Performance

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Marwan Tahtah

“Jogging” To Survive: Hanane Hajj Ali at M1 Singapore Fringe Festival 2019

Metaphors abound in this complex work about living, loving and surviving. The broad canvas is a country at war. Jogging falls short of running full out, and this black clad woman has survived through thirty years of war in her city Beirut. Her storytelling is multi-layered and cleverly scripted, revealing a series of characters that […]

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IMG_7710_Image courtesy of Purnati Indonesia (2019) Photo by Dian P Susilaradeya
Dian P Susilaradeya

“Dionysus”: Suzuki Tadashi Brings Vengeance to SIFA 2019

By Kathy Rowland (642 words, three-minute read) Suzuki Tadashi is one of the brand names in the international tour circuit, whose productions have earned critical praise and inspired several generations of audiences. A decade on from his last production in Singapore, Electra at the Singapore Arts Festival 2009, Suzuki Tadashi returns to Singapore in May

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radar-masked-dance
REUTERS/Jorge Silva

Masked dance tradition rises from near extinction in Cambodia (via Reuters)

PHNOM PENH/BANGKOK (Reuters) – Cambodia’s centuries-old tradition of masked dance was nearly wiped out by the Khmer Rouge’s “Killing Fields” regime, but a handful of artists managed to keep it alive and are now working to pass it along to a new generation. Sun Rithy’s father and grandfather were both performers of the Lakhon Khol

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ArtsEquator’s Top 10 Articles of 2018

Before we plunge headlong into 2019, here’s a quick recap of some of our most-read articles on ArtsEquator, in ascending order. 10. Nathalie Johnston: Creating a home for contemporary art in Myanmar by Victoria Milko As part of ArtsEquator’s series covering independent spaces across Southeast Asia, Victoria Milko profiles Nathalie Johnston, founder of contemporary art space Myanm/art in Yangon.

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Gloomy outlook for Vietnamese cinema, literature scene: workshop (via Tuoi Tre News)

Attendees at a national workshop held in Hanoi on Wednesday to discuss the multitude of issues plaguing the Vietnamese film and literature industries were not shy about voicing disdain for the current state of literary and cinematic art in Vietnam.  Nearly two decades after the Vietnamese government launched a program aimed at exposing a larger

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Repertory Philippines

What to expect from the Repertory Philippines stage in 2019 (via Rappler)

MANILA, Philippines – Theater junkies of all ages will be happy to know that our local theater scene has some top-notch stage entertainment up its talented sleeve for everyone to enjoy in 2019. Repertory Philippines, one of the country’s leading theater companies, will be celebrating its 82nd season next year with a lineup of 4 incredible

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Bitten Premiere-12cover
Asrari Nasir of Paradise Pictures

Traversing Two Divergent Paths in “BITTEN: return to our roots”

By Casidhe Ng (1,320 words, six-minute read) We move through the Kampong Bugis landscape throughout the performance, along patches of grass, the river, and brick-tiled pavements. A residue of dirt, sand, and mud clings to our soles, and the afternoon is afflicted with bouts of rain. The atmosphere invokes a stifling sensation brought upon by

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Weekly Picks: Malaysia (10–16 Dec 2018)

Paranormal, at RAW Art Space, 11 Dec, 8:30pm Award-winning musician Ng Chor Guan performs with Paranormal String Quartet from Germany. The night will showcase repertoire pieces by Paranormal String Quartet, which explores unique soundscapes of classic, jazz and contemporary; and Toccata Studio’s 20:20:Timescaper, a conceptual work of a journeying individual.  Admission by minimum donation of

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Eleven New Elements from the Asia-Pacific Region Inscribed on the List of UNESCO’s Intangible Cultural Heritage

Meeting in Mauritius until 1 December, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed eleven elements from the Asia-Pacific region on the Lists of UNESCO’s Intangible Cultural Heritage. Among them, two elements have been added to the List of Intangible Cultural Heritage in Need of Urgent Safeguarding while nine elements from

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Moka Mocha Ink

“Teater Normcore: Stereo Genmai” dan Pengkarya yang Bertengkar dengan Idea

Dan pertengkaran ini berlaku di dalam ruang yang meyakinkan. Dengan ambiens pekat kemimpian yang mengujakan – sangat mengujakan. Malah siapa lagi yang benar-benar mampu mentafsir kontinuum idea-mimpi ini melainkan Ridhwan Saidi sendiri? Saya masih teringat-ingat – dan teruja – dengan set dan prop yang direka dan diguna dengan sangat bijak dalam memaknai drama-drama pendek tulisannya

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