Dance

radar-talkingcircles-zeroclocks-by-Toy-Factory-at-Jubilee-Hall-co-created-_-co-choreographed-by-Lim-Chin-Huat-_-Tan-How-Choon-a-multi-media-animation-dance-production-photo-credit-Ho-Keen-Fi-1996
Ho Keen Fi

Lim Chin Huat and Negotiating Positionalities across Time (via Talking Circles)

Lim Chin Huat shares about his journey of learning one artistic discipline after another, his approach to creating work, his struggle with calling himself an artist, and how his current project In Her Hands traces its origins back to more than ten years ago. He currently teaches movement full-time at the Intercultural Theatre Institute. CH: I was a science

Lim Chin Huat and Negotiating Positionalities across Time (via Talking Circles) Read More »

New Cambodian Artists

Modern dancers go toe-to-toe with Cambodian tradition (via the Christian Science Monitor)

Performing a dance in red stilettos is not allowed at Angkor Archaeological Park, but that’s not stopping Khun Sreynoch from working on it. As members of Cambodia’s first contemporary dance company, Ms. Sreynoch and her closest colleagues have known each other since they were children studying Cambodian classical dance, or Apsara. But in fusing old

Modern dancers go toe-to-toe with Cambodian tradition (via the Christian Science Monitor) Read More »

OCD LOVE_SIFA2018
Regina Brocke

“OCD Love” by L-E-V Dance Company: Mental Illness Plus Dance Equals Ballet and Horror

By Chan Sze-Wei (849 words, 5 minute read) L-E-V Dance company’s OCD Love is tightly choreographed and intense in its physicality, as might be expected from a choreographer issuing from years dancing, choreographing and directing for the iconic Batsheva Company whose Gaga style of dancing and theatrical physicality has become iconic of Israeli contemporary dance.

“OCD Love” by L-E-V Dance Company: Mental Illness Plus Dance Equals Ballet and Horror Read More »

radar-bali-1928
Walter Spies, c. 1936

Documentation, Restoration, and Repatriation? Reflections on a dance film screening for the ‘Bali 1928’ project (via New Mandala)

Bali 1928 is an ongoing international and interdisciplinary project established by American ethnomusicologist Edward Herbst in 2002 to “research, find, understand, document, explain, restore, re-release, and repatriate the first published recordings of music in Bali along with rare film footage and photographs of musicians and dance-drama performances from the 1930s”. With support from the Sydney Southeast Asia Centre’s Regional Mobility

Documentation, Restoration, and Repatriation? Reflections on a dance film screening for the ‘Bali 1928’ project (via New Mandala) Read More »

DancePodcast37Joget
Jack Yam, Lime Pixels

Podcast 37: “Joget” and “Intersections: Traditionally Speaking”

Duration: 26 min ArtsEquator’s dance podcast series returns this year, after a short hiatus, with a lively and thoughtful discussion between Chan Sze-Wei, (dance-maker, performance-maker and sometime trouble-maker; Chloe Chotrani (movement artist, writer and gardener); and Soultari Amin Farid (choreographer, arts educator and researcher of Malay dance) This month they discuss two programmes that took

Podcast 37: “Joget” and “Intersections: Traditionally Speaking” Read More »

Dance Access Inclusion

Book Review: “Dance, Access and Inclusion: Perspectives on Dance, Young People and Change”

This is the book to own or read if you are in any way invested, connected and working with children as well as people with special needs. It is exactly as the title says: an effort to be inclusive, empowering and celebrate all people. The book is divided into five sections: Inclusive dance pedagogy; Equality,

Book Review: “Dance, Access and Inclusion: Perspectives on Dance, Young People and Change” Read More »

Talking Circles Chloe Chotrani

The importance of documenting & archiving the performing arts (via ASEF Culture360)

Chloe Chotrani is a movement artist and writer based in Singapore. She has set up the performing arts archive, Talking Circles, a digital archive of performing artists from South, Southeast Asia and its Diaspora. A continuous work in progress, the archive stands as a blog – Talking Circles; where you can find informal interviews of performing artists where we

The importance of documenting & archiving the performing arts (via ASEF Culture360) Read More »

Nelson Chia Kuik Swee Boon

Kuik Swee Boon and Nelson Chia, dreamers of dance and drama (via The Esplanade)

You know a Nine Years Theatre production when you see one. There’s the smell of precision about it, from the calibrated ensemble to the period-perfect set pieces. Every single performer seems to be breathing in and out in perfect sync. The language is exact, the direction exacting. The company has made significant strides since it

Kuik Swee Boon and Nelson Chia, dreamers of dance and drama (via The Esplanade) Read More »

Pangalay Dance

The Pangalay Dance in the Construction of Filipino Heritage (via Philippine Performance Archive)

This is an excerpt from “The Pangalay Dance in the Construction of Filipino Heritage” by Joelle Florence Patrice Jacinto. The research discusses how the Pangalay dance of the Tausug people was used as a heritage tool to support the construction of a Philippine culture. The paper was published on the Journal for the Anthropological Study of

The Pangalay Dance in the Construction of Filipino Heritage (via Philippine Performance Archive) Read More »

Scroll to Top