Text and Photos by Grace Baey Amidst the line-up of events at Singapore Art Week 2022, The Arts House is currently a site for three new installation works by artists Speak Cryptic, Jason Wee and WY-TO, and the National Library Board. We spoke with the artists and organisers to learn more about their works, beyond […]
Capturing The Imagination: Art Installations at The Arts House Read More »
By Daniel Teo (1,018 words, 4-minute read) When the tour party assembles for Brian Gothong Tan’s The Swimming Pool Library exhibition, I realise I am likely the oldest person in the group. Our tour leader, Elijah Tay (pronouns “they”/“them”), introduces themselves and announces they had just turned 20. Just great, my mid-30s self thought. When
The Swimming Pool Library Exhibition: Mind The Gap? Read More »
An estranged father, a disillusioned employee, a human case study, those behind the scenes – all yearning for more in a collective plea for help. A joint collaboration between graduating students from NAFA’s BA (Hons) Performance Making cohort and directors Rei Poh and Goh Shou Yi, 0.01 is a non-linear exploration of interpersonal possibilities. The
0.01 at M1 Fringe 2022: The Space Between Read More »
There is no denying the spectacle that modern Hollywood blockbusters are capable of producing. However, I believe the action displayed in Asian cinema has consistently been a step above those we typically see in Hollywood, despite these movies more limited budgets. The shaky-cam technique and multiple quick cuts prevalent in many Hollywood action films, like
4 Movies That Showcase The Amazing Action Talent In Indonesia Read More »
Critics Live! is a critics-led programme series created by ArtsEquator to give arts audiences an insight into how critics formulate their responses to performances. In this session, join critics Lee Shu Yu, Matthew Lyon and Naeem Kapadia in a post-show conversation about three productions: The Essential Playlist by The Second Breakfast Company (Singapore), Being: 息在 by 微 Wei Collective
Critics Live (on Telegram!): M1 Singapore Fringe Festival 2022 Read More »
Ever since the pandemic hit, the notion of travel in Singapore has manifested in a variety of forms. The word “staycation” is now commonly associated with a quick getaway from the same walls we’ve grown accustomed to in our HDB flats, as well as the offering of SingapoRediscovers vouchers. Since the beginning of the pandemic,
The Secret Life Of Haw Par Villa: How tours are bringing the arts to life Read More »
Below is a list of the top 10 ArtsEquator articles in 2021, in random order: The Substation: How many more canaries in the coal mine? by Hoe Su Fern Published on: 20 Feb 2021 “Although the current situation facing The Substation is not new or unique, its impending fate is emblematic of, and raises
The top ArtsEquator articles of 2021 Read More »
Let’s face it, 2021 in Singapore sucked harder than 2020. The waves of mildly inconvenient restrictions did more to chip away at everyone’s mental health than 2020’s “shut-everything-down” Circuit Breaker. Amidst the litany of changes to safe-distancing regulations though, the museums and galleries have remained open. Here’s my rundown of the highlights of Singapore’s museums,
2021: Singapore Visual Arts at Year’s End Read More »
Listen as speakers Ke Weiliang, Lee Shu Yu, Matt Lyon, Nabilah Said and Naeem Kapadia share their thoughts about Singapore theatre in 2021, including observations and shows they found memorable. Mentioned in this episode: ArtsWok, Brown Voices, Checkpoint Theatre, Double Confirm Productions/Sight Lines Entertainment, Drama Box, Eng Kai Er, Esplanade – Theatres on the Bay,
Podcast 100: Singapore Theatre Year In Review Read More »
cw: Contains mentions of suicide There appears to be more local books and writing about mental health in the Singapore lit scene in recent years. In Mahita Vas’ book A Good Day To Die: Inside A Suicidal Mind, published this year, she details specific issues of discrimination in Singapore, such as being rejected by all
How the Singapore literary ecosystem tackles mental health Read More »
By Vithya Subramaniam, in conversation with Karthikeyan Somasundaram Why stage a piece about, and play your own father? What is Tamil Theatre in Singapore? And did Karthik really need to put on a full face of paint just for that one 12-minute scene? Vithya Subramaniam and Karthikeyan Somasundaram chat about Re Somma—a ‘bioplay’ on Singaporean
Re Somma and Tamil Theatre in Singapore Read More »
This article is published as part of the inaugural AE x Goethe-Institut Critical Writing Micro-Residency 2021/2022. Last year, I embarked on a two-month research that sought to sketch a possible genealogy of “Vietnamese contemporary art” that foregrounds female art practitioners. Spanning two print issues of a magazine, roughly twenty-one pages, the final essay celebrates more
Phuong M. Do: The Puzzle of Photography, or What Fits and What Does Not Read More »
A new interactive showcase is shining the spotlight on the 130 artists who have been conferred the Cultural Medallion, Singapore’s highest accolade for the arts. Titled Our Cultural Medallion Story, the exhibition consists of a physical exhibition–with artefacts, write-ups, books and multimedia components—and a companion website, which introduces the public to these renowned artists from
Our Cultural Medallion Story: 3 ways to explore this showcase of Singapore artists Read More »
In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss two productions: The Mother by Pangdemonium, and ________ Can Change by The Necessary Stage. Stream Podcast 99: ArtsEquator · Podcast 99: The Mother and ________ Can Change Also available on Spotify. Podcast Transcript Nabilah Said (NS): Hello and
Podcast 99: The Mother and ________ Can Change Read More »
In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss Love & Information by Young & Wild, which is the youth arm of Singapore theatre company Wild Rice. Stream Podcast 98: ArtsEquator · Podcast 98: Love & Information by Young & Wild Also available on Spotify. Podcast
