Visual Arts

Seelan Palay

Artist charged for illegal one-man procession from Hong Lim to Parliament House (via The Online Citizen)

Seelan Palay, a local artist, has been charged by the Attorney-General’s Chambers for participating in a public procession from Hong Lim Park to the National Gallery, and to the Parliament House on 1 October 2017. It is written in the charge sheet that the public procession is to publicise the cause of “the illegal detention

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A Singaporean Photographer’s Pursuit of Happiness in Bhutan (via New York Times Style Magazine Singapore)

“These are not the places we discussed, nor I wanted to go,” Singaporean photographer Billy Mork exclaimed in exasperation to his Bhutanese guide. Mork had just flown via the Royal Bhutan airline and landed at the taciturn kingdom’s Paro Airport. The guide picked him up and amiably brought him to take in some of the town’s famed tourist sites. Upon

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Nabilah Said

Making Our Own Centres (Of) Ourselves: Latiff Mohidin’s “Pago Pago (1960-1969)”

By Nabilah Said (2,220 words, 11-minute read) Had Malaysian artist-poet Latiff Mohidin been French, he might perhaps strongly identify with the idea of the flâneur. Coined by French poet Charles Baudelaire, the French word for someone who strolls in the city found cachet as a description of the artist-poet who drew inspiration from the city

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ArtsEquatorRadar
Headache Stencil

Thai street artists send political messages against corruption and military rule with spray and stencils (via SCMP)

A growing number of Thai street artists are turning political and getting their anti-corruption messages across with spray paint. Most keep their identity secret for fear of reprisals from the authorities. South China Morning Post speaks with three artists. There are many ways to fight the establishment, and Headache Stencil does so with graffiti. The

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How one artist is exploring his roots through vibrant, surreal artworks (via SEA Globe)

Hasanul Isyraf Idris is a Malaysian artist who works with a variety of different materials to present his often intricate and surreal ideas, inspired by his home country’s colourful history.  Hasanul Isyraf Idris’s fourth solo feature with Richard Koh Fine Art took place last week, showing at VOLTA art fair, New York. Titled Environment of

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Art Hub

Is Singapore losing its standing as the art hub of Southeast Asia? (via SEA Globe)

Despite the government’s desperate attempts to position Singapore as Southeast Asia’s arts hub, flagging figures at major shows and accusations of artificiality have put the city-state’s art scene under more scrutiny than ever Singapore has long tried to combat its reputation as a cultural desert. An influx of state funding in the past two decades

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Gallery Space

Podcast 40: Dance in the Gallery Space

Duration: 40 mins Podcast host Chan Sze-Wei leads a discussion on dance-making and dance programming for/in gallery spaces. Joining her are three guests: Vanini Belarmino, Assistant Director of Programmes at the National Gallery Singapore; Lim Chin Huat, cross-disciplinary artist and performance-maker whose recent dance work In Her Hands took place earlier this month at the

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Railtrack Songmaps

“Railtrack Songmaps Roosting Post 1”: The Featherlight of Complexity

By Marcus Yee (970 words, 7-minute read) Tucked in Queenstown Residence Committee Centre is a heartfelt homage to Tanglin Halt and the nearby Rail Corridor, nexus of human and bird relationals,  collected by Railtrack Songmaps Roosting Post 1. Conceived out of a collaboration, or chorus between artist Lucy Davis, designer Zachary Chan, photographer Kee Ya

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Courtesy of STPI – Creative Workshop & Gallery

Dinh Q. Lê’s “Monuments and Memorials”: A Double Haunting

By Elaine Chiew (1,135 words, six-minute read) Spectral and iconic, Dinh Q. Lê’s first major solo exhibition in Singapore premieres his Monuments and Memorials series of works, created as artist-in-residence at STPI – Creative Workshop and Gallery. Born in 1968 in Ha Tien, on the border of Cambodia and Vietnam, Lê fled the Khmer Rouge

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Citra Sasmita

Citra Sasmita captures the Indonesian contemporary art spotlight (via Life As Art Asia)

The most significant display of contemporary art on the island during 2015 featured many of Bali’s finest artists exhibiting side-by-side with emerging talent. Violent Bali – Bali Art Intervention #1, opened at the Tony Raka Art Gallery, Ubud in November presenting eighty-five works raising issues such as identity, gender and cultural conflicts, and the New Order regime

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