Draconic Self-Portrait: An intimate conversation with Margaret Leng Tan on Dragon Ladies Don’t Weep
By Shahril Salleh (1,357 words, 4-minute read) Doyen. Icon. Self-professed Dragon Lady. These are some of the facets of Margaret Leng Tan, Singapore’s Cultural Medallion award recipient in 2015. Margaret is a treasured Singaporean musician and performance artist who is…
Dragon Ladies Don’t Weep: Brilliance Is Margaret Leng Tan
The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 5-minute read) Note: This review may contain some minor spoilers for Dragon Ladies Don’t Weep by Margaret Leng Tan. ONE: “Music;…
A sound collaboration: 宿 (stay) at Sydney Festival 2020
By Maria Herminia Graterol Garrido (571 words, 4-minute read) There is a huge difference between watching a great piece of theatre with a beautiful original score, and experiencing a process that gives equal importance to all the creative aspects, including…
Podcast 69: Playfreely by The Observatory
Nabilah Said chats with Cheryl Ong, Dharma and Yuen Chee Wai from The Observatory about their free improvisation music festival, Playfreely, which features free improv musicians from Southeast Asia and the larger region. The 7th edition of Playfreely takes place…
The working processes of artists: Tim De Cotta
In this video, LASALLE students Nicole Kessler and Marian Saturno speak to musician Tim De Cotta on his (many) musical influences, how he talks about social issues through music and how to keep your art pure. Tim De Cotta is…
The working processes of artists: Sheng player Michael Lee
In this video, LASALLE students Michelle Fonseca and Hazeline Ali speak to Sheng player Michael Lee, who has played the classic Chinese musical instrument for more than 50 years. Being a Sheng maestro has brought Michael Lee all around the…
What is the music of my country? Race, harmony and diversity in Singapore
By Bani Haykal (2,600 words, 10-minute read) “All music, any organization of sounds is then a tool for the creation or consolidation of a community, of a totality.” – Jacques Attali “Gua jahat ada hajat boy” – Akeem Jahat…
The working processes of artists: .gif
In this video, indie-electronic duo .gif, made up of Nurudin Sadali and Chew Wei Shan or Weish, are interviewed by LASALLE students Narrel Wisaksono and Aqid Aiman. They talk about their sound, the nature of cross-disciplinary collaborations and wearing chicken…
Hitting the right (heart) notes: 10toONE by ONE Chamber Choir
By Shahril Salleh (932 words, 5-minute read) ONE chamber choir has a formidable reputation. It is one of Singapore’s premier community choir – one that made waves and built bridges for our nation in the international choral music scene. Its…
ArtsEquator’s Top 10 Picks at the Performing Arts Meeting 2019
Established in 1995, the Tokyo Performing Arts Market (TPAM) was created to be a platform to network Japanese artists with producers and funders. 24 years later, TPAM has expanded in scope and purpose, to include live performance, panel discussions and…
AExGTF Chats: Charlie Lim and .gif in George Town
On the closing weekend of the George Town Festival, ArtsEquator interviewed Singaporean musician Charlie Lim and indie-electronic music duo .gif who were in Penang to perform at China House, along with other Singaporean musical acts including Tabitha Nauser and Yung…
Art That Moves: Marc Nair
Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them. Marc Nair, poet and photographer, is producer of Note for Note: #Skintones, an…
Scattered Thoughts on Indonesian Music and Romanticism
By Azzief Khali for The Wknd (1390 words, 12 minute read) Indonesia tends to loom large in the Malaysian cultural imagination, and likely for good reason: the quality and quantity of cultural production coming out of Indonesia tends to…