Performance

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Bound Theatre

Screen. Shot. at M1 Fringe 2022: Starve a fire, feed a flame

Rebecca G. reviews Bound Theatre’s newest work, which explores the darker elements of our always-connected lives : cancel culture, fake news, and modified behaviours, in an interactive performance that involved the audience to varying degrees of success. Our journey into the all-too-real world of Screen. Shot. starts before any audience member has even stepped foot […]

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Daniel Teo / The Second Breakfast Company / Rinrada Pornsombutsatien

Critics Live (on Telegram!): M1 Singapore Fringe Festival 2022

Critics Live! is a critics-led programme series created by ArtsEquator to give arts audiences an insight into how critics formulate their responses to performances. In this session, join critics Lee Shu Yu, Matthew Lyon and Naeem Kapadia in a post-show conversation about three productions: The Essential Playlist by The Second Breakfast Company (Singapore), Being: 息在 by 微 Wei Collective

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Crispian Chan / Tuckys Photography

Podcast 99: The Mother and ________ Can Change

In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss two productions: The Mother by Pangdemonium, and ________ Can Change by The Necessary Stage. Stream Podcast 99: ArtsEquator · Podcast 99: The Mother and ________ Can Change Also available on Spotify.   Podcast Transcript  Nabilah Said (NS): Hello and

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Mah Jun Yi and Low Pey Sien

ANCER Lab 03 Manila: How arts managers are surviving COVID-19

By Wennie Yang (1,200 words, 4-minute read)  Pandemic restrictions have put arts and cultural workers and institutions in a bind: choosing between sustaining their missions at times of a global pandemic or ceasing operations altogether. How have Southeast Asian arts managers survived? That was the question at the heart of the third ANCER Lab, formed

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Kornkarn Rungsawang

Performance Making during a Pandemic: Of Innovation, Form and Embeddedness

By Adriana Nordin Manan (1,000 words, 3-minute read)  If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less about open-ended contemplation of how the performing arts can retain vitality amidst the prohibitive circumstances, and more

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Arts House Limited / Nine Years Theatre and The Pond Photography

Podcast 95: Three Sisters and _T0701_ at SIFA 2021

In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss Three Sisters by Nine Years Theatre and _T0701_ by Zeugma, which were both part of SIFA 2021. Stream Podcast 95: ArtsEquator · Podcast 95: Three Sisters & T0701 at SIFA 2021 Also available on Spotify.   Podcast Transcript  Naeem:

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Lychee Bye in boudoir_1_Image courtesy of Win (@cheetouk)
Lychee Bye in boudoir. Photo by Win (@cheetouk)

Festival of Women N.O.W. 2021: Bold claims on identity

By Patricia Tobin (1,382 words, 4-minute read)  Led by artistic director Noorlinah Mohamed, this year’s online edition of the Festival of Women N.O.W. 2021 explores issues pertaining to women that are often forgotten or overlooked. There is Not Grey: Intimacy, Ageing & Being, a series of livestreamed and pre-recorded virtual performances featuring 15 women aged

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The Second Breakfast Company

The frenemy’s handshake: The Singapore Trilogy as political theatre

My phone vibrated one night, with a notification that Singapore political party Workers’ Party (WP) was premiering a live video on Instagram. Curious, I tuned in – digital and social media being the default, on-tap mode of infotainment during the pandemic. It turned out to be an “office tour”, via live video feed, of LO

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The Second Breakfast Company

Podcast 94: The Singapore Trilogy by The Second Breakfast Company

In the episode of the ArtsEquator theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss The Singapore Trilogy by The Second Breakfast Company, which ran from March 11 to March 21 2021. Stream Podcast 94: ArtsEquator · Podcast 93: The Singapore Trilogy Also available on Spotify.   Podcast Transcript  Matthew Lyon (ML): Hello, everybody,

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The Kuala Lumpur Performing Arts Centre

The performing arts industry of Malaysia is drowning

As many parts of Southeast Asia are hit by recurrent waves of Covid 19 infections, arts industries across the region face imminent collapse due to prolonged closures and scant state support. In Malaysia, The Kuala Lumpur Performing Arts Centre’s Artistic Director Joe Hasham and his wife and co-founder, Datuk Dr. Faridah Merican, recently released an

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OIWA – The Ghost of Yotsuya (4)_Courtesy of Arts House Limited
Arts House Limited

Podcast 92: Critics Live: OIWA by The Finger Players at SIFA 2021

Critics Alice Saville (UK), Amitha Amranand (TH), Matthew Lyon (SG) and Taisuke Shimanuki (JP) discuss OIWA: The Ghost of Yotsuya by The Finger Players, presented at Singapore International Festival of the Arts (SIFA). The performance took place from 28-30 May 2021 at Victoria Theatre, and from 5-20 June via video on demand. Critics Live! is

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CRISPI

End of an epic journey: A Dream Under the Southern Bough: Existence

By Jocelyn Chng (1,180 words, 4-minute read)  Existence is the third instalment in the Southern Bough series commissioned by Singapore International Festival of Arts (SIFA). As its title implies, this third piece closes the full work with a more philosophical tone than in the previous two. The first instalment, The Beginning (2018), introduced the first

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Master Conversations: Multimedia Design with Shimpei Yamada and Bilqis Hijjas

Japanese video designer Shimpei Yamada shares about his practice in multimedia and video design and installation, for both theatre and dance, alongside KL-based critic-facilitator Bilqis Hijjas. This session took place on 8 June 2021 as part of the Asian Arts Media Roundtable at SIFA 2021. The inaugural Master Conversations series focuses on production and technical

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