T.H.E Dance Company: Infinitely Human
T.H.E Dance Company’s Infinitely Closer at the Singtel Waterfront Theatre, Singapore, creates space for human connections .
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Kok Heng Leun
Opposition: Cycles of Love, Forces of Change
Faezah Zulkifli dissects Opposition – a multilayered narrative of the relationships people have with one another, with themselves and the spaces they inhabit. This performance is the last of a trilogy of collaborations between The Necessary Stage and Drama Box. Light versus darkness, regularity versus irregularity, stability versus fluidity—from deconstructing binary oppositions to reconciling differences,
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From GoLi to Zoom: “The Lesson – An Online Experiment” by Drama Box
By Ke Weiliang (2,400 words, 8-minute read) I had the pleasure of attending The Lesson in September 2015, when it premiered at Toa Payoh Central as part of the Singapore International Festival of Arts (SIFA). That encounter was a serendipitous one, for I initially had not planned to attend the show and only happened to
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Draconic Self-Portrait: An intimate conversation with Margaret Leng Tan on Dragon Ladies Don’t Weep
OCT 2022 UPDATE: Dragon Lady returns to Esplanade for her debut in the Singtel Waterfront Theatre, on 21 and 22 Oct 2022. Here for tickets and more information. (1,357 words, 4-minute read) Doyen. Icon. Self-professed Dragon Lady. These are some of the facets of Margaret Leng Tan, Singapore’s Cultural Medallion award recipient in 2015. Margaret
Translating Homeland: Tanah•Air 水•土: A Play In Two Parts
By Nabilah Said (1,900 words, 7-minute read) In less than a week, Drama Box will premiere Tanah•Air 水•土: A Play In Two Parts, a production revolving around the theme of histories, those that are remembered, and those who are sidelined. Tanah•Air features a team led by the company’s artistic director Kok Heng Leun, playwrights Neo
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Silent Rooms, Silent Memories: “Flowers” by Drama Box
By Akanksha Raja (1,155 words, 5-minute read) It’s a series of plastic white flower-fans lining the fence of 74 Jalan Kelabu Asap that lets me know that I’ve arrived at the site of Drama Box’s first work of 2019, Flowers, an experiential installation set in a quaint two-storey landed house in Chip Bee Gardens. I’m
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“Closer” at Both Sides, Now: What Do We Choose to Remember?
“What will we forget? What do we hold on to? What will we remember? What do we let go of?” These were the questions posed by a volunteer in Mandarin to my 67-year-old mother at a void deck in Chong Pang. She was showing my mom how to make a paper windmill, a souvenir that
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“Chinatown Crossings”: A Trail of Echoes
By Akanksha Raja (890 words, 5 minute read) Along the bustling roads of Chinatown and the throngs of long-time residents, local visitors and tourists, there’s an invisible, theatrical time machine that comes to life a few evenings a week, running until mid-August. Chinatown Crossings, Drama Box’s latest promenade theatrical performance, pays tribute to the neighbourhood
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Podcast 38: “Underclass《贱民》” Interview with Alvin Tan, Kok Heng Leun, and Teo You Yenn
Duration: 43 min The latest collaborative production between Singapore theatre companies Drama Box and The Necessary Stage is Underclass 《贱民》, which explores poverty, inequality and human dignity in Singapore. It runs from 16 May to 3 June 2018. In this podcast interview, Corrie Tan convenes Alvin Tan, artistic director of The Necessary Stage, Kok Heng Leun,
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Drama Box’s “The Lesson”: Rehearsal for Life
By Akanksha Raja (860 words, 7-minute read) “By taking possession of the stage, the Spect-Actor is consciously performing a responsible act. The stage is a representation of the reality, a fiction. But the Spect-Actor is not fictional. He exists in the scene and outside of it, in a dual reality. By taking possession of the
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Art That Moves: Han Xuemei
Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them. Han Xuemei, Dramabox‘s Resident Artist, is one of the main facilitators for Dramabox’s re-run of the The Lesson (5 – 22 July 2017), a critically-praised work that
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