Policy

1 – 7 May 2017: Singapore

CHAOS MEMO YELLOWING, directed by Chan Tze-Woon, 4 MAY, 7:30pm, National Museum of Singapore In 2014, an umbrella movement took place in Hong Kong, where young people led the ups and downs of the movement, the occupation of streets by civilians, and the fight against democracy in the way of civil disobedience. “Where there is a […]

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Coming out and breaking through: The Philippine queer cinema roundtable [Philippines]

“Queer cinema in the Philippines is going through some kind of resurgence. Although LGBTQ stories have always had a constant presence in local film — a number of iconic LGBTQ classics enjoyed mainstream success from the late 70’s to the early 90’s — the number of local pink movies released per year had dwindled dramatically.

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17 – 23 April 2017: Singapore

School of Contemporary Music Festival 2017, 7 – 30 Apr, various timings and venues Held as part of The LASALLE Show 2017 at the end of the academic year, this graduation showcase presents the college’s music students performing at the culmination of their years of training. More information. Every Brilliant Thing by Bhumi Collective, 18 –

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K.S. Maniam is still in Malaysia, slams Dewan Sastera’s erroneous essay [Malaysia]

Malaysian novelist K.S. Maniam is still based in Malaysia and has not left to the United States as claimed in Dewan Sastera recently. Government department, Dewan Bahasa dan Pustaka (DBP), through its monthly Malay language magazine, Dewan Sastera had reported in its April, 2017 issue that the 75-year-old had migrated to the United States. In an essay titled “Kolonialisme dan

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27 Mar – 2 Apr 2017: Singapore

The Four Note Opera by L’arietta Singapore, 31 Mar – 2 Apr, Aliwal Arts Centre Having had its New York City premiere in 1972, this hilarious one act opera by American composer Tom Johnson – part absurdist, part minimalist, all comedy. L’arietta Productions is a music collective that aims to produce high quality chamber opera, and

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Activist Lena Hendry fined RM10,000 over unapproved documentary screening

KUALA LUMPUR: A human rights activist has been fined RM10,000 Wednesday by the magistrate’s court here for screening a Sri Lankan civil war documentary which had not been approved by the Censorship Board. Magistrate Mohd Rehan Mohd Aris sentenced Lena Hendry, 32, after she was found guilty of screening the documentary. Read the rest of

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Staircase artwork by Singaporean Priyageetha Dia depicts a reverse-Midas scenario

“And leaving gold in a public area–of course it would be bait. Not so much for thieves, but the ensuing discourse, already overdetermined, of whether it was authorised, legal, permissible, safe. MP’s and Town Council officials weighing in, sandpapering the gold with their pronouncements more than the slipper-soles of the residents who actually use the

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20 – 26 February 2017: Singapore

Indices of Vanishment by RAW Moves, 23 – 25 Feb, 8pm, Aliwal Arts Centre Choreographed by Edith Podesta, Lighting Design by Adrian Tan, Sound Design by Teo Wee Boon and performed by RAW Moves Company Dancers, Indices of Vanishment is the 2017 edition of RAW Moves’ annual Repertory Platform. Indices of Vanishment is a movement performance that examines

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Tash Aw & Tahmima Anam Discuss Home, Identity and the Changing Face of Asia

I think if anyone is truly honest about any meaningful relationship, they will experience a certain ambiguity about it: no one can love totally without questioning that relationship from time to time, and if they did, it wouldn’t be real. It’s the same with relationships with your country: the deeper your attachment, the more you

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Someone to say ‘stop it, this is too much’: Raka Maitra and T Sasitharan on collaboration

Dancer-choreographer Raka Maitra, 46, and dramaturg T. Sasitharan, 59, have been constant collaborators. He is the director of the Intercultural Theatre Institute (ITI), while she is the founder of 10-year-old dance company Chowk, known for its contemporary expressions of the traditional Indian dance form of Odissi. When asked, the two recall a disagreement with some mirth, like

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Everything Points Inward: Capitalism and Its Discontents at an Art Fair in Singapore

A pop-up market of contemporary luxury goods being sold to a wealthy elite doesn’t begin to encapsulate the diversity of languages, countries, and cultures of the region, not to mention the many kinds of artistic spaces and projects embedded therein, all of which are largely unseen at Art Stage. Like Singapore’s mega-city aspirations of being

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See what’s made to order at North Korea’s blacklisted art factory (The Nation)

…The North’s art scene is tightly controlled – there is no abstract art, which is regarded as anti-revolutionary – and even the top artists earn monthly salaries that bear little relation to the sale value of their work. “We produce pieces that are demanded by revolution, that move people to revolution,” says Hong Chun-Ong… Tags:

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9 – 22 Jan 2017: Indonesia

Meta’s Top Picks in Bali, Bandung, Yogyakarta, and Jakarta from 9 – 22 January   BALI   Way Up Project, 8 January – 11 February 2017, Cata Odata, Bali Cata Odata’s Street Art Collaboration continues with an exhibition featuring 20 street artists’ works. The term “Way Up” is used in the project to refer to

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Singapore Biennale 2016: A/political Performance – Atlas of Mirrors in Context

By Wei Er Xun, Finalist, Best Essay by an Emerging Art Writer Competition* (2700 words, 30-minute read) Introduction The stakes of exhibitions have always been high. Before the advent of the cinema, television and other mass media, large-scale exhibitions and world expos were primary sites for cultural exchange. As Maria Lind explains in a text

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19 – 25 Dec 2016: Indonesia

Meta’s Top Picks in Yogyakarta, Jakarta and Bali from 19 – 25 December Meta is a freelance arts administrator and a traveling yogi. She spent 16 years of her life as an art practitioner and the last few years as an arts administrator. Her first love in the arts is dance. She left her heart

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28 Nov – 4 Dec 2016: Malaysia

Talk Prof. Dr. Ghulam-Sarwar Yousof: Kelantan Shadow Play: Some Challenges, 29 Nov, KL Following a brief introduction to the Kelantan shadow play, principally in terms of dramatic content, this lecture will touch upon socio-political as well as religious issues surrounding this genre, questions related to State policies and other factors which, in recent decades, have

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