Page 49 | ArtsEquator

Calling All Curators: “Mode of Liaison” at Bangkok Art and Culture Centre [Thailand]

“The Japan Foundation Asia Center presents “Mode Of Liaisons” exhibition featuring paintings, sculptures, films/videos, installations and performances by nearly 20 artists at Bangkok Art and Culture Centre until July 2. Curated by Pichaya Suphavanij, the exhibition is part of “Condition Report”, a collaborative art project with curators from Japan and Southeast Asian countries with the […]

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A Useless Degree: Theatre Studies in Perspective [Singapore]

So, if those who can, do, and those who can’t, teach, should those who shouldn’t, study? Theatre is not practical; Theatre Studies is less so(?) Everyone knows the “practical” reasons why one should not take a theatre degree. A Bachelor’s Degree in Theatre Studies is not the easiest degree to convince your parents that it

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Review of Tropicana, The Musical: Memory Malfunction

By Felipe Cervera (910 words, 9-minute read) Theatre is a memory machine. Its engines run with dialogues and recollections, fuelled by the invisible streams of thought and emotion that run in and out, through the minds and bodies of the people gathered. We enter the theatre hoping to forget, to remember, wanting it to remind

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Singapore International Festival of the Arts 2017: An Enchanted Swan Song from Festival Director Ong Keng Sen

By Akanksha Raja (770 words, 9-mintue read) The 2017 edition of the Singapore International Festival of Arts (SIFA) returns with the theme “Enchantment”. It is the fourth and final edition helmed by Ong Keng Sen as Festival Director, and presents a range of artforms and interdisciplinary crossovers. It runs from June 28 to September 9,

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Review of ‘With/Out’: AIDS, Archives, Activism

The year was 1999, and I was an awkward little eighteen year-old virgin, still sweating my way through National Service. I’d only recently become involved in the Singapore theatre scene, and in a similar vein, I’d just begun embracing my identity as a gay man. Both decisions were fraught with danger: after all, Alvin Tan

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Baby you can’t drive my car [Thailand]

“The Thai Ferrari, made from woven rattan by Chiang Rai locals, will park at the Venice Biennale this year. “It can’t run, obviously,” said Anon Pairot of his rattan sports car. “The curator once remarked that somehow it was like Thailand. We build things, but we don’t really go anywhere.” The 57th Venice Biennale begins

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Two Vietnamese Film Projects Gain Support from Cannes Festival [Vietnam]

“Two Vietnamese directors — Pham Ngoc Lan with the film project “Culi Never Cries” and Le Bao with “Taste” — are amongst the 16 directors that have made their way to the L’Atelier supporting programme for young filmmakers, organised by the film foundation Cinéfondation of the Cannes Film Festival. The sixteen directors whose projects have

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Iswadi Pratama, an auteur of Indonesian theatre [Indonesia]

“Indonesia’s foremost theatre director, the internationally acclaimed Iswadi Pratama, staged an extraordinary eight productions in 2016 There is no simple way of describing Iswadi Pratama. He claims to be a self-taught artist, yet his exceptional talents seem to suggest otherwise. Having spent most of his life bringing realities to the stage he insists that he

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A region in flux: “People, Money, Ghosts (Movement As Metaphor)” [Thailand]

“What do four contemporary artists from three other Southeast Asian countries have that could resonate in a country like Thailand? Turns out, a whole lot. From aesthetics, to spiritual beliefs, to societal struggles, Jim Thompson Art Center’s latest group exhibition, “People, Money, Ghosts (Movement As Metaphor)”, depicts the continual change that the region is going through,

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Coming out and breaking through: The Philippine queer cinema roundtable [Philippines]

“Queer cinema in the Philippines is going through some kind of resurgence. Although LGBTQ stories have always had a constant presence in local film — a number of iconic LGBTQ classics enjoyed mainstream success from the late 70’s to the early 90’s — the number of local pink movies released per year had dwindled dramatically.

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Marionette marvels: ASEAN Puppet Festival 2017 [Thailand, SEA]

“Thailand and its neighbours join up for the 2017 edition of the Asean Puppet Festival The magic of marionettes will light up Bangkok later this week as more than 400 puppeteers from eight Asean countries put on shows guaranteed to keep spectators spellbound. Brought to Thailand at the initiative of the Culture Ministry, the Asean

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Dogged Delirium: “Petty People” by NUS Theatre Studies

By Akanksha Raja (760 words, 7-minute read) Petty People marks the culmination of the undergraduate course for the graduating class of NUS Theatre Studies 2017. The play begins with a quadriptych of scenarios strung together by the enigma of a dog and its ambiguous mortality. The pooch is never seen. Its presence is indicated only

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Curated: Southeast Asia’s Contemporary Dancers [SEA]

Belgian-German contemporary dance choreographer Arco Renz — who recently staged Hanoi Stardust with Nguyen Duy Thành, Vũ Ngọc Khải and the Vietnam National Opera Ballet — shares his list of up and coming contemporary dancers in the region whose steps are worth following. “This mini directory of contemporary dancers from Southeast Asia is both very

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17 – 23 April 2017: Singapore

School of Contemporary Music Festival 2017, 7 – 30 Apr, various timings and venues Held as part of The LASALLE Show 2017 at the end of the academic year, this graduation showcase presents the college’s music students performing at the culmination of their years of training. More information. Every Brilliant Thing by Bhumi Collective, 18 –

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#not pho your entertainment [Vietnam]

“Over the past year and a half, May Tran (writer, student and professional procrastinator of Vietnamese descent) has been inundated with PR for two professional and sixteen-hundred amateur productions of Miss Saigon. The following piece has been cobbled together from segments of the largely incomprehensible fury essays she wrote during her frequent and violent rage

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Raka Maitra discusses Pallavi in Time – I never look back [Singapore]

“Raka Maitra from CHOWK Productions (Singapore) presents a brand new piece of dance at Esplanade Theatre Studio under Esplanade’s Raga series of programmes showcasing Indian performing arts in dance, music and theatre throughout the year. After selling out performances of The Second Sunrise at Da:ns Festival in October, Raka offers Pallavi in Time. A follow-up

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17 – 23 April 2017: Indonesia

Top Picks in Jakarta, Bali and Yogyakarta from 17 – 23 April 2017 JAKARTA Pesona Sastra Jawa, 18 April 2017, 3:30 PM, Bentara Budaya Jakarta Javanese Modern literature is losing popularity and readership. Many Javanese authors had switched to write in Bahasa Indonesia to widen its readers, making Javanese literature even more rare.

