Dance

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Bernie Ng

Frontier Danceland’s “Milieu” 2018: Emotional Rollercoasters

It was a night of emotional rollercoasters and an audio-visual feast at Frontier Danceland’s double bill Milieu 2018. Two original works – The Whole She-Bang by Deborah Nightingale and Dimensions of Dialogue by Sascia Pellegrini – left the eyes and ears satisfied, but not quite the brain. The Whole She-Bang Hopscotch and PE class: the […]

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Eleven New Elements from the Asia-Pacific Region Inscribed on the List of UNESCO’s Intangible Cultural Heritage

Meeting in Mauritius until 1 December, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed eleven elements from the Asia-Pacific region on the Lists of UNESCO’s Intangible Cultural Heritage. Among them, two elements have been added to the List of Intangible Cultural Heritage in Need of Urgent Safeguarding while nine elements from

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Dance Dramaturg

Telling A Thai Tale: A Dance Dramaturg’s Take (via The Theatre Times)

“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer, and director reveals a glint of mischief behind his earnest and gentle demeanor. “I am looking for misunderstandings, for opportunities to negotiate. When things are wrong, they are right.” [1] When I was initially brought as a dramaturg into the

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RiantoHijrah1
Sapto Agus

“Hijrah”: Tubuh di Antara dan Migrasi Gender

Read this review in English. Baca review ini dalam Bahasa Inggeris. Sejak kemunculannya, Rianto Manali (37) telah mencuri perhatian publik dengan tari yang ia pertunjukkan. Adalah Lengger Lanang, salah satu jenis tari dari Banyumas yang mempertunjukkan praktik cross-gender—laki-laki yang menarikan tarian perempuan—ia pilih  sebagai media ungkap dalam menyampaikan interpretasinya terkait tubuh, jenis kelamin, dan konstruksi. Alih-alih hanya pilihan

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Padmini Chettur Pichet Klunchun

Padmini Chettur’s “Varnam” and Pichet Klunchun’s “I Am A Demon”: An Instructive Contrast

If you have ever felt that classical Indian dance is too melodramatic – if you have ever rolled your eyes at a dancer’s fervid abhinaya, or a poem narrator’s extravagant diction – or if you think all the bright drapery, clashing saris, and coloured lights are unbearably gaudy, then Padmini Chettur’s Varnam is the corrective

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Bilqis Hijjas

Podcast 48: Interview with Bilqis Hijjas

Duration: 32 min In this month’s dance podcast, host Amin Farid chats with Malaysian dance practitioner and writer Bilqis Hijjas on wide-ranging topics from her roles as president of MyDance Alliance and director of the dance programme Rimbun Dahan, to her thoughts on the dance scene in Malaysia, dance criticism, the Southeast Asian identity, and some emerging choreographers and

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da:ns festival 2018

SHIFT (Your Perspective) at Esplanade’s da:ns festival 2018: A Sneak Peek in GIFs

Esplanade’s da:ns festival returns this year from 9 – 21 October. The 13-day celebration of movement features powerful performances from around the world, internationally acclaimed acts and exciting new works. Apart from ticketed performances, the festival offers free programmes, including mass dance sessions, workshops, and da:ns lab, the festival’s annual platform for critical discourse on

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Faye Lim

Sitting in the ‘gap’: Faye Lim explores body autonomy for children (via Talking Circles)

Faye Lim dances, facilitates, performs, improvises, makes, and mothers. In Singapore, she presents works with the Strangeweather Movement Group, a collective she founded to create and perform dance works at off-stage venues around Singapore. As part of Singapore’s Contact Improvisation (CI) community, Faye has also facilitated jams and workshops in Singapore and KL, and she runs child-friendly

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