Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Sherlyn Goh Xue Ting (1295 words, 9-minute read) Entry 26,371: 25 January 2018, 2000hrs It has been a few days since the mysterious databank in J.O.A.N. appeared, and the system is overwhelmed by memories […]
Investigation Report for “Attempts: Singapore” Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Alicia Chong (700 words, 5-minute read) Attempts: Singapore by Rei Poh – presented as part of the M1 Singapore Fringe Festival 2018 – creates a theatrical performance that immerses its audience in an ‘escape
“Attempts: Singapore”: Fluid Fragments and Fragile Illusions Read More »
By Isaac Lim (468 words, 4 minute read) A woman’s place is in the kitchen. Or is it? Israeli theatre-maker Emanuella Amichai’s The Neighbor’s Grief is Greener attempts to quell all notions of the ideal woman we know from 1950s American pop culture. It all gets pretty bloody. Set in a pristine home, a Stepford
“The Neighbor’s Grief is Greener”: Past Imperfect Read More »
By Richard Chung (700 words, 5-minute read) A peek inside the macabrely funny world of The Neighbor’s Grief Is Greener, set in a 1950s American suburban kitchen. In 1940s America, men went off to war, leaving the running of the country to women. Many wives and daughters stepped foot into factories and worked for the
“The Neighbor’s Grief is Greener”: Exquisite Macabre meets Slapstick Comedy Read More »
By Patricia Tobin (538 words, 5-minute read) From Stepford Wives to The Real Housewives, the idealised American woman is always found in the kitchen. But is she happy? In The Feminine Mystique (1963), Betty Friedan found that most housewives of this era were unfulfilled within the domestic space. Creator-director Emanuella Amichai addresses this in The
“The Neighbor’s Grief is Greener”: There Will be Blood Read More »
By Teo Dawn (700 words, 5-minute read) 2018 has only just begun, but the women’s rights movement is already making its voice heard with #MeToo dominating social media, and the Time’s Up campaign started by Hollywood celebrities. Sexual violence against women is in the spotlight. Now, Larry Nassar (disgraced former Team USA gymnastics doctor) has
Is “The Neighbor’s Grief” really greener, or are we all the same? Read More »
By Ezekiel Oliveira (565 words 4-minute read) A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring flour into her bowl. But she isn’t making your regular American casserole; she’s cooking up a far bloodier dish. She dashes the pot on the ground, flooding the kitchen with blood. Emanuella Amichai’s
“The Neighbor’s Grief is Greener”: A Dark Domesticity Read More »
This is not a book about films. It is a book about how films and other forms of popular culture point to the places where interests, positions and desires come together, especially on issues of religious, ethnic and national identity. The author, Ariel Heryanto, examines the complex and negotiated feelings of belonging to religious, ethnic
Book Review: Identity and pleasure, on screen (via Inside Indonesia) Read More »
We can tell a few things about a theatre scene from the categories in its awards shows. In the International Association of Theatre Critics-Thailand (IACT-T) annual nominations list, there is one particular category for ‘movement-based performance’. This indicates that either there is a sheer variety of movement-based performances in Bangkok, or that its theatre critics
Rantau Reviews: “Something Missing” & “Plan B” in Bangkok Read More »
How does contemporary art in Singapore and Malaysia reflect an alternative to the dominant narrative of history? June Yap’s book produces a concept of ‘Malayan’ history from the 1950s till 2010s through a selection of contemporary art from the region. In re-defining history through these works, Yap is reformulating the vocation of an art historian,
By Akanksha Raja (575 words, 5-minute read) Nabilah Said’s last staged play, Drip, had a wisecracking and irreverent script which, at its heart, was a story about family. The play looked at the struggle of finding a sense of belonging within one’s family when the wide rifts in beliefs and behaviours seem impossible to bridge.
Teater Ekamatra’s “Angkat”: Uncarried Baggage Read More »
In the middle of the black box studio of the Bangkok Art and Culture Centre there is a white rectangle placed on the floor. Above it, a rectangular box is mounted, casting fluorescent light diffused through a white screen. At the periphery of the studio, there are rows of slender pillars attached with fluorescent tubes.
