T.H.E Dance Company: Infinitely Human
T.H.E Dance Company’s Infinitely Closer at the Singtel Waterfront Theatre, Singapore, creates space for human connections .
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Esplanade
From Here On: Going to the theatre in the time of COVID
By Jocelyn Chng (1,550 words, 5-minute read) Attending From Here On, my first live performance since COVID hit, evoked a very strange mix of emotions in me. Unfortunately, before getting anywhere near the performance itself, the experience of attempting to get to the Esplanade was already one of sheer frustration. Anyone in Singapore who has
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Letter from Esplanade: A reflection on the arts, lessons from SARS, and COVID-19
In the performing arts, timing is everything. In music, rhythm is a dance among units of time. While dance is the body in time and space. And we all know in theatre, timing is everything: it makes for comedy, and when characters say or do the wrong thing at just the wrong time (as with
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Draconic Self-Portrait: An intimate conversation with Margaret Leng Tan on Dragon Ladies Don’t Weep
OCT 2022 UPDATE: Dragon Lady returns to Esplanade for her debut in the Singtel Waterfront Theatre, on 21 and 22 Oct 2022. Here for tickets and more information. (1,357 words, 4-minute read) Doyen. Icon. Self-professed Dragon Lady. These are some of the facets of Margaret Leng Tan, Singapore’s Cultural Medallion award recipient in 2015. Margaret
Fantasy issues: “Princess” by Eisa Jocson
By Chan Sze-Wei (786 words, 4-minute read) I’ve recently been reading articles about how childhood trauma is determinative of one’s risk of future health issues from asthma to cancer. Also how ancestral trauma is recorded in our DNA. Snow White is the original first Disney Princess. She is 82 this year (!) and it’s quite
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The Glorious Anger of “Leda and the Rage”
By Akanksha Raja & Corrie Tan (2,300 words, 12-minute read) Corrie Tan: When Edith Podesta first told us during our Studios podcast interview that Leda and the Rage would feature the life and paintings of Artemisia Gentileschi, I felt a jolt of excitement – I’d seen her work at an exhibition at the National Gallery
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Many Lives in “A Good Death”
By Akanksha Raja (1,000 words, six-minute read) Four of the five productions from this year’s season of The Studios are commissioned works revolving around the theme of “Between Living and Dying”. Most of these are new, original monologues recounting deeply introspective journeys that navigate the melancholy of loss and seek hope and meaning within grief.
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The Loud Echo of “In the Silence of Your Heart”
By Corrie Tan (1,160 words, six-minute read) The audio tours of spell#7 – the husband-wife duo of Kaylene Tan and Paul Rae – promise a variety of small adventures. In their previous work, they’ve invited us to move through several spaces in Singapore, peeling back layers of stories and eavesdropping on conversations as the tours
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Esplanade Presents The Studios: Between Living and Dying
If life is fleeting and death is certain, how do we make our days count? Over five productions, The Studios invites us to confront this question in our everyday. In this year’s series, Esplanade takes on the theme “Between Living and Dying” and presents a showcase of deep and thought-provoking works by five female creators: Edith Podesta, Faith Ng,
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Podcast 35: Esplanade’s The Studios 2018 Interview
Duration: 30 min This year, Esplanade’s The Studios series runs from 29 March to 29 April at the Esplanade Theatre Studio, and features five deep and thought-provoking works by five female creators: Edith Podesta, Faith Ng, Kaylene Tan, Michelle Tan, and Zizi Azah. Corrie Tan speaks with Edith, Faith, Kaylene and Michelle about their inspirations, the
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From the lucid dream of “Cut Kafka!”, a promising new artistic path
By Bernice Lee (995 words, four-minute read) The Esplanade Theatre Studio is awash in red light. It feels like the set of a Marvel movie – gloomy and dystopian; a planet overtaken by villains, awaiting rescue. Red mechanical legs hang from above the stage. The audience sits in the round, beyond the reach of this
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Life isn’t a beach in “Einstein in the Carpark”
By Corrie Tan (1,300 words, eight-minute read) This review has been translated into Mandarin by Liu Xiaoyi, artistic director of Emergency Stairs. Read his translation here. If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is probably where he’d end up. Part performance, part installation, part misshapen creature stitched together
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“The Neighbor’s Grief is Greener”: Past Imperfect
By Isaac Lim (468 words, 4 minute read) A woman’s place is in the kitchen. Or is it? Israeli theatre-maker Emanuella Amichai’s The Neighbor’s Grief is Greener attempts to quell all notions of the ideal woman we know from 1950s American pop culture. It all gets pretty bloody. Set in a pristine home, a Stepford
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“The Neighbor’s Grief is Greener”: Exquisite Macabre meets Slapstick Comedy
By Richard Chung (700 words, 5-minute read) A peek inside the macabrely funny world of The Neighbor’s Grief Is Greener, set in a 1950s American suburban kitchen. In 1940s America, men went off to war, leaving the running of the country to women. Many wives and daughters stepped foot into factories and worked for the
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“The Neighbor’s Grief is Greener”: There Will be Blood
By Patricia Tobin (538 words, 5-minute read) From Stepford Wives to The Real Housewives, the idealised American woman is always found in the kitchen. But is she happy? In The Feminine Mystique (1963), Betty Friedan found that most housewives of this era were unfulfilled within the domestic space. Creator-director Emanuella Amichai addresses this in The
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Is “The Neighbor’s Grief” really greener, or are we all the same?
