Visual Arts

Johor Arts Festival

Johor Arts Festival 2018: Top 8 Picks

The 15th Johor Arts Festival kicked off on 1 September, and runs until 23 September 2018. One of Malaysia’s longest-running festivals, it features a variety of performances, exhibitions, workshops, talks, and activities, ranging between the traditional and contemporary; the loud and the quiet; the lighthearted and hilarious and the moving and poignant. Here are ArtsEquator’s […]

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Kisah Pulau Pinang (Photo Credit – JohnK)-803
John K

Ombak Potehi’s “Kisah Pulau Pinang: The Penang Story”: A Slice of Malayan History

By Akanksha Raja (620 words, four-minute read) Ombak Potehi is Ombak Ombak Art Studio’s glove puppet theatre group established in 2015, consisting of young people – all under 30 – producing and performing puppet theatre, having been trained by experts from Penang’s Beng Geok Hong Puppet Troupe. To date, they’ve written and produced three works:

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AExGTF Chats: Prof Tan Sooi Beng of Ombak Potehi at George Town Festival

Potehi puppet theatre is a traditional Hokkien art form brought to Southeast Asia by immigrants from southern China several centuries ago. Despite originally being performed in Hokkien, potehi came to be performed in the different languages of the region, and is practised around Southeast Asia. Ombak Potehi is Ombak-Ombak ARTStudio’s glove puppet theatre group established

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Photo project examines how food challenges the notion of poverty (via SEA Globe)

Since 2010, photographer Stefen Chow and his economist partner Lin Huiyi have been challenging perceptions of what it means to be poor across the globe. Their award-winning project The Poverty Line, which will exhibit at this month’s George Town Festival in Malaysia, compares 29 countries through photographs of the food choices available to those living on the poverty line

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SMU Series: Down the Rabbit Hole, We Go: An Intern’s Dive into the Realm of Arts for Young Audiences

This article is the second in a series of essays by students from the Singapore Management University Arts and Culture Management programme. Never had I thought that I would be working with these monstrous little creatures. Yet, there I stood on my first day of work at The Artground (TAG), watching a group of pre-schoolers

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Myanmar’s artists reflect on seventy years of history in seminal exhibition (via Frontier Myanmar)

ARTIST HTEIN Lin climbs onto a chair. “Can I get up here? Then people can see me,” he says to the assembled crowd. “That’s a technique I learned in 1988.” He is in the south wing of Yangon’s Secretariat where, some 70 years ago, independence hero Bogyoke Aung San was assassinated. Htein Lin is referring

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Kartika Affandi: 9 Ways of Seeing | Interview with videomaker Christopher Basile (via Culture 360)

A new documentary film tells the story of visionary artist Kartika Affandi, daughter of Indonesia‘s most celebrated painter, and a groundbreaking personality in her own right. On the poster for the documentary: “Kartika: 9 Ways of Seeing”, the smiley face of a blithe elderly woman pops up from an opened mouth, bringing to mind the screaming

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Vietnamese artist wins prestigious Signature Art Prize (via SEA Globe)

In a dark room, two suspended video screens play images of rice paddies and derelict schoolrooms in rural Vietnam. Where one might expect to see adults, there are only children: working in the fields, resting in their dormitory, or studying soberly in the classroom. At times, children’s bodies are strewn across the agricultural landscape, leaving

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