Podcast 98: Love & Information by Young & Wild Read More »
We asked 11 writers and translators of poetry, fiction and non-fiction to participate in an exquisite corpse-like Q&A session, with each person answering a question and then asking one. These writers, who hail from countries in the Asia Pacific such as Sri Lanka, Myanmar, Vietnam, Hong Kong, and Japan, are part of the 2021 cohort of
WrICE 2021: Writers Ask Writers, Asia Pacific edition Read More »
In this edition of See What See, we review three films made by Southeast Asian directors and featuring Southeast Asia currently showing at the Singapore International Film Festival 2021 (SGIFF). SGIFF runs from 25 November to 5 December 2021 with over 100 films from more than 40 countries. Also check out Fiona Lee’s review of
SEE WHAT SEE: SEA AT SGIFF 2021 Read More »
While watching his pupil spar, the martial arts master instructs, “Trust your instinct, feel your own body. Only then you can express yourself…” “Sifu,” the pupil replies, “What is myself?” The scene above captures the premise of Barbarian Invasion, a film written and directed by Tan Chui Mui, who also plays its lead role. The
Barbarian Invasion: Malaysian New Wave’s return to self Read More »
By Wennie Yang (1,200 words, 4-minute read) Pandemic restrictions have put arts and cultural workers and institutions in a bind: choosing between sustaining their missions at times of a global pandemic or ceasing operations altogether. How have Southeast Asian arts managers survived? That was the question at the heart of the third ANCER Lab, formed
ANCER Lab 03 Manila: How arts managers are surviving COVID-19 Read More »
By Lainie Yeoh I grew up in an era where queer films were rare exceptions and it was your holy gay-af duty to watch all the ones you could access. Yes, even if they’re mostly about white people processing their feelings; or painfully slow art films by gay Asian men thinly disguising their personal journeys;
SEE WHAT SEE: BOYS’ LOVE (BL) DRAMAS Read More »
It’s 2021 – and you’re constantly being told to be your best self! There’s that pile of books waiting to be read, countless browser tabs open with must-read articles, and a list of podcasts that are supposed to make you smarter. But at the end of a long day, all you find yourself reaching for
Quiz: What’s Your Guilty Pleasure? Read More »
ArtsEquator chats with five writers about their favourite horror characters and monsters from Southeast Asian lore and mythology. We then asked two Singapore artists, Natalie Christian Tan and Divyalakshmi, to respond with a custom illustration based on the replies. Singapore Writers Festival 2021 runs from 5 to 14 November 2021 with the theme “Guilty Pleasures”
Shock Horror: The Southeast Asian monsters we love Read More »
In the second of a two-part episode on the Singapore Writers Festival 2021, Nabilah Said chats with horror writer Wayne Rée about his love of gore and slasher fiction, the supernatural in Southeast Asia, and his opinions on Nickelback. Wayne is part of SWF panel Kill Your Darlings (and Everyone Else) on 14 Nov 2021,
Podcast 97: Writer Wayne Rée talks about gore and slasher fiction Read More »
In the first of a two-part episode on the Singapore Writers Festival 2021, Nabilah Said chats with author Grace Chia about her book The Arches of Gerrard Street, and her thoughts on writing crime while exploring themes surrounding the experiences of minorities and the Chinese diaspora in London, and exoticism. Grace is part of SWF
Podcast 96: Writer Grace Chia talks about crime and The Arches of Gerrard Street Read More »
By Syed Muhammad Hafiz (1,000 words, 3-minute read) For the uninitiated, art curators are a mysterious bunch. Even scary, sometimes. Usually associated with big, stuffy museums, they speak a particular language that only they would recognise, and write essays that would require you to have a dictionary on hand. Fortunately, most of those stereotypes are
So You Wanna Be An Independent Art Curator in Singapore? Read More »
For his directorial and playwriting debut, Drama Box’s resident artist, Chng Yi Kai, wants to reframe the discourse around mental health. This might seem ambitious for a young artist of 29, but this issue has been percolating in his mind since he was in university a couple of years ago. “I was going through some
Reframing The Mental Health Discourse ‘With Time’ Read More »
By Faezah Zulkifli (921 words, 3-minute read) The setting is familiar—every Sunday night, my family gathers in the living room to watch TV. Tonight, we are watching Checkpoint Theatre’s Keluarga Besar En. Karim (The Karims). It was déjà vu; versions of this image of the TV in the living room have greeted my Instagram feed
Keluarga Besar En. Karim: Pressing play on family drama Read More »
Who do you want to be when you grow up? At the end of the play AIR CON, the character William (Nick Davis) asks the character Asif (Ryan Lee Bhaskaran) this question. This stuck with me because I found myself asking the question: What happens when a play grows up? Does it? Are plays allowed
Air Con: Who Do You Want To Be When You Grow Up? Read More »
In August, the National University of Singapore (NUS) announced unilaterally that Yale-NUS College would be shut down by 2025, marking what many see as a premature end to the partnership between Yale University and NUS that started in 2011. The months since have seen an outpouring of grief, anger, and resistance against the decision to
Yale-NUS closure: Artistic legacies and loss in (de)liberation Read More »
“I want to bring all the Asian kinds of music to the world, with our language,” says rapper and music producer Daly Filsuf. In this video, the artist talks about dikir barat as a genre, and how he has fused elements of dikir barat and Malay traditional music into his work with Malay hip hop
The working processes of artists: Daly Filsuf Read More »
