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Kapallorek Artspace in collaboration with Ronnie Bahari, “Karoog Kiha Nyep - Fragile and Disappearing” (2022), Still from HD Video 15 min/loop, Photo by PORT ⓒ & courtesy of Kapallorek Artspace.

Careening Into “The Milk of Dreams”: Southeast Asia at the 59th Venice Biennale

While the stated theme of the Biennale is to challenge the hegemony of the West, Nicole Wong finds that the spaces created for these interventions to happen struggles against the behemoth of the Biennale itself.

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Aiswarya Nair and Drake Lim in Pathey Nimidam 2022. Image credit: Wisdom of Monkeys Production.

Contemporary Moves In Modern Singaporean Tamil Theatre

Hemang Yadav was involved in a recent development program, Tunjuk Arah/ Iyakkunar, for Malay and Indian theatre directors in Singapore. He shares his views and reflections on the current state of Singaporean Tamil theatre, and how the programme was an important platform, while also identifying some entrenched ideas underpinning the design of the masterclasses.

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Podcast 104: Tartuffe: The Imposter

Critics Matthew Lyon, Nabilah Said and Naeem Kapadia discuss Wild Rice’s bold adaptation of Tartuffe: The Imposter by Molière in the latest ArtsEquator Theatre Podcast. In this latest ArtsEquator Theatre Podcast, Matthew Lyon, Nabilah Said and Naeem Kapadia discuss the recent production, Tartuffe: The Imposter, written by Molière and presented by Wild Rice. The cast

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Spectrum of Nature in SIFA 2022

ArtsEquator interviews four artists whose works depict nature in different spectrums, at the upcoming Singapore International Festival of Arts 2022. Singapore International Festival of Arts 2022 is just days away, with a diverse array of programmes, including at the intersections of art and nature. ArtsEquator speaks with four participating artists, each of whose works depict

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Jit Murad and Harith Iskander.ZSA Productions

“Spilt Gravy Ke Mana Tumpahnya Kuah” Makes Us Consider Time, History and the Prickly Question of Family

After years of waiting, Spilt Gravy Ke Mana Tumpahnya Kuah hits the screens in Malaysia on 9th June. We speak to Datuk Zahim Albakri (director/co-screenwriter) and June Tan (co-screenwriter) on what it took for the film, adapted from a play, to reach this moment. One privilege of being an artist is the experience of creating

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Being and Becoming: Of Femininities in the Malay World Through 50 Images

This May, we are pleased to announce the launch of an online exhibition – Being and Becoming: Of Femininities in the Malay World Through 50 Images. This exhibition is part of a research project, Being and Becoming Female in the Malay World: Interrogating and Curating the Photo-Archives of Early Singapore, supported by the National Heritage

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Disability Arts — Expanding Ecosystems, Protecting Foundations

Disability arts researcher Yeongmin Mun reflects on ecosystems, access and platforms in response to the online panel discussion, Ground Up: Building Effective Ecosystems for Disability Arts. The full video is also available to watch, with Singapore Sign Language and Korean Sign Language interpretation, and captions in Korean and English. Art has no borders — that’s

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Podcast 103: The Glass Menagerie

Classic play The Glass Menagerie by Tennessee Williams gets the Pangdemonium treatment. Critics Matthew Lyon, Nabilah Said and Naeem Kapadia discuss more in the latest ArtsEquator Theatre Podcast.  In this latest ArtsEquator Theatre Podcast, Matthew Lyon, Nabilah Said and Naeem Kapadia discuss the recent production The Glass Menagerie, written by Tennessee Williams and presented by

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Photo courtesy of Creative Commercial on Youtube and AIS Youtube Channel.

5 Advertisements That Are So Southeast Asian

Some advertisements are works of art. These contain well-told stories, interesting characters, and meaningful insights, while making a marketing message go down that much more smoothly. Mira Sharon recommends 5 advertisements you can watch to learn more about what makes us Southeast Asians tick.  To tell stories is a beautiful act, and advertisements are an

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