Performance

Learning_LePrincipedIncertitude_ArnaudBouvier
Arnaud Bouvier

“Learning”: Memory, Precision, Uncertainty in a 5-hour Durational Performance at National Gallery Singapore

By Jocelyn Chng (440 words, three-minute read) Part of National Gallery Singapore’s special programme Performing Spaces that explores how space can be a “living organism” facilitating encounters between performers and audiences, Learning takes place over two weekends in March 2019. Learning is choreographed by Liz Santoro and Pierre Godard, co-founders of French dance company Le […]

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Weekly S.E.A. Radar: 11th Yangon Photo Festival; Cambodia’s first feminist arts festival

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

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Sangeun Lee, Raphael Coumes-Marquet – Impressing the Czar – Photo Ian Whalen (IMG_1209)
Ian Whalen

What More Ballet Might Be: William Forsythe at da:ns series 2019

By Chan Sze-Wei (687 words, four-minute read) In 1987, William Forsythe created a ballet for the Paris Opera with a young Sylvie Guillem and Laurent Hilaire in the central duet. In the Middle, Somewhat Elevated is a high-octane incarnation of neoclassical ballet. Set to a pounding score, the ensemble silhouettes deliver razor-sharp pique unisons, while

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Weekly S.E.A. Radar: Environmental Activism and Art; “Artists Respond: American Art and the Vietnam War”; The Fall of Art Stage

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

Weekly S.E.A. Radar: Environmental Activism and Art; “Artists Respond: American Art and the Vietnam War”; The Fall of Art Stage Read More »

Weekly S.E.A. Radar: “More Beaches, Less Gamelan”, A Secret Singapore History of Drum and Bass

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

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Tay Tong

Enter Stage Right: Tay Tong

Tay Tong, or TT as he is affectionately known in arts circles locally and internationally, is one of Singapore’s pioneer producers and arts managers. After 30 years as the MD of TheatreWorks, TT left in April 2018. During his time with TheatreWorks, TT produced works that entered the Singapore and SEA canon, built TheatreWorks into

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Weekly S.E.A. Radar: Digital Public Art in Hanoi, A Mobile Library in rural Cambodia

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

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Sensorial Trail

The Sensorial Trail: Experience Art through Smell, Sound and Touch at National Gallery Singapore

Art doesn’t have to be for the eyes only. As part of the Light To Night Festival 2019, National Gallery Singapore presents The Sensorial Trail, a series of artworks that draw on your other senses – those of smell, sound, and touch – in an intimate, sometimes playful exploration of intimacy with our various senses.

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Weekly Picks: Malaysia (28 Jan –3 Feb 2019)

CounterCartographies Reading — Escobar’s Encountering Development, at Malaysia Design Archive, An initiative to understand visual culture in relation to the politics of space, this monthly group tackles Chapter 2 of Arturo Escobar’s ‘Encountering Development: The Making and Unmaking of the Third World’. The chapter is titled ‘The Problematization of Poverty: The Tale of Three Worlds

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Weekly S.E.A Radar: From Cambodia’s psych rock festival to “Concept, Context, Contestation: Art and the Collective in Southeast Asia” in Yangon

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s our first weekly round-up of content, scoured and sifted from a range of regional news websites, blogs and media platforms, and brought together

Weekly S.E.A Radar: From Cambodia’s psych rock festival to “Concept, Context, Contestation: Art and the Collective in Southeast Asia” in Yangon Read More »

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