Berak: Letting it Go
Naeem Kapadia reviews ‘Berak’ by Singapore’s Teater Ekamatra and comes away moved by the sensitive trancreation of the original play by Chong Tze Chien.
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Performance
Podcast 106: Boom
In our latest podcast, we discuss Boom, a production by A Mirage which took place on 1-20 July 2022.
Contemporary Moves In Modern Singaporean Tamil Theatre
Hemang Yadav was involved in a recent development program, Tunjuk Arah/ Iyakkunar, for Malay and Indian theatre directors in Singapore. He shares his views and reflections on the current state of Singaporean Tamil theatre, and how the programme was an important platform, while also identifying some entrenched ideas underpinning the design of the masterclasses.
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Parastoo Theatre: Art, Refuge, Action
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas, is creating a practice that enriches the cultural landscape for all Malaysians.
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“What if we do it this way?”: Imagining new Possibilities with Producers SG
With change and transformation being an agenda for the past two years, we talk to Producers SG and uncover how they plan to accommodate the shifts in the art world.
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Podcast 104: Tartuffe: The Imposter
Critics Matthew Lyon, Nabilah Said and Naeem Kapadia discuss Wild Rice’s bold adaptation of Tartuffe: The Imposter by Molière in the latest ArtsEquator Theatre Podcast. In this latest ArtsEquator Theatre Podcast, Matthew Lyon, Nabilah Said and Naeem Kapadia discuss the recent production, Tartuffe: The Imposter, written by Molière and presented by Wild Rice. The cast
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The Aesthetics Of Critique: An Act Of Creation
Rebecca G dissects the art of critiquing and the expansion of critical perspectives in the arts criticism. This article is published as part of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022. I’m writing this with all possible biases in mind. I am myself a maker and critic / researcher of performance, which lands
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Spectrum of Nature in SIFA 2022
ArtsEquator interviews four artists whose works depict nature in different spectrums, at the upcoming Singapore International Festival of Arts 2022. Singapore International Festival of Arts 2022 is just days away, with a diverse array of programmes, including at the intersections of art and nature. ArtsEquator speaks with four participating artists, each of whose works depict
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Redressing a shared silhouette: project SALOME at SIFA 2022
What is project SALOME? Who is Seah Loh Mei? Singapore theatre director Ong Keng Sen puts his own spin on the fantastical figure of Salome in this multidisciplinary multi-pronged performance which incorporates documentary film, live performance and even a pre-event social media component. Rebecca G. speaks to Ong Keng Sen and actor Janice Koh. First
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Disability Arts — Expanding Ecosystems, Protecting Foundations
Disability arts researcher Yeongmin Mun reflects on ecosystems, access and platforms in response to the online panel discussion, Ground Up: Building Effective Ecosystems for Disability Arts. The full video is also available to watch, with Singapore Sign Language and Korean Sign Language interpretation, and captions in Korean and English. Art has no borders — that’s
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Podcast 103: The Glass Menagerie
Classic play The Glass Menagerie by Tennessee Williams gets the Pangdemonium treatment. Critics Matthew Lyon, Nabilah Said and Naeem Kapadia discuss more in the latest ArtsEquator Theatre Podcast. In this latest ArtsEquator Theatre Podcast, Matthew Lyon, Nabilah Said and Naeem Kapadia discuss the recent production The Glass Menagerie, written by Tennessee Williams and presented by
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장애예술 – 생태계를 확장하며, 토대를 지켜내기
문영민은 생태계와 접근성, 플랫폼 등에 대해서 이야기한 그라운드 업: 장애 예술을 위한 효과적인 생태계 구축에 대한 글을 썼습니다. 싱가포르 수어, 한국 수어, 언어 통역과 한국어와 영어 자막이 제공되는 전체 비디오도 보실 수 있습니다. 예술에 국경이 없다고 했던가. 알레시아 니오, 김원영, 피터 사우 세 작가의 발표를 들으며 장애예술 창작자들의 고민과 시도에도 경계가 없다고 느꼈다. 싱가포르와 한국의
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WINDOW by ATTEMPTS: A click away
“You walk into a black room. Right in the middle of that room, a laptop gleams dimly. A voice beseeches you to explore further.” What is WINDOW? WINDOW by ATTEMPTS Or try clicking ANOTHER WINDOW WhatsApp Video 2022-03-03 at 5.44.45 PM Tags: attempts Mental Health online performance Singapore Theatre Video
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Schooled by Singapore Youth Theatre: Teens Tell It Like It Is
Azura Farid reviews Schooled, the play about the concerns of young people devised by the inaugural batch of the Singapore Youth Theatre ensemble, Wild Rice’s educational programme for youths aged 13-17 years old. The piece was first staged in 2020, and puts youths centrestage to be listened to by the adults, for once. As I
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8 Picks from the Dreamy, Mind-Bending SIFA 2022
Singapore International Festival of Arts 2022 is just around the corner, with a slate of offerings that are as multidisciplinary, dreamy and mind-bending as they are spectacular and thought provoking. ArtsEquator recommends 8 shows to catch. SIFA 2022 takes place from 20 May to 5 June 2022. With the much anticipated upcoming edition of the
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Podcast 102: CITRUS Practices & Library of Care
Adib Kosnan chats with arts practitioners Corrie Tan, Elizabeth Chan and Chong Gua Khee, who are members of CITRUS practices. The group is interested in cultivating better practices around care and intimacy in artmaking in Singapore, and are developing an online resource to help practitioners with that. In the latest episode of the ArtsEquator podcast,
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Dalam kenangan: Rahman B.
