producing artists interested in nurturing support systems amongst producers and conversations around the practice of producing.  Producers SG recently launched the Producers

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Alternative Lessons for Women (ALFW) – Photo credit_ Charmaine Poh
Charmaine Poh

Alternative Lessons for Women: Sonia Kwek and Tan Weiying on sex, desire and the erotic

By Aditi Shivaramakrishnan Adapting its title from Lessons for Women <<女诫>>, a text by the first known female Chinese historian, Ban Zhao, Alternative Lessons for Women is a double-bill of two solo works: Hymen Instinct created and performed by Sonia Kwek and What? That’s It? created and performed by Tan Weiying.  Hymen Instinct subverts the

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Brown is Haram (Credit_ Courtesy of the artists)
Courtesy of the artists

Brown Is Haram: Kristian-Marc James Paul and Mysara Aljaru reclaim their space

Brown Is Haram: Reconstructing The Brown Narrative is a performance-lecture exploring different aspects of the experience of being brown in Singapore, exploring issues such as social mobility and masculinity. This show is based on the work and ongoing collaborative project of writer and activist Kristian-Marc James Paul and writer-researcher Mysara Aljaru, and is directed by

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Open Call for AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022

ArtsEquator and Goethe-Institut Singapore are pleased to announce the launch of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022. This is a digital micro-residency focusing on the development and promotion of critical writing about arts and culture in Southeast Asia. The residency programme is unique in its positioning of the online editorial space as

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The Substation Facebook Page

The future of The Substation: A timeline of events (Updated)

By Ke Weiliang, with assistance from Nabilah Said Last updated: 12 Nov 2021 ArtsEquator has compiled a timeline of events that details recent developments surrounding the future of The Substation. The timeline – displayed in chronological order – begins from late 2017 when the National Arts Council (NAC) first informed The Substation of its decision

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The Substation's Facebook page, taken by Mish'aal

The Substation: An unstoppable force and an immovable object

By Nabilah Said, with additional reporting by Ke Weiliang On Saturday, 6 March 2021, almost 300 members of the arts community came together in a Zoom Townhall to discuss the fate of independent arts centre The Substation. The Townhall had been called by the board of directors of The Substation after a month-long back-and-forth involving

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Courtesy of The Finger Players

Citizen X marks the spot for a family treasure none of us can find

By Corrie Tan (2,050 words, 10-minute read) Over the course of Citizen X, my father nudges me in the arm several times, whispering loudly and theatrically: “It’s so similar leh!” All throughout the 75 minutes, he wiggles around in his seat, emitting sighs, laughter, tsk-tsks, and the occasional “wow”. My father – a stoic and

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ArtsEquator’s Hot List: March 2021

Every first Wednesday of the month, ArtsEquator releases our editor’s picks of shows/events/programmes that our readers can look out for in that month. This list in published in no particular order.    1. Little Mournings Physical show: 4-7 March, various timings / Delayed livestream: 11-17 March  [SINGAPORE/In-venue & Online] Little Mournings is a puppetry show

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How they got their stART: ArtsWok, Paper Monkey Theatre and Bhumi Collective

In unprecedented times like a pandemic, artists, like everyone else, are focused on survival. Horizons for planning are more short-term. Even as we enter 2021 with cautious optimism, it is hard to think about longer term goals and aspirations. Yet, the continued survival of our arts organisations is crucial to building and sustaining a thriving

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Open Call for W.O.W. (Women on Women) Classics: A Pilot Literary Project

Open Call for W.O.W. (Women on Women) Classics, a pilot literary project to increase awareness of forgotten or neglected classics by women. Do you want to know more literary classics written by Singaporean women? Are you keen to develop further your analytical skills? ArtsEquator and award-winning writer Elaine Chiew have launched Women on Women Classics

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