Memori Menonton “Two Lines In a Square”: Penjara Bahasa dan Sang Tahanan Bebas Separa
Azrin Fauzi mengulas “Two Lines in A Square”, persembahan yang dilancar di Taipei dan Kuala Lumpur dari dua perspektif berbeza.
Malaysian theatre
Ghaib: Can the Unheard Speak?
Faisal Tehrani’s ‘Ghaib’, a complex portrayal of family, agency and voice, contends that real emancipation is still elusive in our society.
Parastoo Theatre: Art, Refuge, Action
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas, is creating a practice that enriches the cultural landscape for all Malaysians.
“Spilt Gravy Ke Mana Tumpahnya Kuah” Makes Us Consider Time, History and the Prickly Question of Family
After years of waiting, Spilt Gravy Ke Mana Tumpahnya Kuah hits the screens in Malaysia on 9th June. We speak to Datuk Zahim Albakri (director/co-screenwriter) and June Tan (co-screenwriter) on what it took for the film, adapted from a play, to reach this moment. One privilege of being an artist is the experience of creating …
Jit Murad: Your Imagination Will Make Us Smile
In examining the legacy of the late, celebrated Malaysian playwright Jit Murad, Fasyali Fadzly identifies the shoulders that Jit stood on, and the way his works, in turn, provide pathways for future theatre makers. Even though I am a Malaysian theatre practitioner, I am not friends with Jit Murad. We are divided by differing practices, …
Jit Murad: Imaginasimu Akan Buat Kami Tersenyum
Walaupun saya bergiat di dalam bidang teater di Malaysia, saya bukan kawan Jit Murad. Perbezaan praktis, latar belakang dan generasi menjadi jurang antara kami. Mungkin beliau juga tidak mengenali saya. Mungkin. Banyak perbezaan antara kami dan mungkin inilah yang menjadikan peluang untuk kami bertembung di lapangan yang sama, tipis. Melihat rakan-rakan seniman yang lain menceritakan …
Air Con: Who Do You Want To Be When You Grow Up?
Who do you want to be when you grow up? At the end of the play AIR CON, the character William (Nick Davis) asks the character Asif (Ryan Lee Bhaskaran) this question. This stuck with me because I found myself asking the question: What happens when a play grows up? Does it? Are plays allowed …
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Cakap-Cakap: Interview with Jo Kukathas for Air Con
We cakap-cakap (chit-chat) with Jo Kukathas about The Instant Café Theatre Company’s upcoming screening of Air Con, an award-winning 2008 play written by Shanon Shah. The play revolves around the murder of a sex worker near an elite boys school in Kedah and how it roils the school community. The play, which was directed by …
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Oppy & Professor Communitas: Meanderings of the Malay male theatremaker
A new addition to the genre of online theatre, Oppy & Professor Communitas by Five Arts Centre is a thoughtful, humorous, and self-reflective examination of the role and struggle of Malaysian theatremakers. Anchored through a series of workshop lectures, the play centres on Oppy, a young actor and musician who is at a crossroads about …
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Hitting up the Producers SG Directory: Taufik Darwis, Racy Lim and Khor Seng Chew
What is producing within the context of the arts? It is a question whose answer might vary depending on who you ask. Producers SG is a community of independent producers, arts managers and self-producing artists interested in nurturing support systems amongst producers and conversations around the practice of producing. Producers SG recently launched the Producers …
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Theatre goes online: Call me a purist, I don’t care
By Fasyali Fadzly (2,100 words, 7-minute read) No one would have guessed that the COVID-19 situation would become this bad. The Movement Control Order (MCO) in Malaysia was first ordered on March 18. To date, it has been extended twice, most recently to May 12. This pandemic has greatly impacted everyone, including me, someone who …
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Reflections on Art, Angin, Sickness and The Soul of Malaysia
The news that Germany rolled out a 50 billion bail-out for the arts during the Coronavirus pandemic made headlines worldwide the week it was announced. The aid package was for individuals as well as for small businesses that boosts artists and galleries. The announcement was made within weeks of their lockdown. “Our democratic society needs …
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Scene and Heard: Pat Gui, Stage Manager
(1,400 words, 5-minute read) I’m Pat Gui and I’ve been in the art industry for 29 years. I feel very old. On my business card, it says that I’m a director, because I’m the company director of my own company. But I’m actually in production and stage management. My company is called PH7 Production Management, …
Jelmaan Baharu Teater Tradisional dalam “Hikayat Cendawan Putih”
Antara pengarah teater yang kurang dicanang dan disebut-sebut dalam pementasan teater kontemporari adalah Sharul Mizad atau lebih senang dikenali sebagai Ejad. Beliau merupakan graduan terawal Akademi Seni Kebangsaan (kini ASWARA) bersama beberapa seniman teater seperti Nam Ron dan Norzizi Zulkifli. Dalam bidang teater beliau lebih dikenali sebagai pelakon, dan kebanyakan projeknya merupakan lakonan solo. Antara …
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Tender notes on violence in “A Notional History” by Five Arts Centre
By Patricia Tobin ( 700 words, 5-minute read) It starts with a song. Faiq Syazwan Kuhiri strums the ukulele and gently sings about hope and the future. For a lecture-performance, A Notional History, a work in progress by Five Arts Centre, is filled with pockets of tender moments like these. Together with journalist Rahmah Pauzi and filmmaker-activist …
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Fahmi Fadzil’s “GE14”: The sound and fury signifying everything
By Patricia Tobin ( 700 words, 5-minute read) “GE14 will be the arts festival to outdo all arts festivals,” said performer-politician Fahmi Fadzil. He is referring to the live spectacle: from theatre productions to political speeches, performativity is a constant. All the world’s a stage, as the production of GE14 shows, from the car parks …
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Book Review: “Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre”
By Felipe Cervera (1600 words, eight-minute read) Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre, edited by Charlene Rajendran, Ken Takiguchi and Carmen Nge, is a long overdue resource that sheds light on important aspects of the cultural, artistic, and political histories of Malaysian contemporary theatre—and, by extension, some medullar elements of Singaporean theatre too. …
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