Articles

How Dujdao Vadhanapakorn Uses Dance to Disarm the Human Psyche
Via Prestige Online Thailand

Weekly S.E.A. Radar: Filipino and Chinese Marvel superheroes clash; Singapore’s one-man museum

ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional […]

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Civilised by The Necessary Stage.
Tuckys Photography

Reframing Colonialism: “Civilised” by The Necessary Stage

By Naeem Kapadia (954 words, 4-minute read) There has been a slew of works responding to the bicentennial of Singapore’s founding by Sir Stamford Raffles, an event that the authorities have chosen to spend all year celebrating through a series of activities such as guided tours, exhibitions and immersive performances. Ayer Hitam: A Black History

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Crystal Pite Esplanade da:ns
Julien Benhamou

The Paris Opera Ballet performs Crystal Pite’s “The Seasons’ Canon”: Esplanade’s da:ns series 2019

The prestigious Paris Opera Ballet arrives on local shores this June as part of Esplanade’s da:ns series, bringing with them a trio of wide ranging works. These include the stories of romantic love told through balletic duets in Jerome Robbins’ In The Night (1970), the speed and precision of William Forsythe’s Blake Works I (2016),

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Weekly S.E.A. Radar: Graphic novel on Jakarta’s 1998 riots; film on queer community in Brunei

ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional

Weekly S.E.A. Radar: Graphic novel on Jakarta’s 1998 riots; film on queer community in Brunei Read More »

Azunar11-770×470
The Star/Low Boon Tat

Weekly S.E.A. Radar: Malaysian political cartoonist Zunar publishes book; Filipino Sign Language interpreters at music festival

ArtsEquator Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional

Weekly S.E.A. Radar: Malaysian political cartoonist Zunar publishes book; Filipino Sign Language interpreters at music festival Read More »

Podcast 58: Research and Practice in Performance-Making

Duration: 29 min As emerging art-makers having recently graduated from B.A. programmes from three different institutions in Singapore, Ranice Tay, Chua Pei Yun and art naming 奇能 (née Adam Lau*) share their thoughts on the distinctions, overlaps, limitations and challenges between academic research and creative practice. Podcast hosted by Felipe Cervera. *Prior to April 2019,

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Bangkok Post

Weekly S.E.A. Radar: Vietnamese artwork ruined; Myanmar rocket festival

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

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The Body Remembers: Kitt Johnson on “Stigma” at M1 CONTACT Contemporary Dance Festival 2019

2019 marks the 10th edition of the M1 CONTACT Contemporary Dance Festival, a humble endeavour by Kuik Swee Boon, artistic director of T.H.E Dance Company, that has expanded to be an incredible force and champion for contemporary dance not just locally, but internationally. Reflecting on the Festival’s past nine editions, Kuik muses, “So many artists

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What If Your Body Turns into a Sculpture?: Interview with Sasha Waltz on “Körper” at SIFA 2019

Have you ever imagined dancers’ bodies turning into sculptures, as if time stood still? This is the impression of Körper (Body), the signature dance performance of this year’s edition of the Singapore International Festival of Arts. Choreographer Sasha Waltz (SW), Artistic Director designate of Berlin State Ballet, is renowned for her multi-disciplinary productions, blurring boundaries

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"Undressing Room" by Ming Poon. Photo courtesy of M1 Singapore Fringe Festival.

Unravelling the History of Nudity in Singapore Theatre

By Akanksha Raja (2144 words, nine-minute read) The naked body on stage (even if only imagined) has a potent social power: taboos surrounding the body can shock and offend some Singaporeans. But when did this start? How has public response to incidences of nudity on the Singapore stage changed, and how have changing policies on

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Bangkok Post

Weekly S.E.A. Radar: Starchitecture in the Philippines; Thong Lor’s erotic art museum

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

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The Beauty of Time and Image: “ST/LL” at SIFA 2019

Seamlessly blending the digital image, live dance and a richly evocative music score, ST/LL is startlingly beautiful treat for the eyes and the ears. This production celebrates the performance collaboration of composer Ryuichi Sakamoto and visual and multimedia artist Shiro Takatani. (Sakamoto’s concert Fragments, with visuals by Takatani, is already sold out.) Here are four reasons to catch ST/LL at the

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radar-krossing
Nguyen Dzung

Weekly S.E.A. Radar: Myanmar’s satirical poets fighting censorship; “Terompet Rakyat” herald Indonesia’s elections

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

Weekly S.E.A. Radar: Myanmar’s satirical poets fighting censorship; “Terompet Rakyat” herald Indonesia’s elections Read More »

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Bernie Ng

Frontier Danceland’s “LEAP 2019”: Showcasing the Scholars of PULSE 2018/19

By Jocelyn Chng (930 words, four-minute read) LEAP is an annual platform from contemporary dance company Frontier Danceland, showcasing the young trainee dancers of the M1-Frontier Danceland PULSE Programme. The PULSE Programme is now in its ninth year, and since 2014 has been supported and co-presented by M1. It takes in aspiring dancers between the

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radar-urbanist-hanoi-street-art
Mate

Weekly S.E.A. Radar: Myanmar’s political punk rockers; the story of Chiang Mai’s contemporary art museum; Hanoi’s emerging street art

ArtsEquator Radar features articles and posts drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region. Here’s a round-up of content from this week, scoured and sifted from a range of regional news websites, blogs and media platforms, and

Weekly S.E.A. Radar: Myanmar’s political punk rockers; the story of Chiang Mai’s contemporary art museum; Hanoi’s emerging street art Read More »

Book Review: “The State and The Arts in Singapore: Policies and Institutions”

Commissioned by the Institute of Policy Studies of Singapore (IPS) to trace the course of cultural policy in Singapore from the 1950s to the present, The State and the Arts in Singapore: Policies and Institutions is a comprehensive tome that should serve as an essential text in time to come for any student’s introduction to Singapore’s

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1. White Water_01_photo Liu Chen-hsiang_LR_cover
Liu Chen-hsiang

Cloud Gate Dance Theatre of Taiwan: Between East and West, Heaven and Earth

Sustainability, remaining fresh and engaging is challenging in the present day, content-saturated global world. Lin Hwai-min and Cloud Gate Dance Theatre of Taiwan are among a handful of contemporary dance companies that have achieved this over 45 years of performing an ever-changing, diverse and provocative repertoire. With multiple accolades and awarded doctorates to his name,

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