Performance

Master Conversations: Set Design with Tuxqs Rutaquio and Katrina Stuart Santiago

Manila-based set designer Tuxqs Rutaquio shares about his practice and process in set design alongside theatre critic Katrina Stuart Santiago. This session took place on 1 June 2021 as part of the Asian Arts Media Roundtable at SIFA 2021. The inaugural Master Conversations series focuses on production and technical theatre. Through four in-depth presentations, led […]

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The Year of No Return (1)_Courtesy of Tuckys
Tuckys Photography

Podcast 90: Critics Live: The Year of No Return by The Necessary Stage at SIFA 2021

Singapore critics Clarissa Oon, Lee Shu Yu, Nabilah Said and Naeem Kapadia discuss The Year of No Return by The Necessary Stage, presented at Singapore International Festival of the Arts (SIFA). The performance took place from 21-22 May 2021 at Victoria Theatre, and from 5-20 June via video on demand. Critics Live! is a critics-led

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Panel discussion screenshot
Courtesy of SDEA

Drama Lessons: Key takeaways from the SDEA Theatre Arts Conference 2021

The much-anticipated SDEA Theatre Arts Conference came to a close on 30 May after nine days of workshops, masterclasses and presentations by theatre practitioners and drama educators from 14 countries including India, Greece, United Kingdom (UK), Singapore and Australia. Adapting the well-established live conference format to the online medium, with programmes spanning multiple time zones

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David Wilkinson/Empirical Photography

Podcast 88: Critics Live: The Journey by Scott Silven at SIFA 2021

Critics Ben Valentine (US), Kathy Rowland (SG), Michael HB Raditya (ID), Sharmilla Ganesan (MY) chat about The Journey by UK-based illusionist and mentalist, Scott Silven. The performance took place from 18-30 May 2021 as part of the Singapore International Festival of Arts. Critics Live! is a critics-led programme series created by ArtsEquator to give arts

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OIWA – The Ghost of Yotsuya (2)_Courtesy of Arts House Limited
Courtesy of Arts House Limited

OIWA – The Ghost of Yotsuya: Primal story of love, or the failures of it

An epic set, an epic story, and epic four years of painstaking training is one way to describe The Finger Players’ OIWA – The Ghost of Yotsuya, an aching horror story that retells the classic tale of vengeance revolving around a jilted woman. Combining techniques of Kabuki, Bunraku and Ningyo Buri, as well as the

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Master Conversations: Costume Design with Catherine Kodicek and Lyn Gardner

Costume designer and supervisor Catherine Kodicek shares about her practice and process, and issues around costume awareness and advocacy within the UK theatre context, alongside UK theatre critic Lyn Gardner. This session took place on 25 May 2021 as part of the Asian Arts Media Roundtable at SIFA 2021. The inaugural Master Conversations series focuses

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SDEA Theatre Arts Conference Keynote Interviews: Drama lessons in a pandemic (Part 2)

SDEA is holding its first fully online Theatre Arts Conference this year, since its inaugural run in 2011. Expanding from the traditional weekend format to an 8-day event, the conference will feature 70 presentations, workshops, and masterclasses by 64 practitioners from 14 countries. [Read our highlights here, and Part 1 of our Keynote Interviews here]

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ArtsEquator’s Hot List: May 2021

Every first Wednesday of the month, ArtsEquator releases our editor’s picks of shows/events/programmes that our readers can look out for in that month. Note: The events below are subject to changing conditions due to COVID-19. Do check with the respective presenters. This list in published in no particular order.    1. The Music of Checkpoint

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Five Arts Centre

Oppy & Professor Communitas: Meanderings of the Malay male theatremaker

A new addition to the genre of online theatre, Oppy & Professor Communitas by Five Arts Centre is a thoughtful, humorous, and self-reflective examination of the role and struggle of Malaysian theatremakers. Anchored through a series of workshop lectures, the play centres on Oppy, a young actor and musician who is at a crossroads about

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8 online programmes not to be missed at SDEA Theatre Arts Conference

The SDEA Theatre Arts Conference is back in 2021 with a fully-online programme, featuring presentations, workshops and masterclasses responding to the theme of Creative Disruption: Exploring New Ground. The conference, first started in 2011, is an international platform for artists, theatre practitioners, educators, and applied drama practitioners to share their work, methodologies, and research through

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The Sound Inside: Duet of life and loss

Filled to the brim at 25% capacity, Singapore Repertory Theatre’s Robertson Quay theatre was cold. The starched whiteness of Petrina Dawn Tan’s set — comprising piles of books that would function effectively as furniture, storage space, and the psychological landscapes of the play’s two characters — added to this austere atmosphere. I didn’t know what

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Hitting up the Producers SG Directory: Taufik Darwis, Racy Lim and Khor Seng Chew

What is producing within the context of the arts? It is a question whose answer might vary depending on who you ask. Producers SG is a community of independent producers, arts managers and self-producing artists interested in nurturing support systems amongst producers and conversations around the practice of producing.  Producers SG recently launched the Producers

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Alternative Lessons for Women (ALFW) – Photo credit_ Charmaine Poh
Charmaine Poh

Alternative Lessons for Women: Sonia Kwek and Tan Weiying on sex, desire and the erotic

By Aditi Shivaramakrishnan Adapting its title from Lessons for Women <<女诫>>, a text by the first known female Chinese historian, Ban Zhao, Alternative Lessons for Women is a double-bill of two solo works: Hymen Instinct created and performed by Sonia Kwek and What? That’s It? created and performed by Tan Weiying.  Hymen Instinct subverts the

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Brown is Haram (Credit_ Courtesy of the artists)
Courtesy of the artists

Brown Is Haram: Kristian-Marc James Paul and Mysara Aljaru reclaim their space

Brown Is Haram: Reconstructing The Brown Narrative is a performance-lecture exploring different aspects of the experience of being brown in Singapore, exploring issues such as social mobility and masculinity. This show is based on the work and ongoing collaborative project of writer and activist Kristian-Marc James Paul and writer-researcher Mysara Aljaru, and is directed by

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Courtesy of The Finger Players

Citizen X marks the spot for a family treasure none of us can find

By Corrie Tan (2,050 words, 10-minute read) Over the course of Citizen X, my father nudges me in the arm several times, whispering loudly and theatrically: “It’s so similar leh!” All throughout the 75 minutes, he wiggles around in his seat, emitting sighs, laughter, tsk-tsks, and the occasional “wow”. My father – a stoic and

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ArtsEquator’s Hot List: March 2021

Every first Wednesday of the month, ArtsEquator releases our editor’s picks of shows/events/programmes that our readers can look out for in that month. This list in published in no particular order.    1. Little Mournings Physical show: 4-7 March, various timings / Delayed livestream: 11-17 March  [SINGAPORE/In-venue & Online] Little Mournings is a puppetry show

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How they got their stART: ArtsWok, Paper Monkey Theatre and Bhumi Collective

In unprecedented times like a pandemic, artists, like everyone else, are focused on survival. Horizons for planning are more short-term. Even as we enter 2021 with cautious optimism, it is hard to think about longer term goals and aspirations. Yet, the continued survival of our arts organisations is crucial to building and sustaining a thriving

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