By Teo Dawn (700 words, 5-minute read) 2018 has only just begun, but the women’s rights movement is already making its voice heard with #MeToo dominating social media, and the Time’s Up campaign started by Hollywood celebrities. Sexual violence against women is in the spotlight. Now, Larry Nassar (disgraced former Team USA gymnastics doctor) has
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“The Neighbor’s Grief is Greener”: A Dark Domesticity
By Ezekiel Oliveira (565 words 4-minute read) A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring flour into her bowl. But she isn’t making your regular American casserole; she’s cooking up a far bloodier dish. She dashes the pot on the ground, flooding the kitchen with blood. Emanuella Amichai’s
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#therageisreal: tackling gender inequality, one play at a time (via Esplanade Singapore)
In the wake of sexual harassment scandals that dominated news headlines in the latter part of 2017, gender-based violence and discrimination have become a hot topic—and it doesn’t seem like it’s going to stop soon. Women (and some men) around the world are coming together to speak out against abuse (or lend support to those
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18 – 24 December 2017: Singapore
THEATRE Angkat by Teater Ekamatra Artist Residency Programme, 20 – 24 December, Malay Heritage Centre Auditorium Salma, a National Idol hopeful, is asked to alter her image so as to appeal to the masses. As compromises are made, she starts to question her identity, creating a clash between her roots and her upbringing as an adopted
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11 – 17 December 2017: Singapore
THEATRE Southernmost: 1 Table 2 Chairs Project by Emergency Stairs, 12 – 24 December, The Arts House Presented by up-and-coming experimental theatre company Emergency Stairs, the first edition Southernmost is a theatre festival which brings the most outstanding and established traditional and contemporary theatre artists from the region together in this red dot for an intensive
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“from: The Platform” by Chowk Productions: A Running Imprint on the Mind
by Chan Sze-Wei (745 words, 5-minute read) Singapore-based Raka Maitra and her company Chowk are familiar names at the Esplanade’s Kalaa Utsavam and Raga programmes annually. The company is firmly based in classicial Odissi dance and the martial arts of chhau and kalari. But with them, tradition is not a formula. Walking into the Esplanade
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“Khwaab-Sa”: Shakespeare with masala and magic
By Naeem Kapadia (800 words, 6-minute read) Atul Kumar is no stranger to Shakespeare. The artistic director of Mumbai-based group The Company Theatre was first seen here in 2009 in the title role of Hamlet: The Clown Prince, which featured a troupe of clowns attempting to stage Shakespeare’s tragedy with a good dose of madness
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Photo Essay: “The Next Generation” Dancers of NAFA and LASALLE
Who are the next generation of dancers in Singapore? What do they aspire to? On stage, defying gravity looks like their natural state of being. Bodies slip from sentryesque sequence, to uncoagulated fluidity within a beat’s count, before turning back on themselves. Crispian Chan goes behind the scenes to capture the labour that bears these
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Eisa Jocson: “Macho Dancer” and “Corponomy”
One of the highlights of da:ns festival this year is a double bill by Eisa Jocson, Macho Dancer and Corponomy. While Corponomy is a new commission by the Esplanade – Theatres on the Bay for da:ns festival 2017, Macho Dancer is a critically acclaimed piece that has travelled extensively to major international festivals. Philippines-based curator and writer, Eva McGovern-Basa, recently managed and edited an interview
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New $30 million waterfront theatre for Esplanade [Singapore]
SINGAPORE – A $30 million waterfront theatre will open at the Esplanade – Theatres On The Bay in 2021. The mid-size venue will seat around 550 people. It was announced on Monday (April 10) by Minister for Culture, Community and Youth Grace Fu during the annual theatre awards organised by The Straits Times’ Life. At
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Review of “Fundamentally Happy”: Shame and Scandal in the Family
By Kathy Rowland (920 words, 8 minute read) Eric, a social worker based in Australia, has returned to Singapore for his father’s funeral. He visits an old neighbour, Kak Biba/Habiba, whose home was a childhood refuge from his own impersonal family. The reunion seems like a genuinely happy occasion. There are hints however – a
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“Dance can break down walls”: Interview with Cloud Gate 2’s Cheng Tsung-lung
Dance is a visual and sensory medium. It is a close cousin of music. Dance is very ancient, and has been used to express our hopes and fears even before language existed. Hence, when in the theatre, let the dancers lead you to breathe, to move and to run, then to recall that there is
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