“The master’s tools will never dismantle the master’s house. They may allow us to temporarily beat him at his own game, but they will never enable us to bring about genuine change.” Audre Lorde, 1978
Earlier this year, I was part of a group of co-curators invited to set up an exhibition at Birmingham Museum and Art Gallery (BMAG) which would use the Museum’s collection to confront history in new and challenging ways. The attempt is worthy – reflective of movements like ‘Rhodes must fall’ and ‘why is my curriculum white’, which call for a radical reassessment of history, an awareness of how colonial processes impact our present times. However, the exhibition brought into focus an important question – one of whether large British institutions like BMAG can and should promote ‘decolonial’ thinking, or whether, in fact, they are so embedded in the history and power structures that decoloniality challenges, that they will only end up co-opting decoloniality.
Sumaya Kassim describes the challenges of trying to bring context to Birmingham Museum and Art Gallery in an article for Media Diversified.