Rantau Reviews: “Co/exist” & “Private Conversation” in Bangkok Read More »
It is unlikely that, while writing her novel Once We Were There, Bernice Chauly foresaw the events currently taking place in Malaysia’s political landscape. Yet, the timing of the book’s publication now, set in Kuala Lumpur at the height of the 1990s Reformasi era, seems uncanny. Early December last year, Malaysia’s main opposition party, the
Writing the Reformasi: Bernice Chauly’s “Once We Were There” Read More »
The Bangkok Theatre Festival takes place at the Bangkok Art and Culture Centre, a handsome 9-storey rotunda building right beside the Siam Square shopping district. Instantly recognisable by its white, curved exterior, it houses a library, malls and galleries (the upper floors consist of a spiral ramp a la the Guggenheim Museum). In terms of
Rantau Reviews: 3 Plays at the Bangkok Theatre Festival Read More »
Bold and unrelenting, Shuttle Life 《分贝人生》is an emotionally-charged social drama about Malaysia’s urban poor, offering a poignant insight into privilege and powerlessness in modern Kuala Lumpur. Featuring strong performances and gritty cinematography, the film marks an award-winning feature debut for director Tang Seng Kiat, clinching Best Film, Best Actor and Best Cinematography in the Asian
“Shuttle Life 《分贝人生》”: Grief and Powerlessness in Modern Malaysia Read More »
Insatiable, presented by Sigma Contemporary Dance and choreographed by Hong Guofeng, is crafted to explore the concept of choice and its consequences in our current world. As we are embroiled in a system dominated by corporations with their far-reaching influences, how much autonomy do we still retain? In accordance with the idea of choice, there
“Insatiable” by Sigma Contemporary Dance: A Game of Thirst Read More »
By Ezekiel Oliveira (573 words, 5-minute read) Subtle lighting can enhance any dance piece, but the gloom that pervades this triple bill too often leaves the fine choreography lurking in the shadows. The decision must have had an artistic impetus, but the result often leaves everyone – performers and audience – dancing in the
Three Kin, T.H.E Dance Company Read More »
Tokyo Notes, a 1994 play by Oriza Hirata, was inspired by the 1953 film Tokyo Story by Yasujiro Ozu. The shift from ‘story’ to ‘notes’ forms what could be described as the play’s conceptual frame. While Ozu’s film tracked the story of an elderly couple visiting their children in Tokyo, Hirata’s play, fragmented and elliptical,
Rantau Reviews: “Bangkok Notes” Read More »
By Ezekiel Oliveira (524 words, 5-minute read) Maya Dance Theatre tackles mental health in a mashup of dance and theatre that gives us a quartet of characters all struggling with depression and social anxiety. There is Shazam, an artist struggling with depression, played by Shahrin Johry. Providing contrast, Bernice Lee lets her hair-down as Jane – a
ANWESHA – Beyond the Darkness! Read More »
By Isaac Lim (516 words, 5-minute read) A supersized Butsudan (Buddhist altar) frames the stage, flanked by two old peasants who open the panels to indicate the commencement of a ritual. Within is 16th century post-civil war Japan, replete with samurais and ninjas. Majestic silkscreen doors open and close to reveal different scenes. This is
Ninagawa’s “Macbeth”: Just Not Shakespeare’s Read More »
Photography arrived in Southeast Asia soon after its discovery in Europe in 1839, provoking contrasting reactions and developing in different ways according to the environment where it was introduced, yet having indeed an important impact in the modernisation of the region. Photography in South East Asia: a Survey offers us the opportunity to venture on
Book Review: “Photography in Southeast Asia: A Survey” by Zhuang Wubin Read More »
by Chan Sze-Wei (745 words, 5-minute read) Singapore-based Raka Maitra and her company Chowk are familiar names at the Esplanade’s Kalaa Utsavam and Raga programmes annually. The company is firmly based in classicial Odissi dance and the martial arts of chhau and kalari. But with them, tradition is not a formula. Walking into the Esplanade
“from: The Platform” by Chowk Productions: A Running Imprint on the Mind Read More »
Recently I caught a round of theatrical experimentations by Southeast Asian and Japanese directors in Tokyo. Called One Table Two Chairs Meeting 2017, it was the second of a 3-year series at the Za-Koenji Theatre. Taking part were Prumsodun Ok (Cambodia), Kamei Juntaro (Japan), Fasyali Fadzly (Malaysia), Chey Chankethya (Cambodia) and Liu Xiaoyi (Singapore). One
Tikam-Tikam Japan: Table and Chairs Read More »
What happens when you are an artist who has been given, say, five days, to make and present a new work for a site-specific event in a place that you have never seen before, in Japan? You will be required to install your work anew each day, between 3 and 6.30pm. When it “starts to
Tikam-Tikam Japan: chi too’s conceptual balloons in Sapporo Read More »
Duration: 21 min Dr Stephanie Burridge and dancer Chloe Chotrani recap the da:ns festival 2017 by Esplanade Theatres on the bay, sharing their personal reflections on the shows they’ve seen. Chloe discusses the relevance of Eisa Jocson’s practice to Filipin@ sociopolitics, and how this comes through in Jocson’s double-bill of Macho Dancer and Corponomy, while Stephanie
Podcast 30: da:ns festival 2017 Read More »
Poop! by Chong Tze Chien A family left stranded in the aftermath of a father’s seemingly irresponsible, selfish suicide, must learn to navigate its way through the nooks of grief and crannies of letting go and letting be, all whilst holding to semblances of hope through a widow’s grief, a mother’s denial, and the celebration
The Finger Players’ Contemporary Classics Season 2017: “Poop!” and “The Spirits Play” Read More »
By Chloe Chotrani (927 words, 7-minute read) To witness the work of Eisa Jocson is an absolute privilege at this point in history. The double-bill pairing up Jocson’s internationally acclaimed Macho Dancer and the new Esplanade commission Corponomy, investigate the economic body as archive of labor and service in the Philippines. It is said that
Eisa Jocson at da:ns festival 2017: The Body as Archive of Filipino Labour Read More »
Pichet Klunchun was invited to create an outdoor performance at Minami Ikebukuro Park, a popular hang-out place for families and young people in Tokyo, by the Festival Tokyo 2017. It was an ‘odd’ commission given that Pichet Klunchun is known internationally, as a choreographer and dancer, for his deconstruction of classical Thai dance, the khon,
Tikam-Tikam Japan: Site-Specific Monkeys by Pichet Klunchun Read More »
For Esplanade’s da:ns festival 2017, LASALLE College of the Arts and Nanyang Academy of Fine Arts (NAFA) come together for The Next Generation to present 70 minutes of well choreographed works that offer an insight into what we can come to expect from the next wave of dancers anticipating to enter the industry. LASALLE College
“The Next Generation”: LASALLE and NAFA at da:ns festival 2017 Read More »
By Rebekah Sangeetha Dorai (1900 words, 12-minute read) Pathey Nimidam 2017 opens up to a simple bare-bones theatre, plunged in darkness with a few blocks embellished with light, waiting for creativity and spark to bring them alive. From here stemmed eight different plays each unfolding within ten minutes. These offerings ran over a three-day period
Pathey Nimidam 2017: A Tamil Theatre Festival Read More »