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I Am Miss Saigon, and I Hate It [Vietnam]

“Growing up, my dad always told me, “Every Vietnamese family has a remarkable story.” I was raised in Orange County, Calif., the home of Disneyland, the Angels baseball team, and Little Saigon—the largest population of Vietnamese people outside of Vietnam. It means that we were surrounded by people who were refugees, veterans, war survivors—people who were forced

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An Artist’s Comprehensive History of Southeast Asian Photography [SEA, Singapore]

“I was first introduced to writer and photographer Zhuang Wubin’s work when I moved to Cambodia. His writings on Cambodian photography are well-researched, accessible, and thoughtful — exactly what I was seeking as a newcomer to the area. Zhuang became an important node for me to learn from and think through photography in Cambodia, and later the region as a whole.

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New $30 million waterfront theatre for Esplanade [Singapore]

SINGAPORE – A $30 million waterfront theatre will open at the Esplanade – Theatres On The Bay in 2021. The mid-size venue will seat around 550 people. It was announced on Monday (April 10) by Minister for Culture, Community and Youth Grace Fu during the annual theatre awards organised by The Straits Times’ Life. At

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Tuckys Photography

‘Hope (Harap)’: No Hope in Contemporary Hell

By Kathy Rowland (728 words, 8 minute read) Teater Ekamatra’s Harap opens with its five characters frozen in the shadows, standing on low plinths. Taking centre-stage is a series of monochromatic, indeterminate images, projected on the backdrop and over their bodies. When the characters break free, the stage crackles with the easy energy of Hadi

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10 – 16 April 2017: Singapore

When Space Dissolves into Luminosity; Where Flowers Bloom Amidst Rocks, iPreciation Gallery, 15 April – 29 April 2017 iPreciation presents an exhibition comprising works by 10 Singaporean artists, which spans different mediums ranging from sculptures, paintings, prints and mixed media, and seeks to examine how artists approach questions of authenticity while navigating the ever complex world. Artists

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10 – 16 April 2017: Indonesia

Top Picks in Jakarta, Bandung, Yogyakarta, and Malang from 10 – 16 April 2017 JAKARTA Duet of Amplified Sewing Machine, 9 April 2017, 7 – 9 PM, Gudang Sarinah Ekosistem, Hall A2, Jakarta Can a Singer sewing machine sing? Artist Steffi Muller and Lisa Simpson will say, “Yes!” A closing event of the

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K.S. Maniam is still in Malaysia, slams Dewan Sastera’s erroneous essay [Malaysia]

Malaysian novelist K.S. Maniam is still based in Malaysia and has not left to the United States as claimed in Dewan Sastera recently. Government department, Dewan Bahasa dan Pustaka (DBP), through its monthly Malay language magazine, Dewan Sastera had reported in its April, 2017 issue that the 75-year-old had migrated to the United States. In an essay titled “Kolonialisme dan

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‘Bend in the River’ set to take a new twist: Khmer Times [Cambodia]

A deeply personal tale of revenge and redemption is set to return this weekend as Sophiline Arts Ensemble brings the celebrated “A Bend in the River” to Phnom Penh’s Chaktomuk Theater. While director and choreographer Sophiline Cheam Shapiro will keep the story’s original roots, her focus will be to increase the production values of the

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Championing Diversity, Dancers Move to Their Own Stories [Cambodia]

The music should be familiar to most in the audience—pop tunes known the world over—but not so for the dance, “Re/Play Dance Edit,” which was choreographed over the past week by Cambodian and Japanese dancers. As the artists perform in Phnom Penh on Friday and Saturday, they will gracefully move across the stage without interacting

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Art that Moves: Brendon Fernandez

Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them. This week, actor Brendon Fernandez tells us about a production he saw as teenager that gave him the courage to become an actor. We caught up with Brendon

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It Changed My Life: Film-maker Kirsten Tan’s journey from quirky distraction to movie magic [Singapore]

“Today, the 35-year-old is one of Singapore’s most exciting film-makers with a robust slate of award-winning short films and documentaries under her belt. Her first feature, Pop Aye – an offbeat tale about a disenfranchised architect and the elephant he adopts – just nabbed prizes at two of the world’s most important film festivals: Sundance

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Who’s Normal Anyway?

By Akanksha Raja (920 words, 9-minute read) Normal opens with a dreary, dull morning assembly at Trinity Girls’ School, immersing the audience in a mise-en-scène that is all too familiar to anyone who has been through any part of public education in Singapore. This bleary-eyed 7AM routine, of forced uniformity and subservience, is broken by

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Political Acts review: Artists weave defiance into performance art [SEA]

Review of POLITICAL ACTS: PIONEERS OF PERFORMANCE ART IN SOUTHEAST ASIA, Arts Centre Melbourne Steven Tonkin has curated a useful survey of Southeast Asian performance art as part of the inaugural Asia Triennial of Performing Arts. The photographs and videos of seven artists contain glimpses of their social environments, reminding us that performance art comes

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