Dance

K(-A-)O by Kenji Shinohe (Photo by Bernie Ng)
Bernie Ng

“Asian Festivals Exchange” at M1 Contact Contemporary Dance Festival 2018

By Bernice Lee (1300 words, five-minute read) “Asian Festivals Exchange” puts together works selected from two East Asian festivals — Yokohama Dance Collection and Seoul Dance Collection — two works performed by T.H.E. Second Company, and a work-in-progress supported by M1 CONTACT Contemporary Dance Festival and Seoul Performing Arts Festival. It is a very full

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Vincent

“Between Tiny Cities (រវាងទីក្រុងតូច)”: De-cyphering Conversation

A white circle 10 metres in diameter greets us on entering the flexible performance space in Loft 29. I stand next to B-boy Erak Mith of Tiny Toones (Phnom Penh, Cambodia). He is locked in eye contact with Aaron Lim of D-City Rockers (Darwin, Australia) directly across the circle and I recognise the calm, unflinching

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Crispian Chan

“Binary – International Artist Showcase” at M1 Contact 2018: The Colour of the Sun is Black

By Chloe C. Chotrani (933 words, five-minute read) Closing the ninth M1 Contact Contemporary Dance Festival is the annual Binary – International Showcase: a double bill by Astrid Boons (Belgium/Netherlands) and Shamel Pitts (Israel/United States). In Vestige, an attempt to empty the body of its humanness, choreographer and performer Astrid Boons pushes the physicality of

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Off Stage

“Off Stage” at M1 Contact 2018: Communicating Beyond The Stage

By Bernice Lee (1100 words, six-minute read) M1 Contact Contemporary Dance Festival has become a staple of the contemporary dance scene in Singapore. It has used its resources to bring forward voices, particularly from the region, in an act of affirmation. Balancing local and international artists, bringing in projects mostly of an indie nature, this

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AExGTF Chats: “Between Tiny Cities (រវាងទីក្រុងតូច)” at George Town Festival

Between Tiny Cities (រវាងទីក្រុងតូច), a two-hander dance performance dovetailing b-boy vocabulary with contemporary dance, was the result of a three-year cultural exchange between Tiny Toones in Cambodia and Darwin City Rockers in Australia. It was presented at George Town Festival 2018, running over the opening weekend of 4 – 5 August. We interview choreographer Nick

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Cambodia’s first contemporary dance company: ‘we were blacklisted for not being Cambodian enough’ (via SEA Globe)

April is hot in Cambodia, with temperatures regularly hitting the mid-30s. And in the tourist town of Siem Reap, performers at New Cambodia Artists (NCA), the country’s first contemporary dance company, lay down in their studio as they wait for the midday heat to pass. The power cut doesn’t help. Several industrial fans stand silent

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Weekly Picks: Malaysia (2–8 July 2018)

Damansara International Arts Festival (DIAF), DPAC, 3–15 July In conjunction with the fifth anniversary of performing arts space DPAC, DIAF features two weeks of music, puppetry, dance, theatre and more. Many shows feature international performers. I recommend Malaysia’s Adab Berguru by BaiZam Generation, featuring three generations of dynamic wayang kulit tok dalang performers in one

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Elijah Zechariah

Podcast 43: Paradigm Shift; Contemporary and Street Dance

Duration: 30 mins In this month’s dance podcast Chan Sze-Wei chats with Hwa Wei-An and Luqman, two dancers who move between the worlds of contemporary dance and street dance. Wei-An is the organiser of Paradigm Shift, a contemporary-based dance platform taking place in Singapore that encourages exchange between contemporary dancers and dancers of different backgrounds.

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Bernie Ng

Flowing Reflections: “EARTH” at the M1 CONTACT Contemporary Dance Festival 2018

By Jocelyn Chng (960 words, 6-minute read) EARTH opens the 2018 edition of the M1 CONTACT Contemporary Dance Festival, the annual festival organised by T.H.E Dance Company. Now in its ninth year, the festival is a relatively small feature of the performing arts landscape in Singapore, but nevertheless a crucial one. Amidst the generally higher

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Ho Keen Fi

Lim Chin Huat and Negotiating Positionalities across Time (via Talking Circles)

Lim Chin Huat shares about his journey of learning one artistic discipline after another, his approach to creating work, his struggle with calling himself an artist, and how his current project In Her Hands traces its origins back to more than ten years ago. He currently teaches movement full-time at the Intercultural Theatre Institute. CH: I was a science

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New Cambodian Artists

Modern dancers go toe-to-toe with Cambodian tradition (via the Christian Science Monitor)

Performing a dance in red stilettos is not allowed at Angkor Archaeological Park, but that’s not stopping Khun Sreynoch from working on it. As members of Cambodia’s first contemporary dance company, Ms. Sreynoch and her closest colleagues have known each other since they were children studying Cambodian classical dance, or Apsara. But in fusing old

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