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ArtsEquator Radar

Weekly S.E.A. Radar: Brunei’s new film school; Indonesian art collective ruangrupa to curate Documenta

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

Weekly S.E.A. Radar: Brunei’s new film school; Indonesian art collective ruangrupa to curate Documenta Read More »

Learning_LePrincipedIncertitude_ArnaudBouvier
Arnaud Bouvier

“Learning”: Memory, Precision, Uncertainty in a 5-hour Durational Performance at National Gallery Singapore

By Jocelyn Chng (440 words, three-minute read) Part of National Gallery Singapore’s special programme Performing Spaces that explores how space can be a “living organism” facilitating encounters between performers and audiences, Learning takes place over two weekends in March 2019. Learning is choreographed by Liz Santoro and Pierre Godard, co-founders of French dance company Le

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Weekly S.E.A. Radar: 11th Yangon Photo Festival; Cambodia’s first feminist arts festival

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

Weekly S.E.A. Radar: 11th Yangon Photo Festival; Cambodia’s first feminist arts festival Read More »

Sangeun Lee, Raphael Coumes-Marquet – Impressing the Czar – Photo Ian Whalen (IMG_1209)
Ian Whalen

What More Ballet Might Be: William Forsythe at da:ns series 2019

By Chan Sze-Wei (687 words, four-minute read) In 1987, William Forsythe created a ballet for the Paris Opera with a young Sylvie Guillem and Laurent Hilaire in the central duet. In the Middle, Somewhat Elevated is a high-octane incarnation of neoclassical ballet. Set to a pounding score, the ensemble silhouettes deliver razor-sharp pique unisons, while

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Exploring the Past Through the Personal: “Meantime” and “Rojak Romance” at TFOOPFest

By Akanksha Raja (1181 words, five-minute read) It’s 2019 and nostalgia is in the air in Singapore, thanks to the Bicentennial fever that is sweeping the country. Standing out among the plethora of Singapore Bicentennial events is a youth-led initiative, The Future of Our Pasts Festival: a multidisciplinary programme which dialogues with the idea of

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Weekly S.E.A. Radar: Environmental Activism and Art; “Artists Respond: American Art and the Vietnam War”; The Fall of Art Stage

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

Weekly S.E.A. Radar: Environmental Activism and Art; “Artists Respond: American Art and the Vietnam War”; The Fall of Art Stage Read More »

Weekly S.E.A. Radar: “More Beaches, Less Gamelan”, A Secret Singapore History of Drum and Bass

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

Weekly S.E.A. Radar: “More Beaches, Less Gamelan”, A Secret Singapore History of Drum and Bass Read More »

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