By Isaac Lim (676 words, 6-minute read) Jeanette Peh promotes herself as a ‘star’, with ‘over 500 followers’ on her ‘Stage Whispers’ YouTube channel which promises straight-up, no-holds-barred confessions. Is that the reality, or is she just a wannabe? Jo Tan’s first full-length play, Forked, directed by Chen Yingxuan, is a laugh-a-minute comedy, albeit one that […]
“Forked”: An Asian Crisis Read More »
By Teo Dawn (736 words, 7 minute read) (Transcript for SunSh!neGurrl*94’s YouTube video – A Reaction Video to Forked by Jo Tan) Hello everybody, ni hao and welcome back to my channel. I have been reading your comments and you asked for more of my reaction videos. Love that you guys think so highly of
A Reaction Video to Jo Tan’s “Forked” Read More »
By Ezekiel Oliveira (546 words, 4-minute read) Jeanette Peh is determined to become an actor, but she already thinks she is something of a star on her YouTube channel ‘Stage Whispers’ which has 500 subscribers. She turns down a place at Law School in Singapore to fulfil her acting dreams instead. But in London, her
“Forked”: Jeanette doesn’t do Asian Read More »
By Patricia Tobin (800 words, 6-minute read) When I was 19, I left Singapore to pursue my studies in Melbourne. I foolishly thought that any city, anywhere else in the world, would be better than this tiny island. In Melbourne, I became more aware of my “otherness”. At an Irish pub in St Kilda, a
Get “Forked”: Finding our Racial Identity Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Patricia Tobin (788 words, 6-min read) “She is a terrorist, she is a cultist, she works for sex.” “Who is she?” Like a foggy recreation of a Black Mirror episode, Rei Poh’s Attempts: Singapore
Looking within with “Attempts: Singapore” Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Isaac Lim (508 words, 4 minute read) 1957hrs: I arrive at the lobby of Centre 42, which has been converted into the headquarters of multi-million dollar corporation, ARC. In Attempts: Singapore, a theatre-game-experience created
“Attempts: Singapore”: Is the Anne nigh? Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Richard Chung In a world of innovative theatrical experiences, you often come across too many that scrimp on either execution or narrative. That’s not the case for Rei Poh’s Attempts: Singapore, which operates as a thoroughly
“Attempts: Singapore”: Game On Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Ezekiel Oliveira (589 words, 5-minute read) Humanity may be under threat, the end of the world might well be nigh. That’s the premise for Attempts: Singapore, an immersive performance where the audience is cast
“Attempts: Singapore”: The Curtains Don’t Match the Drapes Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Teo Dawn (650 words, 5-minute read) Attempts: Singapore by Rei Poh is a participatory piece of theatre inspired by Martin Crimp’s Attempts on Her Life. Fragmented, non-linear, and similar to a video game experience,
“Attempts: Singapore”: Let The Games Begin Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Jocelyn Chng (518 words, 4-minute read) Most performances in Singapore keep the audience in their place, passively sitting and watching. Attempts: Singapore is an attempt at getting the audience up on their feet and
“Attempts: Singapore”: An Uncertain Attempt Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Sherlyn Goh Xue Ting (1295 words, 9-minute read) Entry 26,371: 25 January 2018, 2000hrs It has been a few days since the mysterious databank in J.O.A.N. appeared, and the system is overwhelmed by memories
Investigation Report for “Attempts: Singapore” Read More »
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore, read only after you’ve attended the performance. By Alicia Chong (700 words, 5-minute read) Attempts: Singapore by Rei Poh – presented as part of the M1 Singapore Fringe Festival 2018 – creates a theatrical performance that immerses its audience in an ‘escape
“Attempts: Singapore”: Fluid Fragments and Fragile Illusions Read More »
By Isaac Lim (468 words, 4 minute read) A woman’s place is in the kitchen. Or is it? Israeli theatre-maker Emanuella Amichai’s The Neighbor’s Grief is Greener attempts to quell all notions of the ideal woman we know from 1950s American pop culture. It all gets pretty bloody. Set in a pristine home, a Stepford
“The Neighbor’s Grief is Greener”: Past Imperfect Read More »
By Richard Chung (700 words, 5-minute read) A peek inside the macabrely funny world of The Neighbor’s Grief Is Greener, set in a 1950s American suburban kitchen. In 1940s America, men went off to war, leaving the running of the country to women. Many wives and daughters stepped foot into factories and worked for the
“The Neighbor’s Grief is Greener”: Exquisite Macabre meets Slapstick Comedy Read More »
By Patricia Tobin (538 words, 5-minute read) From Stepford Wives to The Real Housewives, the idealised American woman is always found in the kitchen. But is she happy? In The Feminine Mystique (1963), Betty Friedan found that most housewives of this era were unfulfilled within the domestic space. Creator-director Emanuella Amichai addresses this in The
“The Neighbor’s Grief is Greener”: There Will be Blood Read More »
By Teo Dawn (700 words, 5-minute read) 2018 has only just begun, but the women’s rights movement is already making its voice heard with #MeToo dominating social media, and the Time’s Up campaign started by Hollywood celebrities. Sexual violence against women is in the spotlight. Now, Larry Nassar (disgraced former Team USA gymnastics doctor) has
Is “The Neighbor’s Grief” really greener, or are we all the same? Read More »
By Ezekiel Oliveira (565 words 4-minute read) A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring flour into her bowl. But she isn’t making your regular American casserole; she’s cooking up a far bloodier dish. She dashes the pot on the ground, flooding the kitchen with blood. Emanuella Amichai’s
“The Neighbor’s Grief is Greener”: A Dark Domesticity Read More »
How does contemporary art in Singapore and Malaysia reflect an alternative to the dominant narrative of history? June Yap’s book produces a concept of ‘Malayan’ history from the 1950s till 2010s through a selection of contemporary art from the region. In re-defining history through these works, Yap is reformulating the vocation of an art historian,
By Akanksha Raja (575 words, 5-minute read) Nabilah Said’s last staged play, Drip, had a wisecracking and irreverent script which, at its heart, was a story about family. The play looked at the struggle of finding a sense of belonging within one’s family when the wide rifts in beliefs and behaviours seem impossible to bridge.
