Artists from the region created a virtual time capsule to capture the objects and memories of the past two years.
“Covid Time Capsule”: Memories and Regret and Echoes from the Stars Read More »
Jean Baptise Phou’s work My Mother’s Tongue began as a way for the artist to examine his relationship with his Teochew-speaking mother. Through collocations with other artists and audiences, the work has undergone different manifestations, but remains an “an exploration of the barriers to connection that transcend language” writes Deborah Augustine.
Echoes from the Stars: A Collective Map of Love, Memories and Regret Read More »
Looking through the 35-page programme booklet for the 9th edition of Singapore Art Week (SAW), I was fully struck by my Malaysian-ness. Never before have I gone through a brochure for any art event with so much content – 100 events across both physical and digital spaces featuring over 300 Singaporean and international artists, all
A Malaysian under lockdown reviews Singapore Art Week 2021 Read More »
by Kathy Rowland ArtsEquator sometimes feels like a mythical creature. Looking back over the past 4 years, it takes the shape of a unicorn, a joyful improbability. With Covid-19, it can weigh like an albatross, cash flow statements instead of wing span, web traffic in place of talons. Perhaps it is a hippogriff, half earthbound
ArtsEquator, Deadline Now Read More »
By ArtsEquator For International Women’s Day, ArtsEquator asked 11 women arts leaders in SEA to tell us about a woman who has inspired, supported or mentored them on their arts journey. Their stories recall mothers, bosses, Hollywood directors and an overlooked composer from the 19th century. We are inspired by the varied ways that women
International Women’s Day: Inspiring Women Read More »
By Nabilah Said (2,220 words, 11-minute read) Had Malaysian artist-poet Latiff Mohidin been French, he might perhaps strongly identify with the idea of the flâneur. Coined by French poet Charles Baudelaire, the French word for someone who strolls in the city found cachet as a description of the artist-poet who drew inspiration from the city
Making Our Own Centres (Of) Ourselves: Latiff Mohidin’s “Pago Pago (1960-1969)” Read More »
“After a controversy over terminology and a year’s preparation, the ambitious Yangon Art Expo has helped to create greater international interest in contemporary Myanmar art. U Aung Min of Yangon’s Magic Art Gallery declared last week’s Yangon Art Expo the best exhibition of Myanmar art for 100 years. Objectivity may have been elusive when the
Myanmar art exposed Read More »
By Kathy Rowland (770 words, 5 minute read) The Asian Dramaturgs’ Network, launched in April 2016 in Singapore by dance dramaturg Lim How Ngean, has quickly extended its regional footprint this year with meetings in Yokohama and Australia. Its Satellite Symposium in Adelaide, presented by Centre 42, brought Australian and Asian cultural practitioners into the same
Asian Dramaturgs’ Network in Adelaide: Getting Messy to Make Sense Read More »
Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them. Lim How Ngean (PhD) is a performance-maker, dramaturg and dance researcher. In recent years he has dramaturged dances for choreographers such as Daniel Kok, Joavien Ng, Kuik Swee
Art That Moves: Lim How Ngean Read More »
By Alvin Lim (1860 words, 20-minute read) “I send you off like a lover.” – Zai Kuning, at the launch of Dapunta Hyang: The Transmission of Knowledge, 10 May 2017 With his palms over the bow, Zai launched the ship. At the stern, however, the ship was incomplete. All this, I sense, made the vessel
I Send You Off Like a Lover: SEA at Venice Biennale Read More »
By Kathy Rowland (1484 words, 15-minute read) The Tokyo Performing Arts Market (TPAM) was established in 1995. In 2011, TPAM moved to the City of Yokohama, re-branding as the Performing Arts Meeting in Yokohama. The shift of location also signalled a realignment, from showcase to co-presenting, with a specific focus on Asia. Over the past
Yokohama’s Creative City: Interview with Kozue Nakayama Read More »
By Kathy Rowland (930 words, 8-minute read) On Tuesday, 21 February, the Boston Globe published an article headlined “Ex-teacher molested pupils, Milton Academy says”, linking Rey Buono to sexual abuse of minors in the US in the 1980s. By the next day, the news had spread to Singapore and Malaysia, causing shock and alarm amongst
SEA-based Theatre Educator Accused of Sexual Abuse of Minors in the US Read More »
By Philip Jablon (1634 words, 15 minute read) I have vivid memories of the movie theaters that once peppered the streets of downtown Philadelphia. They were a key part of my childhood. The films that my parents took me to see in them blur with memories of the city into a vision of childhood that
Southeast Asia’s Forgotten Cinemas Read More »
Culture360’s report on the recent Asiatopia Performance Conference held in Bangkok. Tags: SEA Thailand
Asiatopia Performance Conference 2016 | An open space for sharing Read More »
Artsy.com’s Frances Arnold discusses the 11th Shanghai Biennale curated by Delhi-based artist group Raqs Media Collective. Tags: SEA
Shanghai Biennale 2016 Ditches Dichotomy between East and West Read More »
