Where are the Malays?: Locating the Singaporean Malay in Singa-Pura-Pura

Singa-Pura-Pura boasts an eclectic collection of short speculative fiction from a minority ethnic group in Singapore, exploring worlds where robots are therapists, prayers are read from preloaded cards, and humans are migrating to Mars. Edited by Nazry Bahrawi, the stories consider various spiritual, social, and economic themes, with many leaving me with questions about where we

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Arts House Limited / Nine Years Theatre and The Pond Photography

Podcast 95: Three Sisters and _T0701_ at SIFA 2021

In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss Three Sisters by Nine Years Theatre and _T0701_ by Zeugma, which were both part of SIFA 2021. Stream Podcast 95: ArtsEquator · Podcast 95: Three Sisters & T0701 at SIFA 2021 Also available on Spotify.   Podcast Transcript  Naeem:

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Kelecung, Bali.

Dialogues with Mountains: Preserving indigenous culture in Taromak and Kelecung

By Wennie Yang (1,400 words, 6-minute read)  Let’s face it. Leisure travel feels like a distant memory at the moment. I’ve been trying to envision what a collective future means for destination hotspots in Southeast Asia, whose economies used to be propelled by foreign tourism. These thoughts were further spurred after attending a one-day online

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Courtesy of Syarifah Nadhirah

Caring for the Carers: How Malaysian artists working with communities hold space

I had forgotten how loaded the words “how are you,” or “apa khabar,” can be. I’ve always had issues with the greeting – I used to think that it was a statement/question that stops someone cold the moment they are asked, as how can you even summarise how you are doing if you start reflecting

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Lychee Bye in boudoir_1_Image courtesy of Win (@cheetouk)
Lychee Bye in boudoir. Photo by Win (@cheetouk)

Festival of Women N.O.W. 2021: Bold claims on identity

By Patricia Tobin (1,382 words, 4-minute read)  Led by artistic director Noorlinah Mohamed, this year’s online edition of the Festival of Women N.O.W. 2021 explores issues pertaining to women that are often forgotten or overlooked. There is Not Grey: Intimacy, Ageing & Being, a series of livestreamed and pre-recorded virtual performances featuring 15 women aged

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The Second Breakfast Company

The frenemy’s handshake: The Singapore Trilogy as political theatre

My phone vibrated one night, with a notification that Singapore political party Workers’ Party (WP) was premiering a live video on Instagram. Curious, I tuned in – digital and social media being the default, on-tap mode of infotainment during the pandemic. It turned out to be an “office tour”, via live video feed, of LO

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Hello I'm Nik on Unsplash

Saya Takut Untuk Mengkritik Sehinggalah Saya Berjumpa Sekumpulan Pengkritik: Refleksi Terhadap AAMR

Bila anda mendengar perkataan “pengkritik”, apakah yang anda bayangkan? Saya sering membayangkan orang yang pakai cermin mata; ulat buku, sangat serius, dan payah untuk puaskan hatinya. Daripada pandangan saya dulu, pengkritik adalah orang yang menulis dan berbicara tentang karya seni, dan selalunya menggunakan perkataan yang canggih dan bicaranya disirami jargon yang mengelirukan. Saya pernah rasa

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The Second Breakfast Company

Podcast 94: The Singapore Trilogy by The Second Breakfast Company

In the episode of the ArtsEquator theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss The Singapore Trilogy by The Second Breakfast Company, which ran from March 11 to March 21 2021. Stream Podcast 94: ArtsEquator · Podcast 93: The Singapore Trilogy Also available on Spotify.   Podcast Transcript  Matthew Lyon (ML): Hello, everybody,

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Can the arts solve community issues in the region? The SEA*5 think so.

