Features

Weekly S.E.A Radar: From Cambodia’s psych rock festival to “Concept, Context, Contestation: Art and the Collective in Southeast Asia” in Yangon

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s our first weekly round-up of content, scoured and sifted from a range of regional news websites, blogs and media platforms, and brought together

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The ArtsEquator Logo Challenge

The ArtsEquator Logo Challenge

Hands up if you’ve ever wondered what the ArtsEquator logo symbolises! 🙋 Few can identify all the Southeast Asian capitals represented by the red dots on the logo. We quizzed random strangers in Penang on their geographical knowledge of the region’s capitals – watch them attempt to tackle the challenge and see how many you

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The 9th Asia Pacific Triennial

Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part II)

By Marcus Yee (1340 words, five-minute read) This is the second of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019. Read Part I here.   Wind Songs, Molecular Vibrations Four Winds Wind, you are a beast with four heads

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GOMA_APT9_installationview_20181120_nharth_148
Natasha Harth for QAGOMA

Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part I)

By Marcus Yee (1259 words, five-minute read) This is the first of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019. Read Part II here.   Since 1993, the Asia Pacific Triennial (APT) has been a gathering point for contemporary

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ArtsEquator’s Top 10 Articles of 2018

Before we plunge headlong into 2019, here’s a quick recap of some of our most-read articles on ArtsEquator, in ascending order. 10. Nathalie Johnston: Creating a home for contemporary art in Myanmar by Victoria Milko As part of ArtsEquator’s series covering independent spaces across Southeast Asia, Victoria Milko profiles Nathalie Johnston, founder of contemporary art space Myanm/art in Yangon.

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Examining Vietnam’s Modernity Through the Lens of South Asian Independent Documentaries

The idea for Moving Reels: A Social Dialog formed in 2016 as the result of a dialogue between Dr. Shweta Kishore, a scholar, documentary filmmaker, film and media lecturer at RMIT University, and Zoe Butt, a director and curator at The Factory Contemporary Arts Center. The program is a series of workshops that includes screenings of films

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Saigoneer Bookshelf: A Touch of Magical Realism in ‘The Cemetery of Chua Village’

Vietnam transitioned to a market economy like an old train lurching to life: momentous shakes and shudders, steam bursting out busted gaskets, disheveled cargo tumbling from luggage racks, sparks shooting off wheels screeching across warped rails and a whistle ripping into the placid sky. As the government enacted new policies, tossing aside the institutions to

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Weekly Picks: Malaysia (10–16 Dec 2018)

Paranormal, at RAW Art Space, 11 Dec, 8:30pm Award-winning musician Ng Chor Guan performs with Paranormal String Quartet from Germany. The night will showcase repertoire pieces by Paranormal String Quartet, which explores unique soundscapes of classic, jazz and contemporary; and Toccata Studio’s 20:20:Timescaper, a conceptual work of a journeying individual.  Admission by minimum donation of

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Eleven New Elements from the Asia-Pacific Region Inscribed on the List of UNESCO’s Intangible Cultural Heritage

Meeting in Mauritius until 1 December, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed eleven elements from the Asia-Pacific region on the Lists of UNESCO’s Intangible Cultural Heritage. Among them, two elements have been added to the List of Intangible Cultural Heritage in Need of Urgent Safeguarding while nine elements from

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