Azrin Fauzi mengulas “Two Lines in A Square”, persembahan yang dilancar di Taipei dan Kuala Lumpur dari dua perspektif berbeza.
Memori Menonton “Two Lines In a Square”: Penjara Bahasa dan Sang Tahanan Bebas Separa Read More »
In this visual essay, puppet maker and designer Daniel Sim, begins with a set of rejected stage chairs, and ends up on a lyrical journey through Singapore’s theatre history.
“Make Hantus Great Again”, Teatre Ekamatra’s latest production, combines kooky supernatural characters with social commentary this Halloween.
Make Hantus Great Again: Breaking Bread With the Undead Read More »
SMU students Caitlin Leong and Joy Lo interview Isabella Chiam about her gardening workshop, ‘The Last Gardener’, gaining insights into the risks and challenges that artists face in the creative sector.
Isabella Chiam: Cultivating Risks Read More »
Faisal Tehrani’s ‘Ghaib’, a complex portrayal of family, agency and voice, contends that real emancipation is still elusive in our society.
Ghaib: Can the Unheard Speak? Read More »
In Wild Rice’s restaging of Animal Farm, Rebecca G finds a production that leavens the darker aspects of the text by drawing out the absurdities of the narrative.
Reconsidering the Commandments with Wild Rice’s Animal Farm (2022) Read More »
While acknowledging the value of art in addressing national trauma, Pristine de Leon raises questions about the limits, and ethics of representation on stage.
A Gap in the Telling: Review of Virgin Labfest 17 Read More »
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas, is creating a practice that enriches the cultural landscape for all Malaysians.
Parastoo Theatre: Art, Refuge, Action Read More »
With change and transformation being an agenda for the past two years, we talk to Producers SG and uncover how they plan to accommodate the shifts in the art world.
“What if we do it this way?”: Imagining new Possibilities with Producers SG Read More »
Rebecca G dissects the art of critiquing and the expansion of critical perspectives in the arts criticism. This article is published as part of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022. I’m writing this with all possible biases in mind. I am myself a maker and critic / researcher of performance, which lands
The Aesthetics Of Critique: An Act Of Creation Read More »
After years of waiting, Spilt Gravy Ke Mana Tumpahnya Kuah hits the screens in Malaysia on 9th June. We speak to Datuk Zahim Albakri (director/co-screenwriter) and June Tan (co-screenwriter) on what it took for the film, adapted from a play, to reach this moment. One privilege of being an artist is the experience of creating
Isaac Lim outlines conversations in online disability arts panel discussion, Nothing About Us Without Us: Artists on crafting their voices. The full video is also available to watch, with Singapore Sign Language and Korean Sign Language interpretation, and captions in Korean and English. The writer of this piece is a plus-sized male with short hair,
Disability Arts – Notice us for our art, not our disability Read More »
아이삭 림은 장애 예술에 관한 온라인 포럼, 우리가 없으면 우리에 대한 것도 없다: 목소리를 만들어 내는 예술가들에 대한 글을 썼습니다. 싱가포르 수어, 한국 수어, 언어 통역과 한국어와 영어 자막이 제공되는 전체 비디오도 보실 수 있습니다. 지금 이 글을 쓰고 있는 사람은 짧은 머리에 안경을 쓴 플러스 사이즈 남성으로, 티와 반바지 차림으로 편하게 입은 채 집필
장애예술 – 장애가 아닌 우리의 예술을 보라 Read More »
The last two years have been significant for those working in arts and culture. In Singapore, this period has seen interesting initiatives focused more on creating meaningful shifts in the scene – from changing the ways we work, to improving and professionalising craft, and decentralising discourse and learning. Nabilah Said, Ke Weiliang and Lee Shu
Singapore Arts Emerging from the “Great Pause” Read More »
Faezah Zulkifli dissects Opposition – a multilayered narrative of the relationships people have with one another, with themselves and the spaces they inhabit. This performance is the last of a trilogy of collaborations between The Necessary Stage and Drama Box. Light versus darkness, regularity versus irregularity, stability versus fluidity—from deconstructing binary oppositions to reconciling differences,
Opposition: Cycles of Love, Forces of Change Read More »
The Fall of the House of Usher, Lot’ng Arts Space, 2–12 Aug Promising a twisted journey into the mind of a mysterious house and the equally enigmatic residents. Presented by theatrethreesixty, this play is directed by Nicole-Ann Thomas, and the performance highlights physical theatre. More info here. 2+1 = TIGA trio, at Space.Toccata, 8
Weekly Picks: Malaysia (6 – 12 Aug 2018) Read More »