Can the creative society in Southeast Asia support each other in finding solutions to problems in our communities, powered by compassion and empathy? That’s one of the questions at the heart of the existence of Project SEA*5.  The group comprises five creative practitioners working across different local community contexts: community architect-urbanist Joanne Mun advocates for

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The Kuala Lumpur Performing Arts Centre

The performing arts industry of Malaysia is drowning

As many parts of Southeast Asia are hit by recurrent waves of Covid 19 infections, arts industries across the region face imminent collapse due to prolonged closures and scant state support. In Malaysia, The Kuala Lumpur Performing Arts Centre’s Artistic Director Joe Hasham and his wife and co-founder, Datuk Dr. Faridah Merican, recently released an

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OIWA – The Ghost of Yotsuya (4)_Courtesy of Arts House Limited
Arts House Limited

Podcast 92: Critics Live: OIWA by The Finger Players at SIFA 2021

Critics Alice Saville (UK), Amitha Amranand (TH), Matthew Lyon (SG) and Taisuke Shimanuki (JP) discuss OIWA: The Ghost of Yotsuya by The Finger Players, presented at Singapore International Festival of the Arts (SIFA). The performance took place from 28-30 May 2021 at Victoria Theatre, and from 5-20 June via video on demand. Critics Live! is

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Podcast 91: Curated Conferences with Chung Shefong, Janet Pillai and Anmol Vellani at Meeting Point 2021

Nabilah Said and Wennie Yang speak to Chung Shefong, Janet Pillai and Anmol Vellani the three curators who led the Curated Conference programme as part of Meeting Point 2021. The Curated Conferences comprised of three groups of participants from different Asian countries, who met over 6 months since November 2020, guided by their curator. This

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CRISPI

End of an epic journey: A Dream Under the Southern Bough: Existence

By Jocelyn Chng (1,180 words, 4-minute read)  Existence is the third instalment in the Southern Bough series commissioned by Singapore International Festival of Arts (SIFA). As its title implies, this third piece closes the full work with a more philosophical tone than in the previous two. The first instalment, The Beginning (2018), introduced the first

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Gardens Speak (6)_Courtesy of Arts House Limited
Arts House Limited

The Body Witness: Gardens Speak, en route, As Far As Isolation Goes at SIFA 2021

By Vithya Subramaniam (1,600 words, 6-minute read) Though cancelled last year amid the developing pandemic, Singapore International Festival of Arts has done well to lean into the possibilities of small-group, distanced programmes for this year’s line-up. I attended three of its immersive experiences—Gardens Speak, As Far As Isolation Goes, and en route—and found my body

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Master Conversations: Multimedia Design with Shimpei Yamada and Bilqis Hijjas

Japanese video designer Shimpei Yamada shares about his practice in multimedia and video design and installation, for both theatre and dance, alongside KL-based critic-facilitator Bilqis Hijjas. This session took place on 8 June 2021 as part of the Asian Arts Media Roundtable at SIFA 2021. The inaugural Master Conversations series focuses on production and technical

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Hello I'm Nik on Unsplash

I Was Afraid Of Critiquing Until I Met A Bunch Of Critics: Reflections on AAMR 2021

When you hear the word “critic”, what image do you conjure? I used to imagine a bespectacled person; bookish, extremely serious, and tough to please. From my point of view back then, critics were people you would find writing or talking about works of art, often or almost always using sophisticated vocabulary and generously peppering

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Master Conversations: Set Design with Tuxqs Rutaquio and Katrina Stuart Santiago

Manila-based set designer Tuxqs Rutaquio shares about his practice and process in set design alongside theatre critic Katrina Stuart Santiago. This session took place on 1 June 2021 as part of the Asian Arts Media Roundtable at SIFA 2021. The inaugural Master Conversations series focuses on production and technical theatre. Through four in-depth presentations, led

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The Year of No Return (1)_Courtesy of Tuckys
Tuckys Photography

Podcast 90: Critics Live: The Year of No Return by The Necessary Stage at SIFA 2021

Singapore critics Clarissa Oon, Lee Shu Yu, Nabilah Said and Naeem Kapadia discuss The Year of No Return by The Necessary Stage, presented at Singapore International Festival of the Arts (SIFA). The performance took place from 21-22 May 2021 at Victoria Theatre, and from 5-20 June via video on demand. Critics Live! is a critics-led

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