Teater Ekamatra’s “Angkat”: Uncarried Baggage Read More »
Read this review in English. Baca review ini dalam Bahasa Inggeris. Lima tahun belakangan, Eko Supriyanto, seorang koreografer terbaik yang dipunya Indonesia, telah menyita perhatian publik baik domestik ataupun mancanegara. Kerja koreografi yang dilakukannya melibatkan riset mendalam pada sebuah tempat dengan locus yang berbeda dari kebiasaan serta kebudayaannya. Jailolo, sebuah daerah di Halmahera Barat, Maluku Utara,
“Salt”: Perjalanan Tubuh Eko Supriyanto Read More »
Read this review in Bahasa Indonesia. Baca review ini dalam Bahasa Indonesia. Over the last five years, Eko Supriyanto, widely considered the best choreographer in Indonesia at the moment, has attracted both domestic and international attention. His choreographic work involves deep research in places with different habits and cultures. Jailolo, an area in West Halmahera,
“Salt”: The Journey of Eko Supriyanto’s Body Read More »
Insatiable, presented by Sigma Contemporary Dance and choreographed by Hong Guofeng, is crafted to explore the concept of choice and its consequences in our current world. As we are embroiled in a system dominated by corporations with their far-reaching influences, how much autonomy do we still retain? In accordance with the idea of choice, there
“Insatiable” by Sigma Contemporary Dance: A Game of Thirst Read More »
By Ezekiel Oliveira (524 words, 5-minute read) Maya Dance Theatre tackles mental health in a mashup of dance and theatre that gives us a quartet of characters all struggling with depression and social anxiety. There is Shazam, an artist struggling with depression, played by Shahrin Johry. Providing contrast, Bernice Lee lets her hair-down as Jane – a
ANWESHA – Beyond the Darkness! Read More »
By Patricia Tobin (500 words, 5-minute read) A dark traditional Japanese Buddhist altar, or butsudan, stands tall onstage. Engraved gold hinges line the thick borders and towering, half-folded black doors, akin to an oriental treasure chest. Upon the tolling of a bell, two old women slowly push open the butsudan doors, inviting us into the
“Ninagawa Macbeth”: The Bold and The Beautiful Read More »
By Isaac Lim (516 words, 5-minute read) A supersized Butsudan (Buddhist altar) frames the stage, flanked by two old peasants who open the panels to indicate the commencement of a ritual. Within is 16th century post-civil war Japan, replete with samurais and ninjas. Majestic silkscreen doors open and close to reveal different scenes. This is
Ninagawa’s “Macbeth”: Just Not Shakespeare’s Read More »
by Chan Sze-Wei (745 words, 5-minute read) Singapore-based Raka Maitra and her company Chowk are familiar names at the Esplanade’s Kalaa Utsavam and Raga programmes annually. The company is firmly based in classicial Odissi dance and the martial arts of chhau and kalari. But with them, tradition is not a formula. Walking into the Esplanade
“from: The Platform” by Chowk Productions: A Running Imprint on the Mind Read More »
By Naeem Kapadia (800 words, 6-minute read) Atul Kumar is no stranger to Shakespeare. The artistic director of Mumbai-based group The Company Theatre was first seen here in 2009 in the title role of Hamlet: The Clown Prince, which featured a troupe of clowns attempting to stage Shakespeare’s tragedy with a good dose of madness
“Khwaab-Sa”: Shakespeare with masala and magic Read More »
Recently I caught a round of theatrical experimentations by Southeast Asian and Japanese directors in Tokyo. Called One Table Two Chairs Meeting 2017, it was the second of a 3-year series at the Za-Koenji Theatre. Taking part were Prumsodun Ok (Cambodia), Kamei Juntaro (Japan), Fasyali Fadzly (Malaysia), Chey Chankethya (Cambodia) and Liu Xiaoyi (Singapore). One
Tikam-Tikam Japan: Table and Chairs Read More »
Pada 15 – 18 Disember tahun lalu, Swordfish+Concubine karya Kee Thuan Chye telah dipentaskan di dalam bahasa Mandarin di Pentas 2, KLPAC. Tidak sampai setahun, naskhah ini dipentaskan sekali lagi di KLPAC. Kali ini di Pentas 1, ruang yang lebih besar, dan diarah dan diterbitkan sendiri oleh Kee Thuan Chye dengan barisan pelakon yang baharu
“Swordfish+Concubine”: Sebuah Teater Epik yang Dramatik Read More »
Poop! by Chong Tze Chien A family left stranded in the aftermath of a father’s seemingly irresponsible, selfish suicide, must learn to navigate its way through the nooks of grief and crannies of letting go and letting be, all whilst holding to semblances of hope through a widow’s grief, a mother’s denial, and the celebration
The Finger Players’ Contemporary Classics Season 2017: “Poop!” and “The Spirits Play” Read More »
