Tay Tong

Enter Stage Right: Tay Tong

Tay Tong, or TT as he is affectionately known in arts circles locally and internationally, is one of Singapore’s pioneer producers and arts managers. After 30 years as the MD of TheatreWorks, TT left in April 2018. During his time with TheatreWorks, TT produced works that entered the Singapore and SEA canon, built TheatreWorks into […]

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Sensorial Trail

The Sensorial Trail: Experience Art through Smell, Sound and Touch at National Gallery Singapore

Art doesn’t have to be for the eyes only. As part of the Light To Night Festival 2019, National Gallery Singapore presents The Sensorial Trail, a series of artworks that draw on your other senses – those of smell, sound, and touch – in an intimate, sometimes playful exploration of intimacy with our various senses.

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Weekly Picks: Malaysia (28 Jan –3 Feb 2019)

CounterCartographies Reading — Escobar’s Encountering Development, at Malaysia Design Archive, An initiative to understand visual culture in relation to the politics of space, this monthly group tackles Chapter 2 of Arturo Escobar’s ‘Encountering Development: The Making and Unmaking of the Third World’. The chapter is titled ‘The Problematization of Poverty: The Tale of Three Worlds

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Weekly S.E.A Radar: From Cambodia’s psych rock festival to “Concept, Context, Contestation: Art and the Collective in Southeast Asia” in Yangon

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s our first weekly round-up of content, scoured and sifted from a range of regional news websites, blogs and media platforms, and brought together

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The ArtsEquator Logo Challenge

The ArtsEquator Logo Challenge

Hands up if you’ve ever wondered what the ArtsEquator logo symbolises! 🙋 Few can identify all the Southeast Asian capitals represented by the red dots on the logo. We quizzed random strangers in Penang on their geographical knowledge of the region’s capitals – watch them attempt to tackle the challenge and see how many you

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Marwan Tahtah

“Jogging” To Survive: Hanane Hajj Ali at M1 Singapore Fringe Festival 2019

Metaphors abound in this complex work about living, loving and surviving. The broad canvas is a country at war. Jogging falls short of running full out, and this black clad woman has survived through thirty years of war in her city Beirut. Her storytelling is multi-layered and cleverly scripted, revealing a series of characters that

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Open calls and job opportunities

Open Calls and Job Opportunities: January 2019 (Singapore)

General Manager at Checkpoint Theatre Checkpoint Theatre is looking to hire a General Manager, a newly created position. The GM will have particular responsibility for finance; regulatory compliance and reporting; human resources, fundraising, and partnerships. You should have: – a minimum of 10 years’ experience in the arts/culture/heritage sectors, including administrative and management positions; –

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IMG_7710_Image courtesy of Purnati Indonesia (2019) Photo by Dian P Susilaradeya
Dian P Susilaradeya

“Dionysus”: Suzuki Tadashi Brings Vengeance to SIFA 2019

By Kathy Rowland (642 words, three-minute read) Suzuki Tadashi is one of the brand names in the international tour circuit, whose productions have earned critical praise and inspired several generations of audiences. A decade on from his last production in Singapore, Electra at the Singapore Arts Festival 2009, Suzuki Tadashi returns to Singapore in May

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The 9th Asia Pacific Triennial

Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part II)

By Marcus Yee (1340 words, five-minute read) This is the second of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019. Read Part I here.   Wind Songs, Molecular Vibrations Four Winds Wind, you are a beast with four heads

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GOMA_APT9_installationview_20181120_nharth_148
Natasha Harth for QAGOMA

Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part I)

By Marcus Yee (1259 words, five-minute read) This is the first of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019. Read Part II here.   Since 1993, the Asia Pacific Triennial (APT) has been a gathering point for contemporary

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ArtsEquator’s Top 10 Articles of 2018

Before we plunge headlong into 2019, here’s a quick recap of some of our most-read articles on ArtsEquator, in ascending order. 10. Nathalie Johnston: Creating a home for contemporary art in Myanmar by Victoria Milko As part of ArtsEquator’s series covering independent spaces across Southeast Asia, Victoria Milko profiles Nathalie Johnston, founder of contemporary art space Myanm/art in Yangon.

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Theatre Wrap Up 2018

ArtsEquator Theatre Wrap Up 2018

As 2018 draws to a close, we interview four ArtsEquator writers in rapidfire style on the highs and lows of their theatre calendar this past year. Listen in as Akanksha Raja, Casidhe Ng, Corrie Tan, and Naeem Kapadia share which shows they’d give up their most prized possessions to see again, which characters they’d each

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