Eleven New Elements from the Asia-Pacific Region Inscribed on the List of UNESCO’s Intangible Cultural Heritage

Meeting in Mauritius until 1 December, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed eleven elements from the Asia-Pacific region on the Lists of UNESCO’s Intangible Cultural Heritage. Among them, two elements have been added to the List of Intangible Cultural Heritage in Need of Urgent Safeguarding while nine elements from […]

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Moka Mocha Ink

“Teater Normcore: Stereo Genmai” dan Pengkarya yang Bertengkar dengan Idea

Dan pertengkaran ini berlaku di dalam ruang yang meyakinkan. Dengan ambiens pekat kemimpian yang mengujakan – sangat mengujakan. Malah siapa lagi yang benar-benar mampu mentafsir kontinuum idea-mimpi ini melainkan Ridhwan Saidi sendiri? Saya masih teringat-ingat – dan teruja – dengan set dan prop yang direka dan diguna dengan sangat bijak dalam memaknai drama-drama pendek tulisannya

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ENCATC International Study Tour in Tokyo

ENCATC International Study Tour in Tokyo – Key Observations (via culture360.ASEF.org)

The 2018 ENCATC (European Network on Cultural Management and Policy) International Study Tour in Tokyo was held from 7 to 9 November 2018 and offered an intensive learning programme on the topic of cultural management and cultural policy in Japan. Ritirong Jiwakanon shares his experience of participating in this study tour. The ENCATC Study Tour

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Son mai

‘Son mai’ – the painstaking Vietnamese art of lacquer painting (via Tuoi Tre News)

Once chiefly employed in the decoration of wooden objects, son mai, or lacquer painting, has grown over the last century into a freestanding art form in Vietnam, to a point where it is now widely considered to be the country’s national painting technique. The traditional Vietnamese lacquer used in son mai is made by mixing the resin

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Dance Dramaturg

Telling A Thai Tale: A Dance Dramaturg’s Take (via The Theatre Times)

“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer, and director reveals a glint of mischief behind his earnest and gentle demeanor. “I am looking for misunderstandings, for opportunities to negotiate. When things are wrong, they are right.” [1] When I was initially brought as a dramaturg into the

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Plastic Kingdom

Plastic Kingdom: art exhibition questions Cambodia’s rampant waste problem (via SEA Globe)

An new art exhibition in Phnom Penh featuring works by Cambodian and foreign artists will raise questions about plastic use and recycling, through woodcarvings, illustrations and even a motorbike. On first arriving in Cambodia’s ever-expanding capital Phnom Penh, one is struck by the rubbish lying on the sides of the street; order noodle soup to

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Crispian Chan, crispi photography

Down the Fast Food Chain of Desire in “The Reunification of the Two Koreas”

By Teo Xiao Ting Click here to open the Twine in a new tab (if you’re reading this on a mobile browser, or otherwise have trouble viewing the Twine.) The Reunification of the Two Koreas by TheatreWorks was originally written in French by Joël Pommerat. Directed by Jacques Vincey, this staging ran at 72-13 from 1

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Cripsian Chan, cripsi photography

Looking at Love from Both Sides, Now in “The Reunification of the Two Koreas”

By Casidhe Ng (1,160 words, six-minute read) The breaking apart of Pangaea. The parting of the Red Sea. The abolitionist movement in all its contexts. The division of Taiwan and China in 1949. The separation of Singapore from Malaysia on 9th August 1965. The erecting of the Berlin Wall in 1961. Its complete fall in

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Hanoi EDM

Organizers decry last-minute cancelation of Hanoi EDM festival (via Tuoi Tre News)

An EDM (electronic dance music) festival scheduled to take place just outside Hanoi from November 23 to 25 was asked to cancel only hours before its opening, despite sold tickets and foreign and local artists and volunteers already heading to the venue. Artists and visitors on dozens of buses traveling some 40 kilometers from central

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One Two Jaga

“One Two Jaga”: The New Bravery of Malaysian Cinema

Click here to read this article in Malay. Klik di sini untuk baca rencana ini dalam Bahasa Melayu. It is rare to see social or political criticism delivered boldly and directly in Malaysian films. Even critical commentary, cloaked creatively, is difficult to do. There are many things that constrain creative freedom, not least the multiple legislations and regulations that bind the

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Weekly Picks: Malaysia (26 Nov – 2 Dec 2018)

Symposium – How Easily Modernism Could Be Disturbed, at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery. The entire programme looks interesting — conversations included discussions between writer Pauline Fan and ILHAM Gallery director Rahel Joseph; writer Goenawan Mohamad and art critic Lee Wheng

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Alfonse Chiu

8 Questions with Alan Oei

As part of ArtsEquator’s interview series profiling artistic directors across the region, we spoke with Alan Oei, AD of The Substation and co-founder and executive director of OH! Open House, on his hopes, his challenges, and how he balances different needs and roles between the two companies. How do you come up with the themes

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Weekly Picks: Malaysia (19–25 Nov 2018)

KLEX 2018: Translucence, at various locations, 22–25 Nov An independent artist-run grassroots international festival of experimental film, video art and music. It’s a good introduction to contemporary experimental cinema and regional creative works. Admission is free for the lectures, and by suggested donations for performances (RM10 film, RM30 music at RAW Art Space, RM90 music

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Grace Baey

Grace Baey’s Portraits of Yangon’s Trans Population (via Coconuts Yangon)

Some photographers are able to capture the most delicate moments deftly. With her project Living Choices, Singapore-based shooter Grace Baey showed her ability to do just that. Baey spent one month in Yangon taking pictures of the city’s trans population for the photo series — and despite the short time frame and limited window for gaining the

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