Visual Arts

The 9th Asia Pacific Triennial

Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part II)

By Marcus Yee (1340 words, five-minute read) This is the second of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019. Read Part I here.   Wind Songs, Molecular Vibrations Four Winds Wind, you are a beast with four heads

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Natasha Harth for QAGOMA

Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part I)

By Marcus Yee (1259 words, five-minute read) This is the first of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019. Read Part II here.   Since 1993, the Asia Pacific Triennial (APT) has been a gathering point for contemporary

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ArtsEquator’s Top 10 Articles of 2018

Before we plunge headlong into 2019, here’s a quick recap of some of our most-read articles on ArtsEquator, in ascending order. 10. Nathalie Johnston: Creating a home for contemporary art in Myanmar by Victoria Milko As part of ArtsEquator’s series covering independent spaces across Southeast Asia, Victoria Milko profiles Nathalie Johnston, founder of contemporary art space Myanm/art in Yangon.

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Weekly Picks: Malaysia (26 Nov – 2 Dec 2018)

Symposium – How Easily Modernism Could Be Disturbed, at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery. The entire programme looks interesting — conversations included discussions between writer Pauline Fan and ILHAM Gallery director Rahel Joseph; writer Goenawan Mohamad and art critic Lee Wheng

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Alfonse Chiu

8 Questions with Alan Oei

As part of ArtsEquator’s interview series profiling artistic directors across the region, we spoke with Alan Oei, AD of The Substation and co-founder and executive director of OH! Open House, on his hopes, his challenges, and how he balances different needs and roles between the two companies. How do you come up with the themes

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Weekly Picks: Malaysia (19–25 Nov 2018)

KLEX 2018: Translucence, at various locations, 22–25 Nov An independent artist-run grassroots international festival of experimental film, video art and music. It’s a good introduction to contemporary experimental cinema and regional creative works. Admission is free for the lectures, and by suggested donations for performances (RM10 film, RM30 music at RAW Art Space, RM90 music

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Grace Baey

Grace Baey’s Portraits of Yangon’s Trans Population (via Coconuts Yangon)

Some photographers are able to capture the most delicate moments deftly. With her project Living Choices, Singapore-based shooter Grace Baey showed her ability to do just that. Baey spent one month in Yangon taking pictures of the city’s trans population for the photo series — and despite the short time frame and limited window for gaining the

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June Yap

An Interview with Dr June Yap: President’s Young Talents 2018

The seventh edition of the President’s Young Talents exhibition (PYT) opened 4 October 2018 at the Singapore Art Museum (SAM). Since its first presentation in 2001, the platform has presented 38 artists, including this year’s Chen Yanyun, Chong Weixin, Debbie Ding, Hilmi Johandi and Zarina Muhammad. David Chan, Grace Tan, Zaki Razak, Roger Nelson, Jason

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Mirrored Interrogations

Mirrored Interrogations

In post-colonial Southeast Asia, the constraint of politically-engaged artworks is not uncommon. One can see the spatial and temporal struggles through telling cases from the region: last July, Seven Decades was a retrospective of political prisoners’ narratives in and out of Myanmar that was aptly shown at the Pyinsa Rasa Art Space in the Secretariat

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Ombak Potehi

Ombak Potehi: the Malaysian group reviving traditional Hokkien puppetry (via SEA Globe)

In the performance room of Penang House of Music, a museum dedicated to the musical history of this Unesco-listed Malaysian island, a crowd claps excitedly. They are cheering the group of young performers who get up from behind the stage, fatigued and sweaty, holding colourful puppets high above their heads. Their performance tells the story

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