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Johor Arts Festival

Johor Arts Festival 2018: Top 8 Picks

The 15th Johor Arts Festival kicked off on 1 September, and runs until 23 September 2018. One of Malaysia’s longest-running festivals, it features a variety of performances, exhibitions, workshops, talks, and activities, ranging between the traditional and contemporary; the loud and the quiet; the lighthearted and hilarious and the moving and poignant. Here are ArtsEquator’s

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AExGTF Chats: Prof Tan Sooi Beng of Ombak Potehi at George Town Festival

Potehi puppet theatre is a traditional Hokkien art form brought to Southeast Asia by immigrants from southern China several centuries ago. Despite originally being performed in Hokkien, potehi came to be performed in the different languages of the region, and is practised around Southeast Asia. Ombak Potehi is Ombak-Ombak ARTStudio’s glove puppet theatre group established

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AExGTF Chats: “Between Tiny Cities (រវាងទីក្រុងតូច)” at George Town Festival

Between Tiny Cities (រវាងទីក្រុងតូច), a two-hander dance performance dovetailing b-boy vocabulary with contemporary dance, was the result of a three-year cultural exchange between Tiny Toones in Cambodia and Darwin City Rockers in Australia. It was presented at George Town Festival 2018, running over the opening weekend of 4 – 5 August. We interview choreographer Nick

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Photo project examines how food challenges the notion of poverty (via SEA Globe)

Since 2010, photographer Stefen Chow and his economist partner Lin Huiyi have been challenging perceptions of what it means to be poor across the globe. Their award-winning project The Poverty Line, which will exhibit at this month’s George Town Festival in Malaysia, compares 29 countries through photographs of the food choices available to those living on the poverty line

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SMU Series: Down the Rabbit Hole, We Go: An Intern’s Dive into the Realm of Arts for Young Audiences

This article is the second in a series of essays by students from the Singapore Management University Arts and Culture Management programme. Never had I thought that I would be working with these monstrous little creatures. Yet, there I stood on my first day of work at The Artground (TAG), watching a group of pre-schoolers

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Myanmar’s artists reflect on seventy years of history in seminal exhibition (via Frontier Myanmar)

ARTIST HTEIN Lin climbs onto a chair. “Can I get up here? Then people can see me,” he says to the assembled crowd. “That’s a technique I learned in 1988.” He is in the south wing of Yangon’s Secretariat where, some 70 years ago, independence hero Bogyoke Aung San was assassinated. Htein Lin is referring

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Mass inclusion: thoughts on Teo Yeo Yenn’s ‘This is what Inequality looks like’ (via Dumbriyani)

In recent days, I have been absorbed heavily into a book my wife brought home from Kinokuniya. While she absorbed it in a mere few days, I took longer to read it because I realized that this book should have been entitled (insert here names of a few people I know). There are entire chapters

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Cambodia’s first contemporary dance company: ‘we were blacklisted for not being Cambodian enough’ (via SEA Globe)

April is hot in Cambodia, with temperatures regularly hitting the mid-30s. And in the tourist town of Siem Reap, performers at New Cambodia Artists (NCA), the country’s first contemporary dance company, lay down in their studio as they wait for the midday heat to pass. The power cut doesn’t help. Several industrial fans stand silent

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