Southeast Asia

Weekly S.E.A. Radar: “More Beaches, Less Gamelan”, A Secret Singapore History of Drum and Bass

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and […]

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Weekly Picks: Malaysia (28 Jan –3 Feb 2019)

CounterCartographies Reading — Escobar’s Encountering Development, at Malaysia Design Archive, An initiative to understand visual culture in relation to the politics of space, this monthly group tackles Chapter 2 of Arturo Escobar’s ‘Encountering Development: The Making and Unmaking of the Third World’. The chapter is titled ‘The Problematization of Poverty: The Tale of Three Worlds

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Weekly S.E.A Radar: From Cambodia’s psych rock festival to “Concept, Context, Contestation: Art and the Collective in Southeast Asia” in Yangon

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s our first weekly round-up of content, scoured and sifted from a range of regional news websites, blogs and media platforms, and brought together

Weekly S.E.A Radar: From Cambodia’s psych rock festival to “Concept, Context, Contestation: Art and the Collective in Southeast Asia” in Yangon Read More »

Open calls and job opportunities

Open Calls and Job Opportunities: January 2019 (Singapore)

General Manager at Checkpoint Theatre Checkpoint Theatre is looking to hire a General Manager, a newly created position. The GM will have particular responsibility for finance; regulatory compliance and reporting; human resources, fundraising, and partnerships. You should have: – a minimum of 10 years’ experience in the arts/culture/heritage sectors, including administrative and management positions; –

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IMG_7710_Image courtesy of Purnati Indonesia (2019) Photo by Dian P Susilaradeya
Dian P Susilaradeya

“Dionysus”: Suzuki Tadashi Brings Vengeance to SIFA 2019

By Kathy Rowland (642 words, three-minute read) Suzuki Tadashi is one of the brand names in the international tour circuit, whose productions have earned critical praise and inspired several generations of audiences. A decade on from his last production in Singapore, Electra at the Singapore Arts Festival 2009, Suzuki Tadashi returns to Singapore in May

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ArtsEquator’s Top 10 Articles of 2018

Before we plunge headlong into 2019, here’s a quick recap of some of our most-read articles on ArtsEquator, in ascending order. 10. Nathalie Johnston: Creating a home for contemporary art in Myanmar by Victoria Milko As part of ArtsEquator’s series covering independent spaces across Southeast Asia, Victoria Milko profiles Nathalie Johnston, founder of contemporary art space Myanm/art in Yangon.

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Examining Vietnam’s Modernity Through the Lens of South Asian Independent Documentaries

The idea for Moving Reels: A Social Dialog formed in 2016 as the result of a dialogue between Dr. Shweta Kishore, a scholar, documentary filmmaker, film and media lecturer at RMIT University, and Zoe Butt, a director and curator at The Factory Contemporary Arts Center. The program is a series of workshops that includes screenings of films

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Weekly Picks: Malaysia (10–16 Dec 2018)

Paranormal, at RAW Art Space, 11 Dec, 8:30pm Award-winning musician Ng Chor Guan performs with Paranormal String Quartet from Germany. The night will showcase repertoire pieces by Paranormal String Quartet, which explores unique soundscapes of classic, jazz and contemporary; and Toccata Studio’s 20:20:Timescaper, a conceptual work of a journeying individual.  Admission by minimum donation of

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Weekly Picks: Malaysia (26 Nov – 2 Dec 2018)

Symposium – How Easily Modernism Could Be Disturbed, at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery. The entire programme looks interesting — conversations included discussions between writer Pauline Fan and ILHAM Gallery director Rahel Joseph; writer Goenawan Mohamad and art critic Lee Wheng

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