Shahrul Mizad Ashari berkongsi luahan tentang Tokoh Seniman Negara, Rahman B, seniman bangsawan ikonik yang meninggal dunia pada 2 Mac 2022. “Jadi, Cikgu rasa Bangsawan ni sebenarnya…,” kata-kata ini tidak akan kedengaran lagi setiap kali memulakan bicara. Kata-kata seorang adiguru Bangsawan, setiap kali bermula kelas praktikal di dalam Studio Tari Utama di Akademi Seni Budaya
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Empathy is of the essence: Order On The Go by Erwin Shah Ismail
Singaporean performer and playwright Erwin Shah Ismail shares stories of food delivery riders in the promenade theatre piece, Order On The Go, which will see audiences moving around Kampong Gelam. Erwin hopes to make people more aware of their experiences, and calls for more empathy for these essential workers.
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WINDOW by ATTEMPTS: A click away
What is this show? Rei Poh (Rei): During the Circuit Breaker when we had a sudden lockdown, we decided to start online game nights where we could just play games, and actually give ourselves a reason to check in with one another, make sure everybody is okay. During that period, there were articles and reports
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Podcast 101: M1 Singapore Fringe Festival 2022
ArtsEquator’s theatre podcast is back in 2022, with critics Lee Shu Yu, Matthew Lyon and Naeem Kapadia in a post-show conversation about three productions at M1 Singapore Fringe Festival 2022: The Essential Playlist by The Second Breakfast Company (Singapore), Being: 息在 by 微 Wei Collective and Collaborators (Singapore) and OK Land by Circle Theatre (Thailand). This episode is part of
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WINDOW by ATTEMPTS: A click away
Who is SARA? Cheryl: There’s a SARA that me and Rei talked about, when we were just bouncing ideas. And initially we thought anybody can be SARA. That was our starting point. When I first went into the rehearsal process, I wanted to know what the actors thought SARA was like. We went quite in-depth
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WINDOW by ATTEMPTS: A click away
How does the folder game work? I’ve never played it before. Cheryl: It’s like if you’re not an organised person and your folders are everywhere. And there are many things inside the folder. Sometimes you will have pictures next to official work folders – they don’t actually work together but it’s on the computer and
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Experiencing a slice of life: Artist’s Block by ArtWave
Experience an audio-guided walking trail along Singapore’s historic Waterloo Street.
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WINDOW by ATTEMPTS: A click away
How would you describe WINDOW? Rei: Recently I described it as a theatrical video game. Or is a video game performance? Or is it a theatre with video game elements? Then I got confused (laughs). Cheryl: I recently described it as visual storytelling. It’s a genre that is increasingly popular in a lot of indie
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Disability Arts: Critical Conversations between South Korea and Singapore
Disability Arts: Critical Conversations between South Korea and Singapore Presented by ArtsEquator, Equal Dreams and Taeyoon Choi Studio Disability Arts has emerged as a powerful and dynamic area of practice within the wider arts and cultural landscape regionally in recent years. Yet, the work of rethinking and rebuilding disability-centred arts ecosystems is an ongoing process
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Jit Murad: Your Imagination Will Make Us Smile
In examining the legacy of the late, celebrated Malaysian playwright Jit Murad, Fasyali Fadzly identifies the shoulders that Jit stood on, and the way his works, in turn, provide pathways for future theatre makers. Even though I am a Malaysian theatre practitioner, I am not friends with Jit Murad. We are divided by differing practices,
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Jit Murad: Imaginasimu Akan Buat Kami Tersenyum
Walaupun saya bergiat di dalam bidang teater di Malaysia, saya bukan kawan Jit Murad. Perbezaan praktis, latar belakang dan generasi menjadi jurang antara kami. Mungkin beliau juga tidak mengenali saya. Mungkin. Banyak perbezaan antara kami dan mungkin inilah yang menjadikan peluang untuk kami bertembung di lapangan yang sama, tipis. Melihat rakan-rakan seniman yang lain menceritakan
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re:walk Telok Ayer: Not so secret walks hidden in plain sight
A walk in Telok Ayer becomes a journey that spans hidden pasts and new futures. There has been no shortage of art walks happening in Singapore. My fellow writers Vithya Subramaniam (who has practically turned researching about walks into an art) and Dia Hakim wrote about it here and here for ArtsEquator. I myself was
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The Maker’s Project: What does it take to sustain the puppeteer?
Defying the outcome-driven impulse that dominates our culture, Daniel Sim shares his vision of an ecosystem that supports the maker and the process, rather than only the product. What would it look like if makers had the space and time to reflect, research and incubate outside of working on a production? What benefits would it
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Screen. Shot. at M1 Fringe 2022: Starve a fire, feed a flame
Rebecca G. reviews Bound Theatre’s newest work, which explores the darker elements of our always-connected lives : cancel culture, fake news, and modified behaviours, in an interactive performance that involved the audience to varying degrees of success. Our journey into the all-too-real world of Screen. Shot. starts before any audience member has even stepped foot
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