Smoking

Vietnam to Ban Gratuitous Smoking in Movies, Stage Productions (via Saigoneer)

Starting from November, filmmakers will need to carefully deliberate their decision to include smoking in their works or risk the ire of the culture ministry. As Tuoi Tre reports, from November 15 this year, Circular 25 by the Ministry of Culture, Sports and Tourism on smoking in theatrical works will officially take effect, tightening the ministry’s control

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Where Are Sabah and Sarawak in the Malaysian Arts

[Podcast] Arts Apart: Where Are Sabah and Sarawak in the Malaysian Arts? (via BFM)

With Malaysia Day just around the corner, there is a lot of conversation happening about East Malaysia. But why do Sabah and Sarawak mostly come to our minds only when it is time to celebrate Malaysia Day? The arts and culture industries, too, are not exempt from being problematic with issues like inclusion and representation

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RiantoHijrah1
Sapto Agus

“Hijrah”: Tubuh di Antara dan Migrasi Gender

Read this review in English. Baca review ini dalam Bahasa Inggeris. Sejak kemunculannya, Rianto Manali (37) telah mencuri perhatian publik dengan tari yang ia pertunjukkan. Adalah Lengger Lanang, salah satu jenis tari dari Banyumas yang mempertunjukkan praktik cross-gender—laki-laki yang menarikan tarian perempuan—ia pilih  sebagai media ungkap dalam menyampaikan interpretasinya terkait tubuh, jenis kelamin, dan konstruksi. Alih-alih hanya pilihan

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Padmini Chettur Pichet Klunchun

Padmini Chettur’s “Varnam” and Pichet Klunchun’s “I Am A Demon”: An Instructive Contrast

If you have ever felt that classical Indian dance is too melodramatic – if you have ever rolled your eyes at a dancer’s fervid abhinaya, or a poem narrator’s extravagant diction – or if you think all the bright drapery, clashing saris, and coloured lights are unbearably gaudy, then Padmini Chettur’s Varnam is the corrective

Padmini Chettur’s “Varnam” and Pichet Klunchun’s “I Am A Demon”: An Instructive Contrast Read More »

nor Reclaims the Transgender Experience from Mainstream Media (via Frieze)

The walls of nor’s exhibition, ‘In Love’, are painted millennial pink. Photographs are displayed on the walls, salon-style, in an assortment of frames donated by the artist’s friends. Fairy lights line the ceiling. A sizeable bed sits in the middle of the humble room. Located on the second floor of a housing block, Lea’s exhibition

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Podcast 49: “Tiger of Malaya”

Duration: 30 mins ArtsEquator’s theatre podcast host Matt Lyon is joined by guests Naeem Kapadia and Charlene Rajendran to discuss Teater Ekamatra’s Tiger of Malaya, which was written by Alfian Sa’at and directed by Mohd Fared Jainal, staged at the Drama Centre Black Box, inside the National Library Building, Singapore, from 12 to 23 September

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Third Wife

Vietnamese director’s debut feature The Third Wife wins award at Toronto Film Festival

The directorial debut from Nguyen Phuong Anh, also known as Ash Mayfair, won the Network for the Promotion of Asian Cinema (NETPAC) award at last week’s Toronto International Film Festival (TIFF). The Third Wife tells the story of a 14-year-old girl in northern Vietnam who becomes the third wife of a wealthy 19th-century landowner and must learn the

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Tan Thian Chang

“The Misinterpreted Futures of George Town 2068”: Missing Futures

By Akanksha Raja (960 words, four-minute read) Prior to stepping into the mystifying world of The Misinterpreted Futures of George Town 2068, I was curious and fascinated by that science-fictioney title, coupled with the exciting premise of a performance with no performers: the technical elements of the show (lights, sound design, video projections) perform in

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Bilqis Hijjas

Podcast 48: Interview with Bilqis Hijjas

Duration: 32 min In this month’s dance podcast, host Amin Farid chats with Malaysian dance practitioner and writer Bilqis Hijjas on wide-ranging topics from her roles as president of MyDance Alliance and director of the dance programme Rimbun Dahan, to her thoughts on the dance scene in Malaysia, dance criticism, the Southeast Asian identity, and some emerging choreographers and

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