Sohieb Toyaroja

Semar in the eyes of Sohieb Toyaroja (via The Jakarta Post)

For artist Sohieb Toyaroja, Semar is his favorite jester in Javanese mythology because the character is divine and very wise. Semar, one of four famous punakawan (jesters), has three sons: Petruk, Gareng and Bagong. Each has a different form, representing different philosophical characteristics of human beings. In Javanese wayang (shadow puppetry) stories, Semar is portrayed as a powerful figure,

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Venopian Solitude

Malaysian Band To Perform At Europe’s Biggest Electronic Music Fest! (via Eksentrika)

Seven-piece band The Venopian Solitude is set to become the first Malaysian band ever to perform at Sónar! For those who’re in the dark, Sónar is a three-day electronic and advanced music festival which was started in Barcelona, Spain in 1994 by music journalist Ricard Robles and musicians cum visual artists Enric Palau and Sergio Caballero.

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Saengjun Limlohakul/NUS Museum

The Artist-Curator’s Eye: Manit Sriwanichpoom’s “Rediscovering Forgotten Thai Masters of Photography”

By Elaine Chiew (1,600 words, eight-minute read) Art historian Patrick Flores first addressed the phenomenon of the artist-curator in his seminal essay Turns in Tropics [1] as someone who holds a certain power and who has become a key figure in shaping the art history of contemporary Southeast Asian art. Manit Sriwanichpoom’s exhibition Rediscovering Forgotten

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Seelan Palay

Artist charged for illegal one-man procession from Hong Lim to Parliament House (via The Online Citizen)

Seelan Palay, a local artist, has been charged by the Attorney-General’s Chambers for participating in a public procession from Hong Lim Park to the National Gallery, and to the Parliament House on 1 October 2017. It is written in the charge sheet that the public procession is to publicise the cause of “the illegal detention

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Tuckys Photography

“Underclass” twists the knife in your middle-class guilt

Spoiler Alert: If you’re planning to watch Underclass, please note that this review discusses certain plot points. By Corrie Tan (2,200 words, 11-minute read) You know that auntie. You’ve waved her off at the hawker centre, or maybe you’ve apologised, under your breath, because “I already have tissue”. You’ve plotted paths of avoidance around her

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A Singaporean Photographer’s Pursuit of Happiness in Bhutan (via New York Times Style Magazine Singapore)

“These are not the places we discussed, nor I wanted to go,” Singaporean photographer Billy Mork exclaimed in exasperation to his Bhutanese guide. Mork had just flown via the Royal Bhutan airline and landed at the taciturn kingdom’s Paro Airport. The guide picked him up and amiably brought him to take in some of the town’s famed tourist sites. Upon

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Nabilah Said

Making Our Own Centres (Of) Ourselves: Latiff Mohidin’s “Pago Pago (1960-1969)”

By Nabilah Said (2,220 words, 11-minute read) Had Malaysian artist-poet Latiff Mohidin been French, he might perhaps strongly identify with the idea of the flâneur. Coined by French poet Charles Baudelaire, the French word for someone who strolls in the city found cachet as a description of the artist-poet who drew inspiration from the city

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New Cambodian Artists

Modern dancers go toe-to-toe with Cambodian tradition (via the Christian Science Monitor)

Performing a dance in red stilettos is not allowed at Angkor Archaeological Park, but that’s not stopping Khun Sreynoch from working on it. As members of Cambodia’s first contemporary dance company, Ms. Sreynoch and her closest colleagues have known each other since they were children studying Cambodian classical dance, or Apsara. But in fusing old

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Indonesian Cinema

Beyond the Boxoffice: On the Cultural Relevance of Indonesian Cinema (via Cinema Poetica)

One might argue that we are entering the new golden era of Indonesian cinema. For the first time in the history of post-Reformation cinema, in two consecutive calendar years, the boxoffice top ten are fully dominated by films with more than one million viewers. In 2016 Anggy Umbara’s Warkop DKI Reborn: Jangkrik Boss! Part 1 took the pole position

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Deadmau5 Arrives in Saigon as the City’s Electronic Dance Music Scene Expands (via Saigoneer)

Thousands of dancing fans gathered before an enormous digital cube covered in screens displaying memes, video game cutscenes, clips of endorphin-addled cartoon cats and random flashings of screensaver-esque visualizations while synthesizer strings slithered across a thumping bassline punctuated with warped blurts distorted to the point of warbling. This overwhelming performance was all controlled by the

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“A Dream Under the Southern Bough – The Beginning”: Kun Opera for the Millennial Stage

By Jocelyn Chng (813 words, 5-minute read) A Festival Commission for the Singapore International Festival of Arts (SIFA) 2018, Toy Factory’s A Dream Under the Southern Bough – The Beginning is, as the title suggests, the first part of a continuing work. The second and third parts of the complete trilogy are planned for subsequent

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ArtsEquatorRadar
Headache Stencil

Thai street artists send political messages against corruption and military rule with spray and stencils (via SCMP)

A growing number of Thai street artists are turning political and getting their anti-corruption messages across with spray paint. Most keep their identity secret for fear of reprisals from the authorities. South China Morning Post speaks with three artists. There are many ways to fight the establishment, and Headache Stencil does so with graffiti. The

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How one artist is exploring his roots through vibrant, surreal artworks (via SEA Globe)

Hasanul Isyraf Idris is a Malaysian artist who works with a variety of different materials to present his often intricate and surreal ideas, inspired by his home country’s colourful history.  Hasanul Isyraf Idris’s fourth solo feature with Richard Koh Fine Art took place last week, showing at VOLTA art fair, New York. Titled Environment of

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Regina Brocke

“OCD Love” by L-E-V Dance Company: Mental Illness Plus Dance Equals Ballet and Horror

By Chan Sze-Wei (849 words, 5 minute read) L-E-V Dance company’s OCD Love is tightly choreographed and intense in its physicality, as might be expected from a choreographer issuing from years dancing, choreographing and directing for the iconic Batsheva Company whose Gaga style of dancing and theatrical physicality has become iconic of Israeli contemporary dance.

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