Southeast Asia

ArtsEquator’s Top 10 Articles of 2018

Before we plunge headlong into 2019, here’s a quick recap of some of our most-read articles on ArtsEquator, in ascending order. 10. Nathalie Johnston: Creating a home for contemporary art in Myanmar by Victoria Milko As part of ArtsEquator’s series covering independent spaces across Southeast Asia, Victoria Milko profiles Nathalie Johnston, founder of contemporary art space Myanm/art in Yangon.

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Flickr/ Jean-Pierre Dalbéra

It’s Time for French Museums to Return Cambodian Artifacts (via The Diplomat)

The debate as to whether international museums and governments should return cultural artifacts acquired during the colonial period is not a new one. However, it has now been re-energized by French President Emmanuel Macron’s decision that France will return 26 cultural artifacts to Benin. The announcement follows the release of a presidential-commissioned report by French art historian Bénédicte Savoy

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Gloomy outlook for Vietnamese cinema, literature scene: workshop (via Tuoi Tre News)

Attendees at a national workshop held in Hanoi on Wednesday to discuss the multitude of issues plaguing the Vietnamese film and literature industries were not shy about voicing disdain for the current state of literary and cinematic art in Vietnam.  Nearly two decades after the Vietnamese government launched a program aimed at exposing a larger

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Repertory Philippines

What to expect from the Repertory Philippines stage in 2019 (via Rappler)

MANILA, Philippines – Theater junkies of all ages will be happy to know that our local theater scene has some top-notch stage entertainment up its talented sleeve for everyone to enjoy in 2019. Repertory Philippines, one of the country’s leading theater companies, will be celebrating its 82nd season next year with a lineup of 4 incredible

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Examining Vietnam’s Modernity Through the Lens of South Asian Independent Documentaries

The idea for Moving Reels: A Social Dialog formed in 2016 as the result of a dialogue between Dr. Shweta Kishore, a scholar, documentary filmmaker, film and media lecturer at RMIT University, and Zoe Butt, a director and curator at The Factory Contemporary Arts Center. The program is a series of workshops that includes screenings of films

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‘Maaf Senin Tutup’: 1998 through eclectic eyes of Anggun Priambodo (via The Jakarta Post)

Anggun Priambodo’s latest exhibition is framed under the guise of a fictional character he created for his last movie of the same name, Maaf Senin Tutup (Sorry, Closed on Mondays) — an artist named Eva who is trying to establish herself in the art world with her first solo exhibition. This breaking-the-fourth-wall approach is nothing new for

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Weekly Picks: Malaysia (10–16 Dec 2018)

Paranormal, at RAW Art Space, 11 Dec, 8:30pm Award-winning musician Ng Chor Guan performs with Paranormal String Quartet from Germany. The night will showcase repertoire pieces by Paranormal String Quartet, which explores unique soundscapes of classic, jazz and contemporary; and Toccata Studio’s 20:20:Timescaper, a conceptual work of a journeying individual.  Admission by minimum donation of

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ENCATC International Study Tour in Tokyo

ENCATC International Study Tour in Tokyo – Key Observations (via culture360.ASEF.org)

The 2018 ENCATC (European Network on Cultural Management and Policy) International Study Tour in Tokyo was held from 7 to 9 November 2018 and offered an intensive learning programme on the topic of cultural management and cultural policy in Japan. Ritirong Jiwakanon shares his experience of participating in this study tour. The ENCATC Study Tour

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Son mai

‘Son mai’ – the painstaking Vietnamese art of lacquer painting (via Tuoi Tre News)

Once chiefly employed in the decoration of wooden objects, son mai, or lacquer painting, has grown over the last century into a freestanding art form in Vietnam, to a point where it is now widely considered to be the country’s national painting technique. The traditional Vietnamese lacquer used in son mai is made by mixing the resin

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Dance Dramaturg

Telling A Thai Tale: A Dance Dramaturg’s Take (via The Theatre Times)

“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer, and director reveals a glint of mischief behind his earnest and gentle demeanor. “I am looking for misunderstandings, for opportunities to negotiate. When things are wrong, they are right.” [1] When I was initially brought as a dramaturg into the

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Plastic Kingdom

Plastic Kingdom: art exhibition questions Cambodia’s rampant waste problem (via SEA Globe)

An new art exhibition in Phnom Penh featuring works by Cambodian and foreign artists will raise questions about plastic use and recycling, through woodcarvings, illustrations and even a motorbike. On first arriving in Cambodia’s ever-expanding capital Phnom Penh, one is struck by the rubbish lying on the sides of the street; order noodle soup to

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Hanoi EDM

Organizers decry last-minute cancelation of Hanoi EDM festival (via Tuoi Tre News)

An EDM (electronic dance music) festival scheduled to take place just outside Hanoi from November 23 to 25 was asked to cancel only hours before its opening, despite sold tickets and foreign and local artists and volunteers already heading to the venue. Artists and visitors on dozens of buses traveling some 40 kilometers from central

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Weekly Picks: Malaysia (26 Nov – 2 Dec 2018)

Symposium – How Easily Modernism Could Be Disturbed, at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery. The entire programme looks interesting — conversations included discussions between writer Pauline Fan and ILHAM Gallery director Rahel Joseph; writer Goenawan Mohamad and art critic Lee Wheng

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Weekly Picks: Malaysia (19–25 Nov 2018)

KLEX 2018: Translucence, at various locations, 22–25 Nov An independent artist-run grassroots international festival of experimental film, video art and music. It’s a good introduction to contemporary experimental cinema and regional creative works. Admission is free for the lectures, and by suggested donations for performances (RM10 film, RM30 music at RAW Art Space, RM90 music

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